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    Celebrity QA

    Brooklyn Decker doesn’t care about being cool

    Jeremy Hallock
    Oct 13, 2016 | 9:42 am

    Brooklyn Decker is probably best known for her appearances in the Sports Illustrated Swimsuit Issue — including the highly coveted cover, which she landed in 2010. But the Austinite will tell you that modeling wasn't really her thing.

    So she parlayed that modeling success into acting, landing roles in several movies, including What to Expect When You're Expecting, Just Go With It, and Battleship. Now the new mom — she and tennis-pro husband Andy Roddick welcomed their first child in September 2015 — has a regular gig on Netflix series Grace and Frankie.

    Recently Decker was in Dallas, for an appearance on NPR's Ask Me Another, a new podcast that blends brainteasers, pub trivia, comedy, and music into an hour of fun. It's all filmed in front of a live audience, and the one shot here at Majestic Theatre airs November 11.

    While in Dallas, Decker chatted with us about her life, career, and being cool.

    CultureMap: What do you think of the NPR show and this turnout?

    Brooklyn Decker: It's really fun! They get an interesting scope of people on the show, and I love how loose it is. It definitely has its own niche, and it's really quirky.

    CM: How's family life in Austin?

    BD: It's great. It's fun having a kid around. It's a game changer.

    CM: You don't seem concerned with being cool or trendy.

    BD: If I'm saying I want to be cool or trendy, it's because I live in the woods and spend most of my off-time in the woods. I'm sort of an outsider with my job. But cool and trendy in fashion and as a model are entirely different things.

    I grew up in North Carolina. We live in Austin — which is a really fun city — but away from the entertainment hubs of Los Angeles and New York. The idea of being in a business that epitomized trendy and cool was something that didn't feel natural for me.

    CM: At what point did you decide to quit modeling?

    BD: When I got hired, a few times, to act. (Laughs.) I moved to New York when I was 18, and the idea was I would go to work and go back to school. I had some success that was very specific, like with Sports Illustrated. But I never walked a runway; I barely got hired to work a lot of things.

    I wasn't what the standard of a model was at that time. I really didn't love it.

    CM: But then you started studying acting.

    BD: I started studying because I missed school. I started auditioning, and things started happening. I realized I can actually do this for a career.

    CM: Season two of Grace and Frankie was released in May. Has season three wrapped yet?

    BD: We just wrapped four weeks ago.

    CM: Are there any spoilers you can offer?

    BD: June Diane Raphael plays my sister, or I should say I play her sister. What I love about season three is that we get to dive into the history of their relationship and what their relationship as sisters is really like.

    Obviously, there is a deep love and loyalty to one another, but it's also very raw. It can be rough around the edges and unfiltered. They're really diving into that sister relationship, which I think is great. When you look at television now, I don't know that there is a really fleshed-out sister relationship.

    CM: The stars of the show range in age from late 20s to 70s. Multiple generations of comedy are represented. How does that dynamic work?

    BD: It all starts and ends with the writers' room, but I would say it's really collaborative. You watch Lily Tomlin, who has been a comedy icon for decades. You see Baron Vaughn bringing in his standup background. It's a big melting pot.

    CM: You mentioned following Jane Fonda's workout video with your mom. Was that the first you knew of her?

    BD: No. I first knew of her being a feminist icon and speaking up during the Civil Rights movement. I knew of her as a political activist before I knew of her work. But she's such a figure in pop culture that I don't ever remember a time of not knowing who she is.

    CM: What keeps you in Austin?

    BD: Everything. I appreciate working in Los Angeles, but I crave a quieter life. I love the food, I love the people. I love that it has a certain grittiness to it, but you don't ever feel like you are lacking for anything there.

    CM: Tell me about being an ambassador for the Andy Roddick Foundation.

    BD: It's Andy's foundation that he started when he was 17. His mentor was Andre Agassi, who told him you can't start philanthropy soon enough. It started out as an umbrella organization where he would just fundraise and donate. Now the goal is to have the No.1 out-of-school program in the state. One day maybe take it nationally.

    It's all about maximizing out-of-school time. That time usually isn't spent with any mentor or any sort of education or instruction. If you can have people come in and provide a little bit of guidance and leadership, you see increased success.

    CM: You completed an indie film called Band Aid. What was it like working with an all-female crew?

    BD: It was very different. The efficiency was unlike any I've seen before.

    CM: Back in May, you pointed out some digital alterations made to your Sports Illustrated cover during your appearance on the Late Show with Stephen Colbert. Did the attention that garnered surprise you?

    BD: I think people were surprised that I said it. I don't think anyone is surprised by the fact that people use Photoshop. I don't think anyone is surprised by the fact that on a shoot you get your hair and makeup done to make you look better than you are.

    What I felt guilty about is that I said it within the context of Sports Illustrated. They've been a champion for women with real bodies for years.

    Brooklyn Decker came to Dallas to be on NPR's Ask Me Another podcast.

    Brooklyn Decker
    Photo by Jeff Lipsky
    Brooklyn Decker came to Dallas to be on NPR's Ask Me Another podcast.
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    Movie Review

    Dual murder plans go awry in bloodily funny Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 9:00 am
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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