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Celebrity QA

Brooklyn Decker doesn’t care about being cool

Jeremy Hallock
Oct 13, 2016 | 9:42 am

Brooklyn Decker is probably best known for her appearances in the Sports Illustrated Swimsuit Issue — including the highly coveted cover, which she landed in 2010. But the Austinite will tell you that modeling wasn't really her thing.

So she parlayed that modeling success into acting, landing roles in several movies, including What to Expect When You're Expecting, Just Go With It, and Battleship. Now the new mom — she and tennis-pro husband Andy Roddick welcomed their first child in September 2015 — has a regular gig on Netflix series Grace and Frankie.

Recently Decker was in Dallas, for an appearance on NPR's Ask Me Another, a new podcast that blends brainteasers, pub trivia, comedy, and music into an hour of fun. It's all filmed in front of a live audience, and the one shot here at Majestic Theatre airs November 11.

While in Dallas, Decker chatted with us about her life, career, and being cool.

CultureMap: What do you think of the NPR show and this turnout?

Brooklyn Decker: It's really fun! They get an interesting scope of people on the show, and I love how loose it is. It definitely has its own niche, and it's really quirky.

CM: How's family life in Austin?

BD: It's great. It's fun having a kid around. It's a game changer.

CM: You don't seem concerned with being cool or trendy.

BD: If I'm saying I want to be cool or trendy, it's because I live in the woods and spend most of my off-time in the woods. I'm sort of an outsider with my job. But cool and trendy in fashion and as a model are entirely different things.

I grew up in North Carolina. We live in Austin — which is a really fun city — but away from the entertainment hubs of Los Angeles and New York. The idea of being in a business that epitomized trendy and cool was something that didn't feel natural for me.

CM: At what point did you decide to quit modeling?

BD: When I got hired, a few times, to act. (Laughs.) I moved to New York when I was 18, and the idea was I would go to work and go back to school. I had some success that was very specific, like with Sports Illustrated. But I never walked a runway; I barely got hired to work a lot of things.

I wasn't what the standard of a model was at that time. I really didn't love it.

CM: But then you started studying acting.

BD: I started studying because I missed school. I started auditioning, and things started happening. I realized I can actually do this for a career.

CM: Season two of Grace and Frankie was released in May. Has season three wrapped yet?

BD: We just wrapped four weeks ago.

CM: Are there any spoilers you can offer?

BD: June Diane Raphael plays my sister, or I should say I play her sister. What I love about season three is that we get to dive into the history of their relationship and what their relationship as sisters is really like.

Obviously, there is a deep love and loyalty to one another, but it's also very raw. It can be rough around the edges and unfiltered. They're really diving into that sister relationship, which I think is great. When you look at television now, I don't know that there is a really fleshed-out sister relationship.

CM: The stars of the show range in age from late 20s to 70s. Multiple generations of comedy are represented. How does that dynamic work?

BD: It all starts and ends with the writers' room, but I would say it's really collaborative. You watch Lily Tomlin, who has been a comedy icon for decades. You see Baron Vaughn bringing in his standup background. It's a big melting pot.

CM: You mentioned following Jane Fonda's workout video with your mom. Was that the first you knew of her?

BD: No. I first knew of her being a feminist icon and speaking up during the Civil Rights movement. I knew of her as a political activist before I knew of her work. But she's such a figure in pop culture that I don't ever remember a time of not knowing who she is.

CM: What keeps you in Austin?

BD: Everything. I appreciate working in Los Angeles, but I crave a quieter life. I love the food, I love the people. I love that it has a certain grittiness to it, but you don't ever feel like you are lacking for anything there.

CM: Tell me about being an ambassador for the Andy Roddick Foundation.

BD: It's Andy's foundation that he started when he was 17. His mentor was Andre Agassi, who told him you can't start philanthropy soon enough. It started out as an umbrella organization where he would just fundraise and donate. Now the goal is to have the No.1 out-of-school program in the state. One day maybe take it nationally.

It's all about maximizing out-of-school time. That time usually isn't spent with any mentor or any sort of education or instruction. If you can have people come in and provide a little bit of guidance and leadership, you see increased success.

CM: You completed an indie film called Band Aid. What was it like working with an all-female crew?

BD: It was very different. The efficiency was unlike any I've seen before.

CM: Back in May, you pointed out some digital alterations made to your Sports Illustrated cover during your appearance on the Late Show with Stephen Colbert. Did the attention that garnered surprise you?

BD: I think people were surprised that I said it. I don't think anyone is surprised by the fact that people use Photoshop. I don't think anyone is surprised by the fact that on a shoot you get your hair and makeup done to make you look better than you are.

What I felt guilty about is that I said it within the context of Sports Illustrated. They've been a champion for women with real bodies for years.

Brooklyn Decker came to Dallas to be on NPR's Ask Me Another podcast.

Brooklyn Decker
Photo by Jeff Lipsky
Brooklyn Decker came to Dallas to be on NPR's Ask Me Another podcast.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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