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    Movie Review

    Documentary Time tackles large issue by going personal

    Alex Bentley
    Oct 8, 2020 | 3:17 pm
    Documentary Time tackles large issue by going personal
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    The standard movie, no matter if it’s fiction or documentary, spends a certain amount of time introducing its story and characters. Some do it in a flash, some take a long time, but all of them try to make sure that the audience knows what’s at stake before delving into the meat of the film.

    The new documentary Time eschews that norm, along with many others, for an experience that cuts to the bone and confuses in equal measures. At the forefront of the film is Fox Rich, whose husband Rob is serving a 60-year prison sentence for armed robbery. As the film goes along, we gradually learn that Fox is working hard to get him out of prison, and that she spent an unspecified amount of time behind bars as an accessory to the crime.

    What director Garrett Bradley doesn’t do is try to tell the story linearly. Using a mixture of home footage from the Riches and his own professional filming, all of which is in black-and-white, Bradley jumps back and forth in time in the family’s life. Slowly but surely, we come to understand the impact that Rob’s incarceration has had on the family, as well as the depth of Fox’s devotion not only to her husband, but to the cause of opposing unfair sentencing practices.

    Unlike similar films, this is not a wrongful conviction story. Fox freely admits the crimes she and Rob committed, but strongly objects to the idea that his crime is one for which he should spend the majority of his life in prison. Were this another film, it would try to educate viewers about unfair sentencing practices in general, using Rob’s sentence as its prime example. However, Bradley prefers to keep the message personal, leaving broader proclamations to films like Ava Duvernay’s 13th, many of which are echoed in Fox’s musings.

    In so doing, though, he leaves out or blurs some significant details. Though it’s apparent that Fox has been working a long time to get Rob out of prison, it’s unclear how many years have passed, although we get strong clues by seeing how much their kids have aged. In the same vein, it’s never explained why Rob received such a long sentence or what methods Fox is using to secure parole or a sentence reduction. Fox is obviously tenacious and mostly unflappable, but the film leaves the audience in the dark as to the minutiae of her work.

    Instead, the film follows Fox’s lead and keeps her family as its main thrust. Instead of concentrating on negative aspects, Bradley notes the various successes of their lives, including one son’s scholastic achievements. While we rarely see Fox and Rob together, the force with which she talks about him and their kids leaves no doubt as to the strength of their bond, even through their long separation.

    Time is a message film, but it’s one where the smaller message trumps what’s normally perceived as the bigger message. For Fox Rich, family is everything, and anyone who has a partner as determined and loyal as her should consider themselves lucky.

    ---

    Time is playing in select theaters starting on October 9 and will stream exclusively on Amazon Prime Video starting on October 16.

    Fox Rich and Rob Rich in Time.

    Fox Rich and Rob Rich in Time
    Photo courtesy of Amazon Studios
    Fox Rich and Rob Rich in Time.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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