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    Movie Review

    Jack Reacher: Never Go Back is a prophetic movie title

    Alex Bentley
    Oct 20, 2016 | 4:49 pm
    Jack Reacher: Never Go Back is a prophetic movie title
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    In a movie landscape where franchises seem to rule the box office, sequels are the norm, not the exception. That’s especially true when you’re adapting something like the Jack Reacher book series, which now includes 21 books by Lee Childs, giving ample fodder for movies from here to the next century.

    But when a film is as lightly received, both critically and commercially, as 2012’s Jack Reacher was, it’s difficult to see why Tom Cruise and company would force another film down audiences' throats. And yet here they are with Jack Reacher: Never Go Back, a sad excuse of a movie that starts bad and only gets worse.

    The forever-drifting Reacher (Cruise) is called back into action when the person who took over his old job with the military police, Major Susan Turner (Cobie Smulders), is arrested under shady circumstances. At the same time, he discovers information that he may be the father of a now 16-year-old girl named Samantha (Danika Yarosh), giving him two missions that, Reacher being Reacher, combines into one as the bad guys try to stop him.

    There’s really no point going into more depth about the plot, because it’s too convoluted and inconsequential to matter. Writer/director Edward Zwick fast-forwards through any kind of character or plot development, forcing connections between people that aren’t there in order to cram as much action as he can into the movie.

    But if we don’t care about the characters, we can’t care about the danger they find themselves in or about much anything else they do. Add in a plethora of cheesy, clichéd lines; action that is generic as it comes; and situations so ludicrous that eye-rolling is the only natural reaction, and you have a film that feels like it came straight out a low budget movie factory, not a major Hollywood studio.

    Epitomizing the slapdash way in which this movie appears to have been put together is the casting. The first film, bad as it was, at least had the foresight to cast soon-to-be stars like Rosamund Pike and David Oyelowo, and recognizable stars like Richard Jenkins and Werner Herzog. This one only has Smulders, who at least has a little cachet from How I Met Your Mother and a few Marvel movies, and Robert Knepper, aka the creepy guy in every role he’s every played. Everyone else is straight out of B-movie central casting.

    Even Cruise, who usually saves his movies through force of sheer will, can’t do much. He’s reduced to a never-ending series of quizzical looks, and even when he gets a chance to flex his muscles, the aforementioned ho-hum fight scenes do nothing to get the blood pumping.

    Never has a title been more appropriate for a film than Jack Reacher: Never Go Back. The filmmakers should have heeded that warning, and it’s a big flashing red light for anyone who’s even thinking about putting down good money for this two-hour waste of time.

    Tom Cruise in Jack Reacher: Never Go Back.

    Tom Cruise in Jack Reacher: Never Go Back
    Photo courtesy of Paramount Pictures
    Tom Cruise in Jack Reacher: Never Go Back.
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    Movie Review

    Reminders of Him blends trauma and romance in slight but effective story

    Alex Bentley
    Mar 12, 2026 | 11:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s, with the new film Reminders of Him marking the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far - most notably It Ends With Us - are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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