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    Movie Review

    Camp level of House of Gucci overwhelms any drama its story holds

    Alex Bentley
    Nov 22, 2021 | 1:05 pm
    Camp level of House of Gucci overwhelms any drama its story holds
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    There is no doubt that the events depicted in the new film House of Gucci are ones with inherent drama, as they depict the decades-long power struggle among members of the Gucci family. But the film, directed by Ridley Scott and written by Becky Johnston and Roberto Benivegna, often veers into unintentional comedy, begging the question of whether the filmmakers knew the type of movie they actually wanted to make.

    The film centers on Patrizia Reggiani (Lady Gaga), who, after meeting Maurizio Gucci (Adam Driver) at a party, slowly but surely worms her way into his life. Maurizio is reluctant to be part of the iconic family brand, run by his uncle Aldo (Al Pacino) and father, Rodolfo (Jeremy Irons), but Patrizia and Aldo are able to pull him back into the fold.

    The story goes on to detail how each person, including Aldo’s son Paolo (Jared Leto), worked with or against the others for control of the company. Patrizia, as an outsider, is viewed with suspicion almost from the beginning. She does her best to overcome those misgivings, offering up what she believes are ideas that will take the company to the next level.

    Succession, this is not, though. Scott and the writers have trouble making the machinations of the various family members all that interesting. The story is surprisingly straightforward, but it also seems to fast forward in odd ways. For much of the film, Maurizio seems disinterested in anything to do with the business … until all of a sudden he is. Likewise, whether Patrizia is a money-grubbing, power-hungry person or merely a devoted wife depends on the scene she’s in.

    Most importantly, the filmmakers never truly sell the enmity between the different factions of the family. The plot progresses through a slew of barely connected scenes, not ones that naturally flow from one to the next, making it difficult to understand why any of the main characters reach the emotional points they do. For a film that ends the way it does — no spoilers for anyone not versed in Gucci history — there’s a distinct lack of a propelling force to the plot.

    Also strange is the film’s use of music. They include plenty of popular songs, especially from the 1980s, but many of the songs don’t seem the fit the scenes to which they’re attached. They also let several of the songs play much longer than is typical in a film, to the point where it’s fair to wonder if the songs are supposed to provide emphasis for certain scenes or they’re trying to make a weird kind of music video.

    For all of the movie’s faults, it’s still fun to watch each of these actors at work. Fears over Lady Gaga’s accent work are unfounded, and she remains interesting throughout. Driver and Irons are consummate professionals who often do a lot with just a little. Pacino and Leto are the over-the-top types, and so even when their level of intensity doesn’t seem to match the scene, you can enjoy them for giving it everything they’ve got.

    House of Gucci is not the type of movie it claims to be, which is a drama/crime thriller, and if you watch it as such, you’ll be disappointed. However, if viewers embrace the campiness that inadvertently resulted, maybe it’ll enjoy a nice run as a midnight movie.

    ---

    House of Gucci opens in theaters on November 24.

    Lady Gaga in House of Gucci.

    Lady Gaga in House of Gucci
      
    Photo courtesy of Metro Goldwyn Mayer Pictures Inc.
    Lady Gaga in House of Gucci.
    movies
    news/entertainment

    This week's hot headlines

    Death of Dallas Caramel Company founder leads week's most-read stories

    Stephanie Allmon Merry
    Jun 14, 2025 | 10:00 am
    Dallas Caramel Company
    Dallas Caramel Company
    Dallas Caramel Company

    Editor's note: It was a newsy week in Dallas. Sadly, the founder of a Dallas sweets company passed away; there was also news of a new gourmet European market in the works and peach cobbler coming to DFW Airport. Here's a chance to get caught up on the week's most-read stories, and here's help planning a fun weekend.

    1. Dallas Caramel Company founder Rain McDermott dies at 52. Dallas entrepreneur Rain McDermott, who founded artisan caramel maker Dallas Caramel Company when she was only 34 years old, died after a battle with breast cancer; she was 52.

    2. Gourmet European Market to open in north Dallas with pierogi and more. A new food shop with a distinct European flair is coming to Dallas: Called Gourmet European Market, it's opening at 17435 Preston Rd., in a shopping center south of Frankford Road, where it will feature food products from all over Europe but with a special focus on the Eastern European countries of Poland, Germany, Ukraine, Russia, Georgia, Israel, and Bulgaria.

    Gourmet European Market Polish gingerbreadPolish gingerbread at Gourmet European Market.Photo courtesy of GEM

    3. Chef and caterer opens Southern to-go cafe south of Dallas. A chef and caterer has opened an eponymous to-go cafe south of Dallas: Called The Cedric Frazier Experience, it’s an upscale soul food kitchen located at 103 Waller St., in Red Oak, where it opened on June 7.

    4. Dallas cuts slack on senior homeowners with new property tax exemption. Dallas seniors who own a home got cut a break: On June 11, the Dallas City Council approved additional property tax relief for senior and disabled homeowners by increasing the city’s property tax exemption for residents who are 65 or older or disabled.

    5. Peach cobbler concept to open 2 locations at Dallas-Fort Worth Airport. Southern desserts are coming to Dallas-Fort Worth International Airport (DFW): The Peach Cobbler Factory, a chain based in North Carolina, will open not one but two locations at the airport. The first DFW location will open in Terminal D in late 2025; a second location will open in the new Terminal C Pier in 2026.

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