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Movie Review

Billy Lynn's Long Halftime Walk is too complex to enjoy fully

Alex Bentley
Nov 17, 2016 | 4:30 pm
Billy Lynn's Long Halftime Walk is too complex to enjoy fully
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Though it’s not an exact science, movies about war tend to go in cycles. Movies made between 2005 and 2010 were usually critical of the ongoing Iraq and Afghanistan wars, and more recent films like American Sniper and Lone Survivor have celebrated individual heroics while mostly eschewing overt politics.

Both sides of the aisle are touched upon in the new film Billy Lynn’s Long Halftime Walk, based on the acclaimed novel by Ben Fountain. Set at a Dallas Thanksgiving Day football game in 2004, it follows Billy Lynn (newcomer Joe Alwyn) and his fellow Bravo Company members as they make the final stop on a U.S. tour celebrating their heroics in Iraq.

Lynn was caught on camera attempting to save the life of a fellow soldier, an image that was said to have inspired many stateside. But for Lynn and his team, being lauded for, as he says, “the worst day of my life,” is a supremely odd experience. Add in being forced to participate in a halftime show with Destiny’s Child, possible PTSD symptoms, and other oddities, and it’s no wonder they feel overwhelmed.

There’s a lot to keep track of in the film, including the sometimes perplexing camaraderie of Bravo Company; flashbacks to their time in Iraq; an insistence by Lynn’s sister, Kathryn (Kristen Stewart), that he stay home to be tested for PTSD; a Hollywood agent, Albert (Chris Tucker), trying to set up a movie deal for the company; a spark of a relationship with a cheerleader (Makenzie Leigh); and the machinations of Norm Oglesby (Steve Martin), a Jerry Jones-esque figure.

There’s so much going on, in fact, that it’s a little difficult to make the necessary connections to any of the subplots. That’s part of the point, naturally; Billy is being pulled in so many different directions at once that it’s a wonder he doesn’t have a breakdown every few minutes. But it also makes for a less-than-fulfilling movie experience, as you can only get comfortable for a few minutes before Billy is pulled in a different direction.

Then there’s the way director Ang Lee chose to shoot the film. The ultra-high frame rate version will only be seen in certain theaters (you can see a version of it at AMC Highland Village on the Parkway 9 in Addison), but the intense reality for which Lee was aiming is clear. At multiple points, he fills the screen with a single actor speaking directly into the camera, an unnerving technique that often seems to have no real purpose.

Fortunately, Alwyn is up to the task of cutting through everything to the heart of his character. His large, expressive eyes and open demeanor allow him to transform Billy for whatever situation arises. It also helps that he can play off the pure id of squad leader Dime (Garrett Hedlund), whose instinctual and visceral reactions make Billy seem calm and rational in comparison.

Billy Lynn’s Long Halftime Walk neither glorifies nor condemns the things that arise due to war. It’s an intensely personal journey through the immensely complicated life of one particular soldier, but it could’ve been made a tad less complex in order to make the story work better.

Joe Alwyn in Billy Lynn's Long Halftime Walk.

Joe Alwyn in Billy Lynn's Long Halftime Walk
Photo courtesy of Sony Pictures
Joe Alwyn in Billy Lynn's Long Halftime Walk.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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