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    Celebrity QA

    Brooklyn Decker doesn’t care about being cool

    Jeremy Hallock
    Oct 13, 2016 | 9:42 am

    Brooklyn Decker is probably best known for her appearances in the Sports Illustrated Swimsuit Issue — including the highly coveted cover, which she landed in 2010. But the Austinite will tell you that modeling wasn't really her thing.

     

    So she parlayed that modeling success into acting, landing roles in several movies, including What to Expect When You're Expecting, Just Go With It, and Battleship. Now the new mom — she and tennis-pro husband Andy Roddick welcomed their first child in September 2015 — has a regular gig on Netflix series Grace and Frankie.

     

    Recently Decker was in Dallas, for an appearance on NPR's Ask Me Another, a new podcast that blends brainteasers, pub trivia, comedy, and music into an hour of fun. It's all filmed in front of a live audience, and the one shot here at Majestic Theatre airs November 11.

     

    While in Dallas, Decker chatted with us about her life, career, and being cool.

     

     CultureMap: What do you think of the NPR show and this turnout?

     

     Brooklyn Decker: It's really fun! They get an interesting scope of people on the show, and I love how loose it is. It definitely has its own niche, and it's really quirky.

     

     CM: How's family life in Austin?

     

     BD: It's great. It's fun having a kid around. It's a game changer.

     

     CM: You don't seem concerned with being cool or trendy.

     

     BD: If I'm saying I want to be cool or trendy, it's because I live in the woods and spend most of my off-time in the woods. I'm sort of an outsider with my job. But cool and trendy in fashion and as a model are entirely different things.

     

    I grew up in North Carolina. We live in Austin — which is a really fun city — but away from the entertainment hubs of Los Angeles and New York. The idea of being in a business that epitomized trendy and cool was something that didn't feel natural for me.

     

     CM: At what point did you decide to quit modeling?

     

     BD: When I got hired, a few times, to act. (Laughs.) I moved to New York when I was 18, and the idea was I would go to work and go back to school. I had some success that was very specific, like with Sports Illustrated. But I never walked a runway; I barely got hired to work a lot of things.

     

    I wasn't what the standard of a model was at that time. I really didn't love it.

     

     CM: But then you started studying acting.

     

     BD: I started studying because I missed school. I started auditioning, and things started happening. I realized I can actually do this for a career.

     

     CM: Season two of Grace and Frankie was released in May. Has season three wrapped yet?

     

     BD: We just wrapped four weeks ago.

     

     CM: Are there any spoilers you can offer?

     

     BD: June Diane Raphael plays my sister, or I should say I play her sister. What I love about season three is that we get to dive into the history of their relationship and what their relationship as sisters is really like.

     

    Obviously, there is a deep love and loyalty to one another, but it's also very raw. It can be rough around the edges and unfiltered. They're really diving into that sister relationship, which I think is great. When you look at television now, I don't know that there is a really fleshed-out sister relationship.

     

     CM: The stars of the show range in age from late 20s to 70s. Multiple generations of comedy are represented. How does that dynamic work?

     

     BD: It all starts and ends with the writers' room, but I would say it's really collaborative. You watch Lily Tomlin, who has been a comedy icon for decades. You see Baron Vaughn bringing in his standup background. It's a big melting pot.

     

     CM: You mentioned following Jane Fonda's workout video with your mom. Was that the first you knew of her?

     

     BD: No. I first knew of her being a feminist icon and speaking up during the Civil Rights movement. I knew of her as a political activist before I knew of her work. But she's such a figure in pop culture that I don't ever remember a time of not knowing who she is.

     

     CM: What keeps you in Austin?

     

     BD: Everything. I appreciate working in Los Angeles, but I crave a quieter life. I love the food, I love the people. I love that it has a certain grittiness to it, but you don't ever feel like you are lacking for anything there.

     

     CM: Tell me about being an ambassador for the Andy Roddick Foundation.

     

     BD: It's Andy's foundation that he started when he was 17. His mentor was Andre Agassi, who told him you can't start philanthropy soon enough. It started out as an umbrella organization where he would just fundraise and donate. Now the goal is to have the No.1 out-of-school program in the state. One day maybe take it nationally.

