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    Calling All Goddesses

    5 reasons why Cirque du Soleil's newest show is unlike any you've seen before

    CultureMap Create
    Nov 13, 2018 | 11:30 am

    For more than 30 years, Cirque du Soleil has been wowing audiences all over the world with its dazzling live shows. Featuring amazing performers who defy gravity with their acrobatic acts and musicians who play the original scores live, the experience is unlike any other form of entertainment.

    The latest Cirque du Soleil show, Amaluna, is bringing its blue-and-yellow-striped Big Top to Lone Star Park at Grand Prairie beginning January 23, 2019.

    The audience is invited to a mysterious island governed by goddesses and guided by the cycles of the moon. Their queen, Prospera, directs her daughter's coming-of-age ceremony in a rite that honors femininity, renewal, rebirth, and balance. In the wake of a storm caused by Prospera, a group of young men lands on the island, triggering an epic, emotional love story between Prospera's daughter Miranda and a brave young suitor named Romeo. But the couple must face numerous trials and overcome daunting setbacks before they can achieve harmony.

    Even if you've been lucky enough to witness a Cirque show before, here are five reasons why Amaluna is unlike anything you've ever seen before.

    1. The women are the stars
    Not only is Amaluna's storyline focused on females, the cast is comprised mostly of women. "I didn't want to build a 'women's agenda' show. I wanted to create a show with women at the center of it, something that had a hidden story that featured women as the heroines," says director Diane Paulus.

    2. They're in charge offstage too
    Amaluna is the first Cirque du Soleil show to be directed by a woman. Diane Paulus, the Tony-winning theater and opera director, drew from a series of classical influences when creating the concept of the show, including tales from Greek and Norse mythology, Mozart's The Magic Flute, and Shakespeare's The Tempest.

    3. Women also run the music
    Cirque du Soleil shows are known for their incredible scores and live musicians, and Amaluna is the first time the company has employed an all-female band.

    4. The show's title has a hidden meaning
    "Amaluna" is a fusion of the words "ama," which refers to "mother" in many languages, and "luna," which means "moon," a symbol of femininity. Together, the word evokes both the mother-daughter relationship and the idea of goddess and protector of the planet. Amaluna is also the name of the mysterious island where the show's story unfolds.

    5. There are two brand-new acts
    Jaw-dropping feats of physicality are what make Cirque shows so unique, and this one is no exception. Amaluna boasts not one, but two, new acts: the Waterbowl and the Balance Goddess.

    The Waterbowl is a pool that's more than 7 feet in diameter and weighs 5,500 pounds when filled. It's where Miranda and Romeo tentatively kiss for the first time, after Romeo watches Miranda perform a challenging hand-balancing routine before diving through the water.

    The Balance Goddess is shown creating a world in equilibrium with a mobile made of 13 palm leaf ribs. An ode to balance, her movements are slow, deliberate, and almost meditative as she concentrates all her attention on this literally breathtaking structure. And then she removes the smallest piece, everything disintegrates and the young couple's trials begin.

    ---

    Take advantage of 15 percent off select tickets, categories 1-2-3 for all weekday and Friday 4:30 pm shows.

    Amaluna is the first female-driven Cirque du Soleil show.

    Cirque Du Soleil Amaluna
    Photo by Markus Moellenberg
    Amaluna is the first female-driven Cirque du Soleil show.
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    Movie Review

    Dallas gets showcased in witchy new movie Forbidden Fruits

    Alex Bentley
    Mar 26, 2026 | 3:24 pm
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits
    Photo courtesy of IFC
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits.

    There was a time when Dallas was a prime location for movies, whether it was for films set in and around the city, like Tender Mercies, or ones that used it to stand in for other locations, like Robocop. Dallas is getting its first notable shoutout in a long time thanks to the new film, Forbidden Fruits.

    Set mostly in a NorthPark Center-like location called Highland Place Mall, the film centers on a group of young women known as the Fruits. Apple (Lili Reinhart), Cherry (Victoria Perfetti), and Fig (Alexandra Shipp) all work at a clothing store called Free Eden, with the three of them essentially lording over everyone else in the mall. That includes Pumpkin (Lola Tung), who works at the pretzel store Sister Salt’s and who wants to join their group.

    Pumpkin soon discovers that, apart from being an entitled clique, the group also claims to be a coven of witches, with Apple especially using their combined power to get back at anyone who’s wronged them. When Pumpkin starts noticing Cherry and Fig going astray of the group’s code, she uses this knowledge to get in tighter with Apple, although she’s unprepared for how far Apple will go to protect her interests.

    Written and directed by Meredith Alloway (who grew up in Dallas and graduated from both Lake Highlands High School and SMU) and co-written by Lily Houghton, the film seems to have the aim of combining movies like Mean Girls and The Craft. The peer pressure of being part of an exclusive group is evident from the start, as Apple essentially forces the others to live by her code or be ostracized (or worse).

    One of the biggest problems the film runs into, though, is that any conflict comes from within the group itself. With no pressure coming from other friends, family, or co-workers, the group has to create its own drama. The story quickly gets redundant and stagnant, with almost no plot movement until the final act of the film, when it’s almost too late.

    Alloway is clearly aiming for a campy vibe with the film, but the execution leaves something to be desired. The four characters are established in a perfunctory manner, and even as they get fleshed out as the film goes along, there’s nothing to compare them with, so it’s as if they’re just acting off-the-wall in a vacuum.

    Those who know the Dallas area well will enjoy the local references (the women hail from Plano, Irving, Grapevine, and Highland Park), and Alloway makes sure to include the looming threat of a tornado into the plot. But since the film was actually filmed in Toronto, there are no visuals that make it feel like Texas, and so any goodwill she gets from setting the film in the city is muted by that lack.

    While Reinhart (Riverdale) and Shipp (Storm in X-Men movies) have been around longer, both Pedretti (You) and Tung (The Summer I Turned Pretty) have made big impressions on streaming shows in recent years. The foursome play off each other well even when the story is not that compelling.

    If there was a message in Forbidden Fruits that Alloway wanted to get across, she didn’t communicate it clearly enough. Her solid cast can only do so much to sell a story that doesn’t have enough on the bone to be filling. It would have been nice for the movie to be filmed in Dallas, but such is the way of the world in modern Hollywood.

    ---

    Forbidden Fruits opens in theaters on March 27.

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