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    Movie Review

    Marvel's overstuffed Eternals needs to kick up the superhero kapow

    Alex Bentley
    Nov 3, 2021 | 12:30 pm
    Marvel's overstuffed Eternals needs to kick up the superhero kapow
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    The powers that be in the Marvel Cinematic Universe have been masters at making moviegoers care about characters relatively few people know. Once they got past undeniably popular ones like Iron Man, Captain America, Thor, and Hulk, making lower tier characters like Black Widow, Hawkeye, the Guardians of the Galaxy, Ant-Man, and more equally as popular was the result of strong marketing and solid storytelling.

    Now that we’ve entered Phase 4 of the MCU master plan, though, some cracks are developing under the weight of it all. Black Widow was entertaining enough, but felt like it came too little, too late for Scarlett Johansson’s now-deceased character. Shang-Chi and the Legend of the Ten Rings featured some spectacular set-pieces, but an overabundance of CGI. Now comes Eternals, featuring a group of all-powerful beings with a mission to protect Earth.

    That group includes … deep breath … Ajak (Salma Hayek), who has healing powers; Sersi (Gemma Chan), who can change matter with her hands; Ikaris (Richard Madden), who can fly and shoot lasers from his eyes (no, he’s not Superman); Thena (Angelina Jolie), who can create any type of weapon out of thin air; Kingo (Kumail Nanjiani), who shoots blasts from his fingers; Sprite (Lia McHugh), who can alter the look of reality; Phastos (Brian Tyree Henry), who can conjure any type of machinery; Makkari (Lauren Ridloff), who has super speed; Druig (Barry Keoghan), who can take over people’s minds; and Gilgamesh (Ma Dong-seok), who has super-strong fists.

    They were sent to Earth over 7,000 years ago by a Celestial named Arishem to protect humans from the invasive Deviants, a group of shape-shifting creatures. The catch is, that’s their entire mission; no matter what other bad things happen to humans (say, Thanos) or humans try to do to each other (like genocide), the Eternals are forbidden from interfering. The struggle between their mission and their collective conscience is what drives the story of the film.

    Written and directed by Chloé Zhao (Nomadland), with writing help from Patrick Burleigh, Ryan Firpo, and Kaz Firpo, the film is a sprawling epic with scenes ranging from modern-day to ancient Mesopotamia, with multiple other stops along the way. It attempts to include everything from existential questions about the fate of humanity to individual romances, with varying degrees of success.

    When it comes to the personal feelings of the Eternals, the film is stuck between two worlds. Since they are close to immortal, they tend to keep their relations to humans at a distance. But it becomes clear that human feelings are part of who they are, especially the longer they linger on Earth. Zhao and her team do their best to sell the emotions of the group, but it’s sometimes difficult to match up their words with their actions.

    Ultimately, it’s just too many characters for an introductory story. Only a few of them truly stand out, and with the film running over two-and-a-half hours, there is too much time for the audience to ponder if certain characters’ powers are all that useful. Combine that with the fact that their individual stories are meted out in drips and drabs, and it’s difficult to empathize or relate to any of them.

    Much of the action involves people pointing or conjuring with their hands, things that only look slightly less ridiculous because of the CGI. Few of the fight scenes measure up in any meaningful way to those of previous MCU films. Zhao, who is known for her internal stories, just can’t seem to get across the scope that the big set-pieces deserve.

    One nice thing is that the film features a cast that’s diverse in its skin color, gender, and level of fame. Six of the 10 characters are non-white, half are women, and only Hayek and Jolie could be considered stars. Even if we don’t get to know any of the characters that well, due to the overstuffed roster, the diversity allows the filmmakers explore avenues other MCU films haven’t, including a same-sex relationship.

    Perhaps Eternals will gain traction the more we get to see what the rest of the MCU’s Phase 4 involves. On its own, though, the story lacks the excitement that audiences have come to expect from Marvel films.

    ---

    Eternals opens in theaters on November 5.

    Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, and Lia McHugh in Eternals.

    Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, and Lia McHugh in Eternals
    Photo courtesy of Marvel Studios
    Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, and Lia McHugh in Eternals.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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