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    Basketball News

    Cooper Flagg is the new Maine man for the Dallas Mavericks

    Associated Press
    Jun 26, 2025 | 8:55 am
    Cooper Flagg

    Cooper Flagg, newest Dallas Mavericks pick

    Getty Images

    Cooper Flagg is the new Maine man in Dallas. The Mavericks took the Duke forward with the No. 1 pick in the NBA draft on June 25, hoping they have found their next franchise superstar less than five months after trading one away.

    Mavericks fans were furious when Dallas traded Luka Doncic to the Los Angeles Lakers on February 1, some immediately threatening to end their support of the team.

    But the ones who stuck around may quickly love Flagg, the college player of the year who averaged 19.2 points and 7.5 rebounds while leading Duke to the Final Four. The Mavericks quickly announced that Flagg would wear No. 32 in Dallas, where fellow Duke products Kyrie Irving and Dereck Lively II are on the roster.

    “I’m really excited. I think I keep saying I’m excited to be a sponge, to get down there and just learn, be surrounded by Hall of Fame-caliber guys and just to be able to learn from them,” Flagg said. “It’s going to be an incredible experience.”

    His selection — considered likely ever since Flagg showed off his considerable game last summer after being invited to the U.S. Olympic team's training camp — was a daylong celebration in his home state for the 18-year-old forward from Newport, Maine.

    “It means a lot to me to have the support of the whole state. I know how many people showed up today and supported me at some of the draft parties back home,” Flagg said. “It feels amazing knowing I can inspire younger kids. I was in their shoes really not that long ago, so just to know I can give those kids those feelings and have the whole state behind me, it means a lot.”

    Cooper Flagg Basketball up-and-comer Cooper FlaggGetty Images

    The backstory
    Dallas Mavericks CEO Rick Welts wasn't thinking even for a second about Cooper Flagg when he started a staff meeting before the draft lottery by saying the club was entering the most important offseason in franchise history.

    The longtime NBA executive and relatively new leader on the business side of the Mavs was thinking about the lingering fallout of the widely reviled Luka Doncic trade, not the club turning a 1.8% chance into winning the rights to draft the teenaged star from Duke.

    “Never, ever did anybody in our organization ever even say what would happen if we win. That's a waste of time,” Welts told The Associated Press recently. “Like, it's unbelievable. It was hard to even get your head around.”

    The self-inflicted wounds were numerous after general manager Nico Harrison's stunning decision to send Doncic to the Los Angeles Lakers for Anthony Davis in early February.

    Fans were incensed. Season-ticket holders were canceling. Potential new sponsors were telling Welts they'd have to think about it.
    Just like that, the Mavs had a vision to sell of a potential superstar who could someday be the face of the franchise — as Doncic was, and fellow European superstar Dirk Nowitzki before him. Just like that, despair turned to hope for plenty of people, including those under Welts who had spent weeks dealing with the wrath of a spurned fan base.

    Before the Doncic trade, Welts had already made a decision to raise season-ticket prices. He told the AP he had to back off on the size of the increase as he watched the visceral reaction unfold.

    Welts has seen plenty in nearly 50 years with the NBA, including time in the league office and stints with Phoenix and Golden State. That's not to say the Doncic fallout didn't have a profound impact on the 72-year-old Welts, who had come out of retirement to replace Cynt Marshall just a month and a half earlier. It just means he has weathered a few storms.

    And now the Naismith Basketball Hall of Famer isn't so sure he's ever seen the sun come back out so quickly.

    “The thing that I learned through all of this experience was what I knew was like this amazing emotional tie between this team and these fans was even stronger than I think anybody who hadn’t lived here and been a part of it could ever imagine,” Welts said. “Just the outpouring of pure joy and the idea of a generational player that could change our fortunes for the next 15 years would land with us by pure luck.”

    Part of what made the Doncic deal so hard to believe was unloading a 25-year-old superstar in his prime nine months after leading Dallas to the NBA Finals for the first time in 13 years. The Mavs lost to Boston in five games last June.

    Harrison's reasoning was prioritizing defense, and his belief that Davis and Irving were a good enough tandem to keep Dallas as a championship contender. Flagg's potential gave that notion a boost.

    “I feel like I’m a broken record, but the team that we intended to put on the floor, which you guys saw for 2 1/2 quarters, that’s a championship-caliber team,” Harrison said. “And so you might not like it, but that’s the fact, it is.”

    Welts, who believes the Mavs have work to do to bring their basketball and business sides together, will spend plenty of time during the early days of the Flagg era sharing his vision for a new arena.

    It's a big reason Welts took the job, after spending seven years with Golden State on an arena plan that moved the Warriors across the bay to San Francisco from Oakland. He says all the talks are focused on keeping the team in Dallas.

    While the casino-centered Adelson and Dumont families of Las Vegas, in the middle of their second full year as owners of the Mavs, wanted gambling to be part of the formula for a new arena, the political realities in Texas have shifted the focus away from that idea for now.

    There's a new focus for Welts in what seems certain will be the final stop in an eventful NBA career: building everything around another potentially generational star after the Mavs jettisoned the one they had.

    “Don't make this sound like I'm suggesting that everyone is forgiven,” Welts said. “Luka will always be a big part of what this organization is. But for a large number of fans, it is a pathway — it's not a pathway, it's like a four-lane highway into being able to care about the Mavericks the way they cared about the Mavericks before.”

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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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