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    Hunger Games Revolution

    Mockingjay - Part 1 sets up final Hunger Games chapter brilliantly

    Alex Bentley
    Nov 21, 2014 | 12:00 am
    Mockingjay - Part 1 sets up final Hunger Games chapter brilliantly
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    Splitting the final film of a popular book-turned-movie series into two parts is all the rage these days, as the makers of the Harry Potter, Twilight and now The Hunger Games series have all opted to do so. Detractors decry the overt commercialism of these moves, while supporters rejoice in an extra chance to spend time with their favorite characters.

    Whatever side of the debate you fall on, the results have been iffy at best. But The Hunger Games is looking to buck that trend with Mockingjay - Part 1, the first step toward all-out revolution in the world of Panem.

    Instead of just throwing Katniss into war, they make her struggles fully real for the audience, which results in a more powerful drama.

    The film throws the audience directly into Katniss Everdeen’s (Jennifer Lawrence) new reality: living underground in the recently revealed District 13. There, 13’s President Coin (Julianne Moore), former gamesmaker Plutarch Heavensbee (Philip Seymour Hoffman) and others try to convince Katniss to become the face of the revolution against the Capitol, something she is loath to do.

    But when she sees videos of Peeta (Josh Hutcherson) suffering at the hands of President Snow (Donald Sutherland), along with what happened to her former home in District 12, she complies. With the help of Effie (Elizabeth Banks), Haymitch (Woody Harrelson) and Gale (Liam Hemsworth), Katniss starts to become whom she is meant to be, whether she likes it or not.

    One’s enjoyment of Mockingjay - Part 1 depends on two factors. First and most obviously, you have to know that you will not get closure in this film. Second and most important, there is very little action. The first part is all about setting up the battle royale in part two, and the filmmakers have saved most of the big set pieces for that film.

    That said, there’s much to love about part one. Commercial qualms aside, splitting the final film in two is good for both lovers of the books and movie fans. By devoting almost an entire film to Katniss’ uneasiness at being the virtual leader of the revolution, director Francis Lawrence and his team were able to really delve into details that would be glossed over otherwise.

    Instead of just throwing her directly into war, which would happen if the whole story was told in two-and-a-half to three hours, they make her struggles fully real for the audience, which results in a more powerful drama. It also makes the few action scenes in the film impactful in a way that they wouldn’t be if the movie were full of them.

    The filmmakers also deserve credit for not sugarcoating the darker parts of the story. The film definitely falls in the PG-13 range, but the themes it covers make it feel closer to an R. The film is definitely not for younger children, and even older viewers may find themselves shocked at various violent acts, implied or otherwise.

    At this point in the series, the interactions between the characters are as important to the story’s success as any plot twists. Despite their somewhat dire circumstances, it’s a pleasure to see Katniss, Effie, Haymitch, Gale and others band together to get things done. They all feel essential to the plot, especially in a film that features more dialogue than fighting.

    The film is an actor’s idea of heaven and nearly all of them rise to the challenge. Lawrence is as great as ever, as is the late Hoffman, Banks, Harrelson and newcomer Moore. Even actors in smaller roles, like Jeffrey Wright, Sam Claflin and Natalie Dormer, make the most of their moments in the spotlight.

    There is no real resolution in Mockingjay - Part 1, but it delivers more than enough to satisfy fans while they endure the yearlong wait for Part 2. War is coming, and the calm before the storm is the perfect way to prepare the audience for the end of the story.

    Jennifer Lawrence in The Hunger Games: Mockingjay - Part 1.

    Jennifer Lawrence in The Hunger Games: Mockingay - Part 1
    Photo by Murray Close
    Jennifer Lawrence in The Hunger Games: Mockingjay - Part 1.
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    Movie Review

    The Invite delivers smart, sexy laughs with an all-star cast

    Alex Bentley
    Jul 10, 2026 | 11:40 am
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
    Photo courtesy of A24
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

    Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

    Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

    What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

    Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

    Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

    But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

    In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

    While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

    ---

    The Invite is now playing in theaters.

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