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    A new tune

    Iconic Texas music festival strikes new chord with free 3-day virtual event

    Katie Friel
    Oct 7, 2020 | 12:16 pm
    ACL skyline Austin Zilker Park Austin City Limits Music Fest
    ACL looks different this year, but it's still brining an all-star lineup.
    Photo by Daniel Cavazos

    In normal times, we'd be preparing for the first weekend of Austin City Limits Music Festival, picking out our outfit, planning our route to Austin, and coordinating our schedules. But these are abnormal times, so instead, we're preparing for the next best thing: a free, virtual experience.

    On October 6, the fest rolled out details for the first-ever virtual ACL Music Fest, a three-day musical event streamed live on YouTube. Beginning at 7:05 pm each night on October 9-11, music fans can tune in and hear past ACL performances from headliners such as Billie Eilish, Willie Nelson, St. Vincent, Paul McCartney, Gary Clark Jr., Radiohead, Phish, Queens of the Stone Age, Alabama Shakes, and more.

    "Generations of music fans who have been raised on the annual weekend tradition of gathering in Zilker Park prepare to soak up diverse musical sounds as a united community. Memories are made, and stories that will be told for a lifetime unfold," organizers said in a release. "ACL Fest 2020 will provide fans a connection to their greatest memories of ACL’s past, where they were and who they were with, and the sensation of experiencing live music outdoors with thousands of people who share a common sense of pride in community and love of music."

    In addition to Willie Nelson and Gary Clark Jr., the Live Music Capital of the World will be well represented, naturally. The Austin Parks Foundation, the festival's nonprofit partner, will host Austin-based artists filmed in "unique park locations across the city." Viewers can catch Jackie Venson at the Pan Am Neighborhood Park, Mélat from the Zilker Botanical Gardens, Los Coast playing at the nearby Zilker Clubhouse, and Otis the Destroyer performing at Heath Eiland and Morgan Moss BMX Skatepark.

    Tito's Handmade Vodka is also sponsoring a special live music event spotlighting Black Pumas and Mobley, who will perform from the Tito's farm.

    ACL Fest is as much a music festival as it is a celebration of community and Texas. In that spirit, the weekend's programming will include tips about Texas barbecue from Valentina’s Tex Mex BBQ, LeRoy & Lewis, and SLAB BBQ, an appearance by Austin’s own Louisianna Purchase, and a special performance from the Barton Hills Choir.

    Matthew McConaughey will host a panel discussion as part of the festival's Make Change initiative. The Hollywood star will be in conversation with tennis great Andy Roddick; Olympic track star turned Austin nonprofit founder Raaisin McIntosh; and Thurman and Torrence Thomas, founders of Tank Proof, a Louisiana-based organization that teaches local children how to swim.

    ACL is also promising appearances by local community leaders and former UT football stars, special Austin City Limits (the TV show) programming, and backstage footage from past festivals. See a full schedule and detailed lineup here.

    Access is free and all three days can be streamed online via the ACL website or via YouTube. To support the festival during this time, make sure to check out the official ACL Music Festival 2020 merchandise and gear at the official store.

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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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