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    Movie Review

    Parkland teens show their activist grit in timely documentary Us Kids

    Alex Bentley
    Oct 28, 2020 | 2:41 pm
    Parkland teens show their activist grit in timely documentary Us Kids
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    One measure of how non-stop the news cycle is these days is the fact that it’s been just over two-and-a-half years since the tragic shooting at Marjory Stoneman Douglas High School in Parkland, Florida, and most people have likely either forgotten about the incident completely or had it recede far into their memory banks. The new documentary Us Kids aims to reinforce that, for some of the people directly involved in the shooting, that day has changed the course of their lives irrevocably in many ways.

    The title of the film refers to a line Emma Gonzalez delivered in a passionate speech following the shooting on February 14, 2018, in which 17 people at her school were killed and 17 more injured. In the aftermath, Gonzalez and classmates David Hogg, Cameron Kasky, Jaclyn Corin, and shooting victim Sam Fuentes became ubiquitous on cable news as they advocated for common sense gun reform and called out legislators who took money from the National Rifle Association.

    Not content with just a few days of news coverage, the students quickly organized a group that would create March for Our Lives, an event in Washington, D.C. on March 24, 2018 that inspired similar events around the world. And they didn’t stop there: That summer, the group went on a bus tour of the United States, spreading their message far and wide with the help of people who had experienced similar trauma in other parts of the country.

    Director Kim A. Snyder, who also explored the aftermath of the Sandy Hook School shooting in Newtown, uses a mixture of news footage, home movies, and actual filming to build a narrative about how quickly the teenagers went from being regular kids to full-blown political activists. While they almost certainly experienced moments of frustration and anger, what’s notable about the group as a whole is how composed and articulate they are shown to be when faced with resistance.

    Snyder, who followed the summer tour, details how pro-gun protestors dogged them at nearly every stop, with some of the kids even having death threats against them. And yet none of them were deterred, continuing to put themselves front and center despite any danger that might await them. Even more impressive, Hogg and Kasky are shown going out and directly speaking with the counter-protestors, maintaining a level of civility and poise that few could match, no matter the age.

    On the flip side, Snyder also focuses on Fuentes, who was on her own voyage. While she participated in the March for Our Lives, the mental anguish of getting shot and seeing her friends die continued to weigh on her. The post-traumatic stress shows up when she throws up in the middle of two separate speeches, and in her connection to the younger brother of a boy who died next to her. Yet, just like the rest, she pushed through, both for her sake and for the sake of the larger cause.

    Of course, the teens are still extremely young, and their youth shows up in their off-the-cuff language (the film is unrated, but should be considered an R thanks to abundant profanity) and general goofiness. And while they show a tremendous amount of composure throughout the film, the strain eventually gets to each of them in different ways.

    Most importantly, the work they put in actually had an impact, one that is still being felt today. A record 46 NRA-backed candidates lost in the mid-term elections in 2018, and the group has joined forces with other organizations to spur higher-than-usual youth voter registration and turnout. Older people have been inspired as well, from politicians to celebrities like The Chicks, who shouted out Gonzalez in their 2020 protest anthem “March March.”

    While the work for gun control advocates like this group is far from over, Us Kids demonstrates that change can come from anyone, no matter if they are of legal voting age or not. Anyone with even the faintest interest in politics should be motivated by their work, their enthusiasm, and their message.

    ---

    Us Kids will be available exclusively via Alamo Drafthouse Virtual Cinema on October 30. The film will be free to rent through Election Day, November 3.

    Emma Gonzalez and Jaclyn Corin in Us Kids.

    Emma Gonzalez and Jaclyn Corin in Us Kids
    Photo courtesy of KA Snyder Productions
    Emma Gonzalez and Jaclyn Corin in Us Kids.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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