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    Real Housewives Recap

    Accusations and sequins fly on The Real Housewives of Dallas Reunion Part 1

    Kaitlin Steinberg
    Nov 6, 2017 | 10:10 pm
    RHOD Reunion season 2
    The ladies met for some Texas-sized drama on the Real Housewives Reunion.
    Brandi Redmond/Instagram

    Season 2 of The Real Housewives of Dallas may be over, but we have two sequin- and Botox-filled episodes of a reunion to enjoy yet, so let’s get to it!

    As the reunion commences, we get the usual montage of the ladies preparing for the inevitable Dallas-sized drama about to ensue: Cary does handstands on the set, Brandi and Stephanie drink cocktails with their hair in massive curlers, and LeeAnne questions the humor in a dildo (talk about beating a dead sex toy) in an effort to get Kameron wound up even further.

    But first, Andy Cohen must greet every housewife and ask how they’ve been. When it comes time to welcome D’Andra, he asks if her mother had any advice for her going into the dreaded reunion, and she revealed that her mother recorded everything she thought might be brought up so D’Andra could better prepare. God bless that ancient sack of Botox and snow algae.

    Then we get the first of many montages, this one showing some of the more lighthearted moments on the show, from eating worms in Mexico to LeeAnne’s hot dog costume.

    Next montage: Brandi and Stephanie’s estrangement. If you recall, it was never totally clear how the falling out happened, so Detective Andy tries to uncover the truth.

    Brandi acknowledges that she “got pissed” when Stephanie commented on Brandi’s marriage in her Bravo blog. Stephanie maintains she was referring to Travis and Bryan getting hammered as “a slow-moving car crash,” not Brandi’s marriage. Brandi admits she was jealous of Stephanie’s friendship with Cary. Then they both start crying because they love each other so much.

    Andy switches gears, asking Stephanie about the Halloween party at which LeeAnne came dressed as “Two-Faced Stephanie.” Stephanie reiterates that it was very hurtful, while LeeAnne notes that Stephanie joked about it previously, bolstering her argument that Stephanie is, indeed, two-faced.

    “You’re incredibly mean, ugly, and rude to me in your confessionals,” LeeAnne says to Stephanie, who responds that she’s just trying to be funny, but she probably shouldn’t have been so dismissive of LeeAnne’s flesh-eating bacteria. Though, in hindsight, the doctor didn’t seem super concerned about it, and LeeAnne recovered quickly, so I think maybe we can joke about it now.

    Andy asks LeeAnne to imagine an opposite scenario in which Stephanie came to her party dressed as “Two-Faced LeeAnne.” LeeAnne says she would have asked her to go in the other room and talk, because she is “a problem solver.”

    “Isn’t that creating a problem to be solved?” Andy chimes in, wisely.

    LeeAnne immediately deflects, playing the “I have PTSD from my childhood” card.

    “I think a lot of us have PTSD,” D’Andra says, “but we don’t carry it around and bring it out whenever it’s convenient.” Damn, D’Andra! She is being savage toward LeeAnne tonight, and I am here for it!

    Brandi asks why LeeAnne didn’t offer her support last season when she was talking about her brother having PTSD, so LeeAnne offers up some killer side eye toward Brandi while mumbling, “Be careful.”

    The next viewer question comes from someone who wonders if Kameron is a real person or a performance artist acting like a real person. That question was sent in by me.

    Just kidding, but now I’m sorry I didn’t think of it, because that assessment is golden.

    Kameron explains that she doesn’t want to take anything too seriously, so she lives in a bubble. A pink bubble. A pink bubble in which dogs eat only pink kibble and produce pink poo.

    Turns out, that was the major flaw in her pink dog food plan (though her 5-year-old daughter thought of it immediately). Test consumers weren’t into pink poo, so that’s why the final iteration of Sparkle Dog is a mixture of pink and brown kibble.

    Anyway, next Andy shows a montage so we can all relive the “class warfare” between Pink Poo Barbie and Brandi. He asks why Kameron “looks down her nose” at Brandi, and Kameron asks how, exactly she’s doing that. Brandi refers to Kameron as “Big Bird” again, so Kameron counters by calling Brandi “Oscar the Grouch who lives in a trash can.” Then she says Brandi uses her jokes to attack people, while Brandi maintains Kameron uses her ZIP code to be better than everyone else.

    Kameron asks Brandi what she means by that, then accuses Brandi of deflecting (even though she, Kameron, asked the question). Andy asks her to define “trashy,” and she replies with “chasing someone down the beach with a sex toy,” which I’m pretty sure is straight out of Merriam-Webster. She’s a smart blonde.

    “You should never bully someone with a sex toy,” she says, stonefaced.

    Apparently, though, Brandi chose not to bring Sexual Chocolate to the reunion out of respect for Kameron, so that’s disappointing.

    Andy switches gears again, introducing a D’Andra montage. The most interesting thing we learn from the ensuing conversation is that D’Andra has two trust funds, one from Mommy Dearest’s business and one from “oil and gas,” aka Daddy Dearest.

    D’Andra is lovely but boring, so we quickly move on to a LeeAnne montage, in which we relive all of her many freakouts. Andy asks how many people think LeeAnne has benefited from anger management. Kameron recuses herself, which leaves a grand total of two votes coming from D’Andra and LeeAnne herself.

    Then he asks about the infamous police report, and LeeAnne denies its existence, which is weird because stories about the police report are all over the interwebs. But whatever, LeeAnne. Brandi admits to being scared of LeeAnne, and Andy points out that she has threatened to hurt three people in the last two years that we know of.

    The next montage is all about LeeAnne’s boob job (btw, the only one who hasn’t had breast surgery is Kameron, they admit), and how her surgery led to fights about doctors and whether “vagina doctors” should be performing plastic surgery. The most dramatic moment of the montage was, of course, LeeAnne threatening Cary behind the closed door in the doctor’s office, which has gone down in Real Housewives history as a top 10 moment for sure.

    LeeAnne claims that Brandi “baited” her into the threats she made, and apparently D’Andra and Kameron had come to that same conclusion, assuming the editors just cut out what Brandi had been saying to goad LeeAnne. Andy reveals that there was no additional dialogue — it was all a crazy LeeAnne speech, just as the episode showed.

    D’Andra makes a good point and asks where all the drama between LeeAnne and Cary came from. Cary reminds her of the accusations LeeAnne lobbed against her marriage last season, but that doesn’t explain LeeAnne’s vendetta against Cary.

    LeeAnne claims she has never gotten physical, and that her threats are “just words.” (OK, so now they aren’t “just hands” ... try to keep up.) She says all she can do is try to be better every day, but Brandi calls bullshit, noting the pattern of bad behavior followed by apologies and excuses.

    Andy puts Kameron on the spot, asking if she was as offended by LeeAnne’s outburst as she was by being chased with a dildo. Kameron actually defends LeeAnne, saying, “we don’t know what she was on.” Cary is quick with a retort: “Couldn’t you have 27 martinis and not say that?”

    In an attempt to break the tension, Andy asks if now would be a good time to bring Mark out. LeeAnne has a strange reaction to the news that Mark is on set. First, she says she thought it was a closed set, then she notes that other husbands are in town, then she storms off the set, shouting that the reunion is “very one-sided.”

    D’Andra reiterates that it is a closed set, but Cary notes that much was said about Mark this season, so he deserves a chance to speak his mind.

    Meanwhile, LeeAnne slinks out a side door, asking where the big security guards are and whispering ominously, “Don’t worry, Mark. You’re safe.”

    To be continued…

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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