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    Taco News

    Dallas tacos get starring role in Tacos of Texas documentary

    Teresa Gubbins
    Oct 25, 2018 | 9:04 am
    Trompo Dallas, tacos
    Trompo is one of the Dallas taquerias featured in a new documentary series.
    Trompo

    Dallas' taco scene gets to shine as part of a documentary series produced by PBS Digital. Called Tacos of Texas, it explores the "iconic tacos" of Texas and taco culture, with the Dallas episode airing on October 30.

    The series is based on The Tacos of Texas, the 2016 book by Mando Rayo and Jarod Neece, who've been writing about tacos on their Taco Journalism website for more than a decade.

    "We've eaten tacos our entire lives, we've written about them for over a decade on our blog and in our two books," Rayo says in a release. "Now, after traveling thousands of miles across Texas, we are thrilled to share the tacos of Texas with the world."

    The seven-episode series premiered on September 25 with Indie Lens Storycast, a YouTube channel in partnership with PBS Digital Studios. Rayo and Neece serve as co-hosts with each episode featuring one iconic taco and taco style per city.

    They began in Austin, where they covered migas tacos. In Houston, it was tacos al pastor. In the Rio Grande Valley, they took on barbacoa. San Antonio was, of course, puffy tacos. Corpus Christi's theme was breakfast tacos.

    Beyond the tacos, the episodes have highlighted local issues such as taco gentrification in East Austin; tradition in the Rio Grande Valley; Dreamers in Houston; the importance of masa in San Antonio; cultural appropriation in Corpus Christi; and border fluidity in El Paso.

    "It's great to showcase the different styles of tacos in Texas and share the stories of the tacos, but most importantly, they are about the people that make them," Neece says.

    The Dallas episode has a "modern Mexican" theme. Featured chefs include Anastacia Quiñones (Tacos de Tacha), Regino Rojas (Revolver Taco Lounge), and Luis Olvera (Trompo).

    "Move over Tex-Mex, there's a modern take on Mexican food in Dallas," it says. "Chefs and taqueros alike are taking the taco scene to the next level, from Bon Appetite award-winning taqueria Trompo (Luis Olvera), to local foodie favorites chef Anastacia Quiñones and instigator, gun engraver, & cocinero tradicional Regino Rojas (Revolver Taco Lounge); these chefs are taking on Modern Mexican. Dallas is a bustling metropolis that takes its tacos seriously and is not afraid to embrace new and delicious taco creations from pulpo (octopus) to trompo and pork belly to s'mores."

    Rayo elaborates, stating that modern Mexican is a technique rooted in true Mexican culture.

    "With a focus on high-quality ingredients, attention to detail, and one of the originators of farm-to-table, this style focuses on regional Mexican cooking styles that go as far back to the Mayas as well as a new and innovative ways to cook traditional Mexican foods," he says.

    "With Dallas, we wanted to focus on the innovators and instigators of the culinary scene because of their Mexican roots," he says. "Too often we see the white chefs being tapped to provide insights into the Mexican food and we wanted to provide an outlet for AQ, Regino Rojas, and Luis Olvera to share and understand their points of view."

    "We use 'modern Mexican' as a way for people to understand the history and culture of the cuisine," he says. "Food is an extension of people's culture and when we pay attention to and honor where these food styles come from, we pay tribute, not only to the chefs but to their families, abuelas, madres y padres and the traditions they are passing on. In a state filled with Tex-Mex, modern Mexican is making a name for itself in Dallas."

    The episodes are streamed on the IndieLensStorycast Youtube channel, or can be viewed at StoryCastDocs.com. But Rayo and Neece will be in Dallas to host a pre-screening party on October 26 from 6-9 pm at Tyler Station.

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    Movie Review

    Jodie Foster brings depth and wit to French thriller A Private Life

    Alex Bentley
    Jan 30, 2026 | 9:41 am
    Jodie Foster in A Private Life
    Photo by Georges Lechaptois
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    Jodie Foster has been a member of the Hollywood community for almost 60 years, first as a child actor on TV, and then branching out into movies. She earned an Oscar nomination at the tender age of 14 for her role in Taxi Driver, and she’s gone on to be nominated five times, winning twice. Now, at age 63, she’s showing she’s still capable of surprises by fluently speaking another language in the French film, A Private Life.

    Foster plays Lilian Steiner, a psychiatrist who sees patients out of her Parisian apartment. When she learns of the death of one of her patients, Paula (Virginie Efira), she’s sad but otherwise unaffected until a few suspicious things start happening. This includes the robbery of her apartment, in which a recording of Paula’s last session with Lilian goes missing.

    With the help of her ex-husband, Gabriel (Daniel Auteuil), Lilian becomes an amateur private detective, tracking the movements of Paula’s husband, Simon (Mathieu Amalric), whom she increasingly suspects of murder. At the same time, Lilian must navigate a tense relationship with her son, Julien (Vincent Lacoste), along with an unexpected rekindling of romance with Gabriel.

    Written and directed by Rebecca Zlotowski, and co-written by Anne Berest, it is a psychological thriller that at times feels like an Inspector Clouseau movie. With little to go on but her own perhaps misguided suspicions, Lilian digs herself deeper into a situation of her own making. And she further clouds her mind by indulging in a tryst with Gabriel, who’s all too eager to help Lilian pursue her criminal theories. While the film is not a comedy, there are elements of humor that pop in to keep the story light.

    Zlotowski plays with the competing tones of the story well, keeping viewers on Lilian’s side even as she indulges in things that might not be the healthiest for her. Lilian’s various eccentricities - an adherence to recording on old-fashioned mini discs instead of fully digital, keeping an emotional distance from her son and grandson - make her a fascinating character whose vacillating motivations keep viewers guessing as to what she’ll do next.

    In a lot of ways, the film is a study of how Lilian needs to try to find ways to heal herself. The possibility of Paula being murdered wakes Lilian up to the idea that she has not been as attentive a doctor as she should be. The sessions with different patients that Zlotowski shows give the impression that there’s a general level of dissatisfaction with her, with one patient outright breaking up with her.

    Foster is no less compelling speaking mostly in French than she is in English language movies. Her fluency is never in doubt, and she fits in seamlessly with the actual French actors in the film. Auteuil is a fun counterpart for Foster, showing an unexpected chemistry with her that keeps their scenes crackling with energy. Amalric, a Wes Anderson favorite, has a relatively small role but still stands out when he gets a chance.

    A Private Life is not the type of thriller that American audiences might be used to, but its slow, methodical storytelling and subtle humor make it an interesting watch from beginning to end. The film is not up for any awards, but Foster’s performance shows she remains a top-tier actor.

    ---

    A Private Life is now playing in select theaters.

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