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    Giant Umbrellas Are Lots of Fun

    Giant umbrellas steal the show at new Sundance Square Plaza in Fort Worth

    Alex Bentley
    Oct 1, 2013 | 4:01 pm

    Downtown Fort Worth and its central entertainment area, Sundance Square, has long been a popular gathering spot. Now, thanks to a extensive plaza project that's 30 years in the making, Sundance Square is about to become even more attractive.

    The simply-named Sundance Square Plaza is scheduled to open November 1, 2013. A series of parking lots have been transformed into a nearly one-acre open area featuring fountains, an indoor/outdoor pavilion, a multi-purpose permanent stage and, strikingly, four giant umbrellas.

    Although the plaza project has only officially been underway since summer 2012, it's actually been part of the plan for Sundance Square since its early days.

    "Sundance Square has been in varying stage of development for over 30 years now," Sundance Square president and CEO Johnny Campbell says. "The master plan had a 'central plaza' on it that would be sort of the center of the development and the centerpiece of the city."

    Each umbrella measures 40 feet by 40 feet and consists of a telescopic mast, folding steel frame and a Teflon fabric capable of handling high wind speeds.

    Recent developments, including Sundance Square hosting ESPN's coverage of Super Bowl XLV, helped the project to finally get underway.

    "I think the Super Bowl reminded us that Fort Worth can be and is a regional and national attraction," Campbell says. "And we were also reminded of just what a great backdrop downtown Fort Worth can be for these kinds of functions. Those two parking lots were probably two of the most programmed parcels of land in North Texas, but now, instead of programming them on two ugly asphalt parking lots, we’ll have a great plaza."

    The construction of the plaza and the surrounding area has dramatically changed the look of Sundance Square. In addition to the plaza, the central part of the square will boast two new buildings, the Commerce and the Westbrook, that also open November 1. Main Street between third and fourth streets will be closed to normal vehicular traffic, effectively making it part of the plaza.

    The part that everyone will be talking about, though, are the four giant umbrellas that have just been installed. Each umbrella — the only ones of their kind in the United States — measures 40 feet by 40 feet and consists of a telescopic mast, folding steel frame and a Teflon fabric capable of handling high wind speeds in open and closed positions.

    The umbrellas will react automatically to changing weather conditions, and will provide their own sort of entertainment in addition to protection from the sun and the rain. Each umbrella comes equipped with multi-colored LED lights that will be lit up at night.

    Campbell thinks that the umbrellas will become a draw in their own right.

    "We were looking for something that would be dramatic and that would be an attraction, but was also very convertible and very flexible," Campbell says. "If there is no weather reason for what the umbrellas are doing, they might just open or close from time to time as part of a show."

    Flexibility is key to the entire plaza. The stage on the west end can host concerts, movies and other events, and a pavilion on the east side has indoor and outdoor seating, public restrooms and spaces for small events. Meanwhile, the south side features a double allée of trees, and three different fountains offer everything from water shows to a children's play area. There's also a 65-foot pool replete with a wave wall.

    "This is going to be a great space where you can just be downtown without necessarily having to be in a store or in a restaurant buying something," Campbell says. "When you think of the umbrellas and the tree allées and the dancing fountains and the stage and the pavilion building — it’s full of features that should provide a great place that’s interesting for everyone."

    Officials have a full weekend of activities planned to help open the plaza on November 1-3. In the following days, weeks and months, expect every major Fort Worth event, from the Lone Star Film Festival to the Stock Show to the Main St. Arts Festival to ESPN's coverage of the NCAA Final Four, to utilize the new plaza.

    Four giant umbrellas are currently being installed as part of the new Sundance Square Plaza.

    Giant umbrellas in Sundance Square Plaza
    Photo courtesy of Sundance Square
    Four giant umbrellas are currently being installed as part of the new Sundance Square Plaza.
    unspecified
    news/entertainment

    Movie Review

    Masters of the Universe is powered by nostalgia over good filmmaking

    Alex Bentley
    Jun 4, 2026 | 10:38 am
    Nicholas Galitzine in Masters of the Universe
    Photo courtesy of Amazon MGM Studios
    Nicholas Galitzine in Masters of the Universe.

    If you grew up in the 1980s, chances are you were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest ‘80s IP to get a nostalgic reboot in the form of a new blockbuster film.

    Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.

    Spoiler alert, he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.

    Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.

    Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.

    Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.

    Galitzine has turned heads as both a gay (Red, White & Royal Blue) and straight (The Idea of You) romantic interest, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.

    There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.

    ---

    Masters of the Universe opens in theaters on June 5.

    moviesfilm
    news/entertainment

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