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    Movie Review

    Crazy night leads to some weird stuff in The Death of Dick Long

    Alex Bentley
    Sep 27, 2019 | 2:55 pm
    Crazy night leads to some weird stuff in The Death of Dick Long
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    Director Daniel Scheinert has been quoted as calling his new film, The Death of Dick Long, “the redneck Hangover,” but that’s a bit of misnomer. Yes, the plot does involve a group of guys getting into some wild stuff, thanks to the influence of drugs, alcohol, and peer pressure, but the film’s tone is about as non-comedic as you can get.

    Since the title gives it away, it’s no spoiler to say that Dick Long (Scheinert) dies soon after the opening sequence, which gives a brief glimpse into the crazy night he, Zeke Olsen (Michael Abbott Jr.), and Earl Wyeth (Andre Hyland) experience. Scared that they will be implicated in Dick’s death, the cause of which remains a mystery for much of the film, Zeke and Early do everything in their power to keep their involvement a secret.

    Unfortunately for them both, they are very bad at covering things up. An attempt at hiding blood evidence in a car leads to a tense situation with Zeke’s daughter. Zeke acts nothing but guilty in front of his wife, Lydia (Virginia Newcomb), as does Earl in front of his neighbor, Lake (Sunita Mani). And Zeke can’t seem to help attracting the attention of police officer Dudley (Sarah Baker) at every turn.

    Scheinert and writer Billy Chew play up the ineptitude of their characters to the nth degree, as almost nothing can seem to go right for them. While some of it is funny — a Pulp Fiction reference and some of the revelations among them — most of it is gut-churning bordering on tragic. Zeke and Earl are idiots, to be sure, but you still root for them to succeed. Consequently, every time they figuratively shoot themselves in the feet, it’s another moment of tension.

    Still, there’s a creeping feeling throughout that, no matter what secrets come out by the end of the film, the movie as a whole is spinning its wheels. The filmmakers seem to be held hostage by their own plot devices, and as twists slowly but surely start to come out, each one seems more underwhelming than the next. Even the ultimate revelation, as out-of-the-norm as it is, is delivered in a ho-hum way.

    The film’s main stars, Abbott and Hyland, are relative unknowns, but Scheinert (Swiss Army Man) filled supporting roles with semi-familiar faces like Newcomb, Mani, Baker, Jess Weixler, and Roy Wood Jr. The story may have some lacks, but each of the actors is given at least a scene or two in which to shine, and they all do well in their respective roles.

    The film is an interesting diversion for most of its running time, but it’s hard not to feel like the filmmakers could have done more with the concept. Its mixture of tones had the potential to pay dividends, but The Death of Dick Long comes up short.

    Daniel Scheinert, Andre Hyland, and Michael Abbott Jr. in The Death of Dick Long.

    Daniel Scheinert, Andre Hyland, and Michael Abbott, Jr. in The Death of Dick Long
    Photo courtesy of A24
    Daniel Scheinert, Andre Hyland, and Michael Abbott Jr. in The Death of Dick Long.
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    Movie Review

    Bob Odenkirk is back as the everyman-turned-hero in new movie 'Normal'

    Alex Bentley
    Apr 16, 2026 | 4:16 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

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