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    Top Chef Recap

    Top Chef becomes a real feast for John Tesar's Dallas fans

    Teresa Gubbins
    Dec 23, 2016 | 10:55 am
    John Tesar, Top Chef
    Top Chef teaches us all about the Feast of the 7 Fishes.
    Photo by Paul Cheney/Bravo

    If you know nothing about Dallas chef John Tesar — which seems impossible if you live here, but it could happen — you might know of his relationship with the culinary tradition called the Feast of the 7 Fishes. It's a Christmas Eve fish-a-thon, and he's cooked it every year dating back to his seafood restaurant Spoon in Preston Center. It is one of his Signature Things. (Here, he's doing a Feast of the 7 Fishes pop-up on December 24.)

    So there could be no way he was not going to win on the latest episode of Top Chef, which aired on December 22. Title: Feast of the 7 Trash Fishes.

    Guest judge Mike Lata explains that trash fish is the fish that gets thrown out when fishermen are trawling for shrimp. That's what happens when you go shrimping: You throw out a bunch of fish that is not as good as tuna. Except that we've depleted so many fisheries, we're having to reconsider this substandard fish, because we need our fish.

    The contestants are put into teams of two. Tesar is partnered with Katsuji Tanabe, who cannot mask his joy. "The one person I didn't want to work with, John Tesar. Aaaaaagh," he says with an eye-roll.

    Their love-hate relationship serves as one of the episode's plot points, and it involves Tesar kissing Katsuji on the head more than once.

    The producers do a sneaky little thing: They include a quote from Katsuji where he snipes at Tesar's behavior while drinking, then show Katsuji himself slugging from a bottle of tequila, at least three times. Just so we're perfectly clear about the point being made: You're saying that Katsuji complains about others' drinking — yet drinks himself? Is that what you're rolling out here?

    The tequila is one of the ingredients for the quickfire competition. Patron, btw; we don't want to leave out the important brand names. The chefs get a Chopped-style box and must use everything: Patron tequila plus a bunch of non-matching ingredients like pomegranates and wasabi. The two trick ingredients are appliances: a pressure cooker and a melon baller, two housewife specials that some of the chefs have OMG never touched or seen before in their lives.

    The pressure cooker provides a platform for a fabulously sneering Tesar comment. "Have you ever watched Top Chef?" he asks, heavy on the scorn. "If you don't know how to use a pressure cooker, you might as well go home now."

    Tesar also tells us what he does for the holidays: He hangs with wife Tracy and their son, and does it up totally Texan. "I go to my in-laws with a lot of red wine (lifts left hand) and a lot of cow (lifts right hand)," he says.

    Former Dallas chef Casey Thompson wins the quickfire, which gives her immunity, rendering her invisible for the majority of the episode. The conflict comes from the three losing teams. Put-upon Brooke has to deal with whiny Emily being a slacker; their dish ends up overwrought. Nerdy Jim Smith has to deal with frenetic Amanda; their dish has undercooked beans. And Italian chef Silvia has to deal with redbeard BJ; their fish is overcooked.

    To retain the element of surprise, all arrows point to Amanda, whose outlandish whirling dervish routine draws a disapproving eyebrow lift from invisible Casey. Amanda is also the one who undercooks the beans. Her partner Jim knows this is bad, and guest chef Mike Lata pronounces it unforgivable.

    But then, gasp, BJ gets axed. Completely out of the blue. BJ and Silvia overcooked that fish together, so there is no visible reason BJ gets singled out, other than he's been kind of an annoying complainer throughout the show so far.

    JT and Katsuji have the winning dish, and Katsuji wins because the judges like his sauce. Unibrowed judge Hugh Acheson gives them a passive aggressive compliment: "You guys really bridged the gap that I thought would be a monumental task for you to do for the size of your egos?" he says. "Good job."

    ---

    Top Chef airs Thursdays at 9 pm CST on Bravo.

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    Movie Review

    Emma Stone is a fierce presence in conspiracy theory movie Bugonia

    Alex Bentley
    Oct 30, 2025 | 2:32 pm
    Emma Stone in Bugonia
    Photo by Atsushi Nishijima/Focus Features
    Emma Stone in Bugonia.

    Few other current directors can evoke strong reactions like Yorgos Lanthimos. Since the Greek filmmaker got his first big exposure with The Lobster in 2015, his films have become the epitome of the love it/hate it dichotomy, with some films lavished with Oscar nominations and others ending up on the worst movies of the year lists. So there’s no doubt that his latest, Bugonia, will divide audiences as well.

    On the surface, the film is Lanthimos’ most accessible one yet. Teddy (Jesse Plemons) is your classic conspiracy theorist, blaming his and the world’s woes on corporations and the aliens he believes run them. At the top of his revenge list is Michelle (Emma Stone), who leads a diversified company that includes the Amazon-esque warehouse where Teddy works.

    Teddy convinces his cousin Don (Aidan Delbis) that the only way to get the world right again is to kidnap Michelle and convince her to take them to her leader. But what Teddy doesn’t anticipate is the response he will get from Michelle. Instead of reacting in fear after waking up in Teddy’s basement with her head shaved, she uses her assertive nature to try to take control of the situation.

    The film is written by Will Tracy, whose recent projects like the film The Menu and the HBO series Succession both took aim at the ultra-rich. He does so again here, as Teddy and Don’s modest home in the country, where they keep bees as a side gig, is juxtaposed with the lavish lifestyle of Michelle, who thinks offering her workers the “option” of leaving for the day at 5:30 pm is a big perk.

    When the film is focused on this part of the story is when it’s at its most successful. Teddy and Michelle have multiple confrontations while she’s chained up, with Teddy trying to break her by any means necessary, and Michelle pushing back with the only thing she has at her disposal: Her words. The film is alternately brutal and funny as each uses their form of power to try to manipulate the other.

    Other elements are, as expected, head-scratching. Lanthimos includes brief black-and-white segments showing Teddy’s mom Sandy (Alicia Silverstone) fighting an unexplained illness, one which inexplicably has her floating in mid-air. Don — and the actor playing him — is autistic, a fact that the filmmakers don’t necessarily have to explain save for the slightly icky feeling it brings up about both the character and actor being exploited.

    Stone, working with Lanthimos for the fourth time, turns in a fierce and compelling performance. Her character can be a bit clueless as to how her actions affect others, and Stone rides the line between heartlessness and forced niceness well. Plemons goes against type as a man with possible mental health issues, but he maintains the same level of intensity he’s brought to other recent roles. Novice actor Delbis makes for an interesting presence even as he’s not asked to do more than react to the weird ideas of Plemons’ character.

    Bugonia doesn’t have the consistent WTF-ness of Lanthimos’ most outlandish projects, something that has made his most acclaimed films so memorable. But it also contains a fair amount of intrigue and two great actors going head-to-head for much of its running time, so it’ll more than likely end up on the positive side of the ledger for most viewers.

    ---

    Bugonia opens in theaters on October 31.

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