Mandy Moore will go on tour for the first time in over a decade.
Photo courtesy of Mandy Moore
Mandy Moore, who transitioned from pop star to actor in the early 2000s, is getting back to her first love, going on tour for the first time in over a decade. She'll bring her tour to Majestic Theatre in Dallas on Thursday, April 23, 2020.
Moore made the announcement on her Facebook page November 19, indicating that the tour will be "an intimate, elevated evening of new and old tunes, performed with a superb group of musicians," a show that will "have threads of what the writing and recording process was like with this band, almost like you’ve been invited in our living room for an inside glimpse." Moore released a new single, "When I Wasn’t Watching," this past September.
The tour will travel to 29 cities across the United States, starting in Pittsburgh on March 20. In addition to Dallas, Moore will also go to Houston on April 24 and Austin on April 25. All three Texas dates will feature opening act Madison Cunningham.
Moore made her debut as a singer in 1999, releasing six albums over the next 10 years, her most recent being 2009's Amanda Leigh. While she had decent success in that realm, she has become much more well known as an actor, most notably for her role as Rebecca Pearson on the NBC show This is Us, for which she was nominated for an Emmy Award in 2019.
Various pre-sales for the tour start on Wednesday, November 20, with tickets for the general public going on sale on Friday, November 22.
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
