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    Journey of a Lifetime

    Reese Witherspoon doesn't shy away from the ugly in Wild performance

    Alex Bentley
    Dec 12, 2014 | 12:00 am
    Reese Witherspoon doesn't shy away from the ugly in Wild performance
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    Focusing on one character for a feature-length film can be tricky. His or her story has to be compelling enough to warrant such an in-depth look at the person’s life, but not so singular that it doesn’t allow for interesting side characters.

    Reese Witherspoon has found such a story with Wild, in which she plays Cheryl Strayed, who wrote the book upon which the movie is based. In response to a series of life crises, Strayed decided to hike the 1,100-mile Pacific Crest Trail in 1995 with little to no previous hiking experience.

    The film, directed by Jean-Marc Valleé and written by Nick Hornby, essentially puts the audience inside Strayed’s head, allowing us to take many side trips into her past thanks to her unceasing thoughts during the long journey. These include ruminations on her relationship with her mother (Laura Dern), her ex-husband (Thomas Sadoski) and the many poor decisions that led her to this point in her life.

    To put it mildly, this role is far afield from Witherspoon’s work in comedies or even her Oscar-winning part in Walk the Line.

    To put it mildly, this role is far afield from Witherspoon’s work in comedies or even her Oscar-winning part in Walk the Line. Among Strayed’s indiscretions prior to the hike are heavy drug use and taking part in indiscriminate affairs, and Witherspoon doesn’t shy away from the ugly aspects of either.

    While Strayed’s misdeeds are great and her method toward exorcising her demons extreme, it’s easy to empathize with her. Who among us hasn’t wanted to escape from the world for a while, or hasn’t felt guilt over things we can and cannot control? The film does an excellent job of making Strayed relatable without sugarcoating the more unflattering parts of her life.

    The actual hike part of the film is interesting and contains several fun interactions, but Valleé and Hornby are guilty of making it look both too easy and too threatening at certain points. Granted, it would be impossible to show every step of Strayed’s 94-day journey, but except for a couple of minor hiccups, her trek is shown to be remarkably stress-free for someone who had rarely hiked before.

    On the flip side, the film makes a bit too much of Strayed’s encounters with possibly shifty men. Although a single woman hiking alone through the wilderness should naturally be on guard, her encounters with a few nefarious characters have the whiff of over-dramatization, whether they happened or not.

    But the performance of Witherspoon holds the film together throughout. Her naturally welcoming face at first seems to be a deterrent to digging into the story’s nitty-gritty details, but that becomes less and less of an issue as the film goes along. Mostly it’s just a pleasure seeing her inhabit a character that appears to be the polar opposite of her public persona and pulling it off without a hitch.

    Wild explores one woman’s soul as she explores the great American West, and both she and the audience become richer because of it.

    Reese Witherspoon in Wild.

    Reese Witherspoon in Wild
    Photo courtesy of Fox Searchlight Pictures
    Reese Witherspoon in Wild.
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    Movie Review

    Wake Up Dead Man gives Knives Out series a more serious feel

    Alex Bentley
    Nov 26, 2025 | 3:30 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources - mystery novels and Catholicism - collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations - especially between Blanc and Father Jud - are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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