Mavericks news

Jason Kidd is out as coach of the Dallas Mavericks after 5 seasons

Jason Kidd and the Mavericks have parted ways.

Photo by Christian Petersen/Getty Images

Jason Kidd is out as coach of the Dallas Mavericks after five seasons, and two weeks after the club hired former Toronto Raptors executive Masai Ujiri as team president and governor.

The team said Tuesday, May 19 it was parting ways with Kidd, describing the move as a mutual decision. The Hall of Fame point guard led the franchise to its only championship as a player in 2011.

When asked about the future of Kidd at his introduction on May 5, Ujiri was noncommittal, saying he would talk to Kidd while evaluating all aspects of the team.

“As we evaluate the future of our basketball program, we believe this is the right moment for a new direction for our team,” Ujiri said in a statement. “We have high expectations for this franchise and a responsibility to build a basketball organization capable of sustained championship contention.”

Kidd made two deep playoff runs with Luka Doncic, reaching the NBA Finals in 2024, two years after a loss to Golden State in the Western Conference finals.

The Mavericks traded Doncic to the Los Angeles Lakers during the 2024-25 season, getting Anthony Davis as the centerpiece in a deal that backfired badly on the franchise. Dallas missed the playoffs that season and again in 2025-26.

The 53-year-old Kidd had said he was looking forward to developing 2025 No. 1 overall pick Cooper Flagg, who won Rookie of the Year. Instead, that task will fall to someone else.

Kidd finished with a .500 regular-season record (205-205) with the Mavericks, an appropriate illustration of the up-and-down nature of his tenure.

The run to the West finals came in his first season, when Dallas stunned the favored Phoenix Suns in Game 7 on the road in the second round. The Mavericks lost in five games to the Warriors, who won the title.

Then-general manager Nico Harrison traded for Kyrie Irving the next season, but injuries to him and Doncic limited their chances to be an elite scoring pair. Dallas missed the playoffs.

In their only healthy season together in 2023-24, Doncic and Irving led the Mavericks to the Finals for the first time since Kidd helped Dallas win it all.

Nine months later, Harrison shocked the NBA with the trade of Doncic. Because of injuries, Irving and Davis played together for just 2 1/2 quarters.

Harrison was fired early in the 2025-26 season, after a slow start and with Davis injured again. Davis was later traded to Washington, and despite plenty of brilliant play from Flagg, the Mavericks finished 26-56.

Dallas becomes the fourth team with a coaching vacancy, joining Orlando, Chicago and Portland. The Trail Blazers were led by Tiago Splitter in an interim role this season. Since the regular season ended, Milwaukee has hired Taylor Jenkins and New Orleans brought in Jamahl Mosley.

Of the 12 coaches to take teams to the NBA Finals since 2019, seven are no longer with those clubs — including four who won championships: Nick Nurse with Toronto in 2019; Frank Vogel with the Lakers in 2020; Mike Budenholzer with Milwaukee in 2021; and Michael Malone with Denver in 2023.

The other coaches who went to the Finals since 2019 and are no longer with those teams: Monty Williams (Phoenix in 2021), Ime Udoka (Boston in 2022) and Kidd.

Kidd has a 388-395 record in nine-plus seasons as a head coach. He became a coach immediately after retiring as a player, leading Brooklyn to the second round of the playoffs in 2013-14. He bolted for Milwaukee, where he was fired in the middle of his fourth season.

After two seasons as an assistant with the Lakers, including their 2020 title run in the playoff bubble with LeBron James and Davis, Kidd was hired by the Mavericks.

Ujiri told reporters not to read anything into him being noncommittal about Kidd's return, saying the coach lasted several years in each of the previous times he was hired to run basketball operations, with Toronto and Denver.

This time, Ujiri is starting fresh.

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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Photo by Betina La Plante/Focus Features

Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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