CREEPY CRAWLIES

Nightmarish stinging fireworms are washing up on Texas beaches

Researcher Jace Tunnel holds a nightmarish fire worm.

Heads up, Gulf vacationers: Officials are sounding the alarm about a creepy critter that could ruin your next beach trip. The Harte Research Institute for Gulf of Mexico Studies says that fireworms, a centipede-like sea creature with sharp bristles, are washing up on Texas shores.

Researcher Jace Tunnel posted the warning in a Facebook photo series detailing a recent beachcombing expedition. Along with benign finds like lost stuffed animals, seashells, and seeds, the explorer encountered a slithery pair of fireworms feeding on a pile of gooseneck barnacles.

Although voracious predators, fireworms are not usually a threat to humans. But their common name should give any beachgoer pause if they encounter them in the wild. The hollow bristles can inject a potent neurotoxin that can cause painful burning, nausea, and dizziness.

“[I]t literally feels like fire for about three hours,” explains the institute in a 2024 post. “Your skin can feel sensitive in the sting site for weeks, depending on where it stung you.”

The bristle worms are native to the Mediterranean Sea and the Atlantic Ocean and are most commonly found near coral reefs. Although not a new sight in the Gulf of Mexico, they are rare enough to cause a stir. When angler Alyssia Ramirez posted a 2020 video of catching a fireworm, it made international news, according to Corpus Christi NBC affiliate KRIS 6.

While the risk of getting stung by the washed-up amphinomids is relatively slim, WebMD says the treatment is relatively simple. Affected swimmers should apply vinegar or isopropyl alcohol to the affected area, then remove the bristles with tweezers or adhesive tape. Inflammation and burning can be treated with over-the-counter hydrocortisone cream. Although painful, the neurotoxin is not potent enough to be deadly.

Fireworms are not the only nightmare creature causing a stir in Texas this year. In late June, the Texas Animal Health Commission and the Texas Parks and Wildlife Department formed a task force to battle screwworms, a parasite that threatens the state's wildlife and cattle.

Fearless Texans can watch Tunnel's close encounter with fireworms — and other beachcombing expeditions — via the institute's YouTube channel.

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Movie Review

Chris Pratt plays one man against the AI machine in thriller Mercy

Photo courtesy Amazon Content Services

Chris Pratt in Mercy.

It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

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Mercy is now playing in theaters.

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