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    Movie Review

    Magical Mary Poppins Returns enchants with elements old and new

    Alex Bentley
    Dec 18, 2018 | 12:01 pm
    Magical Mary Poppins Returns enchants with elements old and new
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    There are a couple of different ways to look at Disney’s current mission to revisit most of their iconic properties. The cynical way is to view them as mere cash grabs that do little more than repackage stories in different wrapping. The more generous way is to say that they’re giving a new generation a chance to call a movie their own, regardless of whether they’ve seen the original or not.

    The fantastic thing about Mary Poppins Returns, though, is that it seamlessly blends together the old and the new for a thoroughly enchanting experience. Taking over the role of Mary Poppins from Julie Andrews is Emily Blunt, who can play prim and proper as well as sweet and charming with the best of them. Those traits and others make her introduction as Poppins smooth and easy.

    The magical nanny has been summoned into action due to the family struggles of the now grown-up Michael Banks (Ben Whishaw), whose wife died the year before. His kids — John (Nathanael Saleh), Anabel (Pixie Davies), and Georgie (Joel Dawson) — are a mostly obedient group, but their mother’s absence and the prospect of possibly losing their home still affects them deeply.

    Mary, with ever-willing assistance by lamplighter Jack (Lin-Manuel Miranda), proceeds to help the Banks children as only she can, including fantastical trips to an underwater land, into a painted pottery scene, and more. The lessons she imparts are never heavy-handed, but rather ones meant to guide those willing to listen to where they need to be.

    Though this sequel is coming 54 years after the original, director Rob Marshall and his team have somehow made the years between the two vanish. Sure, the visuals are greatly enhanced thanks to modern technology, but the filmmakers have paid homage to the first film in all the best ways, giving the new movie a similar feel without ever coming across as a mere copy.

    A big part of this are the new songs by Marc Shaiman and Scott Wittman. Many of them are so quick that it will take repeat viewings to fully appreciate them, but a few stand out so much that they instantly compare to the classics from the original. These include “Can You Imagine That?,” “The Place Where the Lost Things Go,” “Nowhere to Go But Up,” and especially “Trip a Little Light Fantastic.” That last song is a showcase for Miranda that will leave you humming it long after you leave the theater.

    The film is bursting at the seams with so many wonderful elements that it’s almost impossible to list them all. Blunt is near-perfect as Mary, and Miranda proves that his talents are not constrained to making Tony Award-winning musicals. Supporting turns by Emily Mortimer, Julie Walters, and Colin Firth are a delight, as are cameos by Meryl Streep, Angela Lansbury, and the inimitable Dick Van Dyke.

    Mary Poppins Returns is a film designed to make tons of money, but you won’t regret paying to see it for one second. Your childhood memories will remain intact and be enhanced by this mesmerizing movie.

    Emily Blunt in Mary Poppins Returns.

    Emily Blunt in Mary Poppins Returns
    Photo courtesy of Walt Disney Studios
    Emily Blunt in Mary Poppins Returns.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
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    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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