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    Movie Review

    Fantastic Beasts: The Crimes of Grindelwald conjures confusion instead of magic

    Alex Bentley
    Nov 15, 2018 | 4:03 pm
    Fantastic Beasts: The Crimes of Grindelwald conjures confusion instead of magic
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    The reason the Harry Potter film series became a multibillion-dollar property was because it was based on an already hugely-popular book series. The Fantastic Beasts series has no such built-in goodwill other than its tangential relationship to the Harry Potter universe. The first film in 2016 intrigued with the introduction of unfamiliar characters, but it’s put-up-or-shut-up time with the second of a planned five films, Fantastic Beasts: The Crimes of Grindelwald.

    In the sequel, Newt Scamander (Eddie Redmayne) has been banned from international travel after his escapades in New York in the first film. Naturally, that doesn’t last long when he discovers that auror and love interest Tina Goldstein (Katherine Waterston) is in Paris, helping in the search for Grindelwald (Johnny Depp), who has escaped from custody.

    And that’s about all that’s clear in the extremely confusing plot that finds old characters being clumsily re-introduced, new characters brought in with barely an introduction, and a young Albus Dumbledore (Jude Law) shoehorned into the proceedings seemingly just to give the audience some kind of familiarity on which to grasp.

    Anyone hoping for a similar combination of darkness and lightness that was in the first film will be disappointed as writer J.K. Rowling and director David Yates go fully dark almost right away. Grindelwald’s quest to take over the world takes center stage, so other fun things like the relationship between Jacob Kowalski (Dan Fogler) and Queenie Feldstein (Alison Sudol) are put on the backburner or turn into something much different.

    Strangely, they also seem to turn away from the titular fantastic beasts. They definitely appear throughout, but their impact is limited to three different creatures, including a new one that looks like a Chinese dragon costume come to life. They return to the nifflers (platypus-type animals with a nose for shiny things) time and again as they are the only creatures that are easy enough to understand and ones whose skills prove useful to the plot.

    After two films, Scamander now seems to be too timid of a character on which to hang an entire series. Anything heroic he does appears to happen almost by accident, and it’s other characters like Tina, Dumbledore, or Newt’s brother, Theseus (Callum Turner), who provide inspiration when the time comes. Redmayne plays him well the way he’s written, but that doesn’t make him a great character.

    It’s unclear what Rowling and the other filmmakers are going for in this series, but it has yet to match the enchantment of the Harry Potter series. Rowling is a great writer on the page, but the Fantastic Beasts films have not proved her worth as a screenwriter.

    Eddie Redmayne and Callum Turner in Fantastic Beasts: The Crimes of Grindelwald.

    Eddie Redmayne and Callum Turner in Fantastic Beasts: The Crimes of Grindelwald
    Photo by Jaap Buitendijk
    Eddie Redmayne and Callum Turner in Fantastic Beasts: The Crimes of Grindelwald.
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    Movie Review

    The Super Mario Galaxy Movie chases nostalgia for shiny but shallow sequel

    Alex Bentley
    Apr 1, 2026 | 12:37 pm
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie
    Photo courtesy of Nintendo and Illumination
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.

    When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.

    Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).

    And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers - directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel - have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.

    Instead, small groups are shuttled around different points in the galaxy - sometimes using game mechanics, sometimes not - to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.

    It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.

    I have long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word - “Yoshi.”

    Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.

    The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.

    ---

    The Super Mario Galaxy Movie is now playing in theaters.

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