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    Lone Star Grammy Noms

    Texas artists score big in 2015 Grammy Award nominations

    Teresa Gubbins
    Dec 8, 2014 | 5:07 pm

    Texas was well-represented in the latest round of nominations for the National Academy of Recording Arts & Sciences 57th annual Grammy Awards. Beyonce, Miranda Lambert and Lecrae topped the list of 24 Texas-born or -based musical acts who earned 35 nominations for music released during the eligible period between October 1, 2013, and September 30, 2014.

    Beyoncé's self-titled album Beyoncé earned nods for Album of the Year and Best Urban Contemporary album. The Houston pop star's single "Drunk In Love" (featuring husband Jay Z) was nominated for Best R&B Song and Best R&B Performance. She was also nominated for Best Music Film for Beyoncé & Jay Z: On The Run Tour.

    Longview-born Miranda Lambert received four nominations, including Best Country Album for Platinum, and two nominations for the single "Automatic": Best Country Solo Performance and Best Country Song. She was also nominated for Best Country Duo/Group Performance for "Somethin' Bad" (with Carrie Underwood).

    Houston's Lecrae earned three nominations, including Best Rap Performance for "All I Need Is You"; Best Gospel Performance/Song for "Help" (with Erica Campbell); and Best Contemporary Christian Music Performance/Song for "Messengers" (featuring For King & Country).

    Dallas-Fort Worth nominees
    Dallas native Edie Brickell was nominated for Best American Roots Song for "Pretty Little One" (with Steve Martin and the Steep Canyon Rangers); Brickell and Martin performed in Dallas in October at the Winspear Opera House.

    Dallas native and rising star St. Vincent was nominated for Best Alternative Music Album for her self-titled album St. Vincent. Her climb to fame got a major boost when she performed with Nirvana in April 2014 during their induction into the Rock and Roll Hall of Fame.

    Dallas-residing producer Tim O'Heir received a nomination for Best Musical Theater Album for Hedwig and the Angry Inch (with Justin Craig and Stephen Trask). O'Heir also was nominated for a Tony.

    Arlington a capella group Pentatonix was nominated for Best Arrangement, Instrumental or A Cappella, for "Daft Punk."

    Austin nominees
    Austin artists include a team who worked on The Rise & Fall of Paramount Records, Volume One (1917-27): Dean Blackwood, nominated for Best Boxed or Special Limited Edition Package (with Susan Archie and Jack White), and Scott Blackwood, for Best Album Notes.

    Ruthie Foster was nominated for Best Blues Album for Promise of a Brand New Day, and Eliza Gilkyson was nominated for Best Folk Album for The Nocturne Diaries. Craig Hella Johnson, conductor of Conspirare, was nominaed for Best Choral Performance for "The Sacred Spirit Of Russia."

    Houston nominees
    Robert Glasper Experiment received two nominations: Best Traditional R&B Performance for "Jesus Children" (featuring Lalah Hathaway and Malcolm Jamal Warner), and Best R&B Album for Black Radio 2.

    Houston gospel acts included Aaron W. Lindsey, nominated for Best Gospel Performance/Song for "No Greater Love" (with Smokie Norful), and the Walls Group, for Best Gospel Performance/Song for "Love On the Radio."

    Houston jazz musicians included Everette Harp (with Jeff Lorber and Chuck Loeb), nominated for Best Contemporary Instrumental Album for Jazz Funk Soul, and Jason Moran, nominated for Best Jazz Instrumental Album for All Rise: A Joyful Elegy For Fats Waller.

    Texas-born legends up for Grammy Awards include Johnny Mathis, a native of Gilmer, nominated for Best Traditional Pop Vocal Album for Sending You A Little Christmas; Johnny Winter, originally from Beaumont, nominated for Best Blues Album for Step Back; and Jacksonville-born Lee Ann Womack, nominated for Best Country Album for The Way I'm Livin'.

    Mariachi Los Arrieros Del Valle of McAllen were nominated for Best Regional Mexican Music Album (Including Tejano) for Alegría Del Mariachi. And Pepe Aguilar of San Antonio was nominated Best Regional Mexican Music Album (Including Tejano) for Lastima Que Sean Ajenas.

    Two Christian acts received nominations as well. MercyMe of Greenville was nominated twice: for Best Contemporary Christian Music Performance/Song for "Shake," and for Best Contemporary Christian Music Album for Welcome To The New. And Waco act Crowder was nominated for Best Contemporary Christian Music Performance/Song for "Come As You Are."

    The Grammy Awards air February 8, 2015, on CBS.

    Grammy Award nominees Edie Brickell toured with Steve Martin during the summer of 2014.

    Paul Simon, Edie Brickell, Steve Martin at Houston Symphony concert July 2014
    Photo courtesy of Houston Symphony
    Grammy Award nominees Edie Brickell toured with Steve Martin during the summer of 2014.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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