     

    It's all about maximizing out-of-school time. That time usually isn't spent with any mentor or any sort of education or instruction. If you can have people come in and provide a little bit of guidance and leadership, you see increased success.

     

     CM: You completed an indie film called Band Aid. What was it like working with an all-female crew?

     

     BD: It was very different. The efficiency was unlike any I've seen before.

     

     CM: Back in May, you pointed out some digital alterations made to your Sports Illustrated cover during your appearance on the Late Show with Stephen Colbert. Did the attention that garnered surprise you?

     

     BD: I think people were surprised that I said it. I don't think anyone is surprised by the fact that people use Photoshop. I don't think anyone is surprised by the fact that on a shoot you get your hair and makeup done to make you look better than you are.

     

    What I felt guilty about is that I said it within the context of Sports Illustrated. They've been a champion for women with real bodies for years.

     

    Brooklyn Decker came to Dallas to be on NPR's Ask Me Another podcast.

    Brooklyn Decker
      
    Photo by Jeff Lipsky
    Brooklyn Decker came to Dallas to be on NPR's Ask Me Another podcast.
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    Movie Review

    Dark comedy Oh, Hi! takes relationship anxiety to the extreme

    Alex Bentley
    Jul 25, 2025 | 1:04 pm
    Logan Lerman and Molly Gordon in Oh, Hi!
    Photo courtesy of Sony Pictures Classics
    Logan Lerman and Molly Gordon in Oh, Hi!.

    Movies that depict new or burgeoning relationships tend to focus on the romantic side of things, as the prospect of love is intoxicating whether viewers are in their own relationship or not. Less often depicted is the awkwardness and confusion that can arise when getting to know someone new, something that is done to extreme effect in the new film Oh, Hi!.

    Iris (Molly Gordon) and Isaac (Logan Lerman), who’ve been dating for a few months, decide to take a weekend getaway to the country, which for them means a small town called High Falls, New York (a broken welcome sign has Iris mistakenly call it O High Falls). Having rented a farmhouse for the weekend, the new couple get strawberries from a roadside stand, enjoy the charming nature of the countryside, and, of course, have sex.

    The discovery of some S&M gear in the house inspires Iris and Isaac to get a little kinky. But some post-coital talk turns tense when Iris gushes about how happy she is to have a great boyfriend, and Isaac, still chained to the bed, tells Iris that he doesn’t consider them to be exclusive. This revelation breaks Iris to a degree, and instead of unchaining him, she uses his vulnerable position to try to convince him that they should be together.

    Written and directed by Sophie Brooks, the film is initially an interesting twist on the anxiety that can come with new relationships. Typically manifested in things like obsessing over what to wear or when to call/text someone back, Brooks and Gordon (who came up with the story together) instead decide to go all in on a woman acting “crazy” when confronted with information that doesn’t match her reality.

    Iris’ bad decision to keep Isaac chained to bed and obliviousness to the off-the-wall way she is acting are heightened for effect, although the feelings she’s experiencing remain relatable despite her actions. The conversations Iris and Isaac have, as well as the Google deep dives Iris does to try to discover ways to get Isaac to see the error of his ways, are light and funny despite the seriousness of the situation Iris has created.

    Brooks brings more characters into the story by having Iris call her best friend Max (Geraldine Viswanathan) for help, with Max deciding to bring along her boyfriend, Kenny (John Reynolds). Although their presence adds to the humor of the situation, it also distracts from the main point and leads into some territory that gets a bit too broad. If the story had remained just Iris and Isaac, it might have been able to dig a little deeper than it actually does.

    Gordon, who might be best known for playing Claire on The Bear, does a great job of playing all sides of Iris, from sassy to manic. Although what her character does isn’t defensible, Gordon keeps her likable throughout by never going too over the top. Lerman, a rising star in the early 2010s when he played Percy Jackson, settles nicely into a more adult role, and he too never overplays the absurd situation.

    There are no real insights in Oh, Hi!, but it’s a pleasant watch that accomplishes the goal of delivering a completely different type of romantic comedy. Unless viewers have had an experience with someone who acted anywhere close to Iris, they should be able to enjoy the movie thanks to the committed performances of Gordon and Lerman.

    ---

    Oh, Hi! is now playing in theaters.

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