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    Movie Review

    Documentary Time tackles large issue by going personal

    Alex Bentley
    Oct 8, 2020 | 3:17 pm
    Documentary Time tackles large issue by going personal
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    The standard movie, no matter if it’s fiction or documentary, spends a certain amount of time introducing its story and characters. Some do it in a flash, some take a long time, but all of them try to make sure that the audience knows what’s at stake before delving into the meat of the film.

    The new documentary Time eschews that norm, along with many others, for an experience that cuts to the bone and confuses in equal measures. At the forefront of the film is Fox Rich, whose husband Rob is serving a 60-year prison sentence for armed robbery. As the film goes along, we gradually learn that Fox is working hard to get him out of prison, and that she spent an unspecified amount of time behind bars as an accessory to the crime.

    What director Garrett Bradley doesn’t do is try to tell the story linearly. Using a mixture of home footage from the Riches and his own professional filming, all of which is in black-and-white, Bradley jumps back and forth in time in the family’s life. Slowly but surely, we come to understand the impact that Rob’s incarceration has had on the family, as well as the depth of Fox’s devotion not only to her husband, but to the cause of opposing unfair sentencing practices.

    Unlike similar films, this is not a wrongful conviction story. Fox freely admits the crimes she and Rob committed, but strongly objects to the idea that his crime is one for which he should spend the majority of his life in prison. Were this another film, it would try to educate viewers about unfair sentencing practices in general, using Rob’s sentence as its prime example. However, Bradley prefers to keep the message personal, leaving broader proclamations to films like Ava Duvernay’s 13th, many of which are echoed in Fox’s musings.

    In so doing, though, he leaves out or blurs some significant details. Though it’s apparent that Fox has been working a long time to get Rob out of prison, it’s unclear how many years have passed, although we get strong clues by seeing how much their kids have aged. In the same vein, it’s never explained why Rob received such a long sentence or what methods Fox is using to secure parole or a sentence reduction. Fox is obviously tenacious and mostly unflappable, but the film leaves the audience in the dark as to the minutiae of her work.

    Instead, the film follows Fox’s lead and keeps her family as its main thrust. Instead of concentrating on negative aspects, Bradley notes the various successes of their lives, including one son’s scholastic achievements. While we rarely see Fox and Rob together, the force with which she talks about him and their kids leaves no doubt as to the strength of their bond, even through their long separation.

    Time is a message film, but it’s one where the smaller message trumps what’s normally perceived as the bigger message. For Fox Rich, family is everything, and anyone who has a partner as determined and loyal as her should consider themselves lucky.

    ---

    Time is playing in select theaters starting on October 9 and will stream exclusively on Amazon Prime Video starting on October 16.

    Fox Rich and Rob Rich in Time.

    Fox Rich and Rob Rich in Time
    Photo courtesy of Amazon Studios
    Fox Rich and Rob Rich in Time.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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