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    Movie Review

    Doctor Strange is one seriously marvelous head-trip

    Alex Bentley
    Nov 3, 2016 | 4:38 pm
    Doctor Strange is one seriously marvelous head-trip
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    It’s difficult to fathom the idea now, but the creation of the Marvel Cinematic Universe was a gamble when Iron Man came out in 2008. Prior to that, the only truly successful comic book movies had featured Batman, Superman, Spider-Man, and the X-Men. Fourteen movies later, Marvel can do almost no wrong, with its cultural cachet so high that it can introduce almost any new character without hesitation.

    Enter Doctor Strange, a head-trip of a movie that fits perfectly in the established world of Marvel. Dr. Stephen Strange (Benedict Cumberbatch) is a highly skilled neurosurgeon who suffers massive hand injuries in a car accident. Determined to regain the use of his hands, he searches far and wide for ways to heal, a quest that eventually brings him to Nepal.

    There he finds the Ancient One (Tilda Swinton), whose method is spiritual enlightenment rather than physical repair. She teaches her students, which also include Mordo (Chiwetel Ejiofor) and Wong (Benedict Wong), to tap into the potential of their minds. This technique, along with a specific piece of hardware, allows them to create magic, such as conjuring weapons or portals out of thin air.

    Per usual, there is a big bad adversary, Kaecilius (Mads Mikkelsen), one of the Ancient One’s former students, as well as a love interest in the form of Christine Palmer (Rachel McAdams), a doctor at Strange’s hospital. How their stories mesh and intertwine with that of Strange's is an impressive feat of movie engineering by writer/director Scott Derrickson, who was previously best known as a horror movie filmmaker.

    There’s nothing horrific about the results he produces here as, despite the mind-bending nature of the magic on display, Doctor Strange is actually one of the most straightforward and compelling Marvel movies yet. Derrickson and co-writers Jon Spaight and C. Robert Cargill lay out a precise story, one that somehow remains logical in its steps while showing seemingly illogical things.

    Anybody who doesn’t come away impressed by the CGI work in this movie needs to have their pulse checked, as it creates scenes that are like Inception on steroids. People waving their hands around in the air to create spells has the potential to seem ludicrous, but when what they summon is nothing less than a complete shift of reality all around them, any sense of disbelief is wiped away.

    Cumberbatch is beloved by a certain segment of pop culture fans, but this is the role that should finally make him a megastar. He embodies every inch of Stephen Strange, from egotistical bastard to chastened acolyte to soaring superhero. The stellar supporting cast of McAdams, Swinton, Ejiofor, Mikkelsen, and Michael Stuhlbarg, among others, is among the best in Marvel history.

    I’ll leave it to others to make sense of the Marvel-y details in Doctor Strange, like Infinity Stones and other superhero cameos. But, as a stand-alone origin film, it more than fits the bill for blockbuster entertainment.

    Benedict Cumberbatch in Doctor Strange.

    Benedict Cumberbatch in Doctor Strange
    Photo courtesy of Marvel Studios
    Benedict Cumberbatch in Doctor Strange.
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    Movie Review

    Hugh Jackman channels Neil Diamond in biopic Song Sung Blue

    Alex Bentley
    Dec 24, 2025 | 1:05 pm
    Hugh Jackman and Kate Hudson in Song Sung Blue
    Photo courtesy of Focus Features
    Hugh Jackman and Kate Hudson in Song Sung Blue.

    Neil Diamond - a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold - is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue - named after Diamond’s 1972 hit song - serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.

    Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.

    Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.

    Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth - gives every performance his all.

    What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.

    Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight?” The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.

    Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.

    While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.

    ---

    Song Sung Blue opens in theaters on December 25.

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