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    The Oprah edition

    Top Chef Seattle gets all touchy-feely heading into finale

    Teresa Gubbins
    Feb 14, 2013 | 10:31 am

    With only three contestants left, episode 15 of Top Chef Seattle is a slow-moving beast that delves deeply into the personal lives, motivations and dreams of its remaining chefs. It's everything you ever wanted to know and more about Brooke, Sheldon and Josh, not to mention Emeril, Tom, Gail, Padma, guest judge Roy Choi and a team of bedraggled huskies. The only people who don't get to confess "Why I Joined the Food Industry" are the cameramen.

    Top Chef, you never seem to mind throwing out an extra-long episode when necessary; how about an extra-short show? Why not make these final episodes an action-packed 15 minutes long? We're not watching Top Chef to find out what Chef A's mother cooked for her when she was 5. We want knives, gummy pasta, Padma choking on bones inadvertently left in a salmon fillet and, if we're lucky, blood gushing from a severed thumb.

    The only people who don't get to confess "Why I Joined the Food Industry" are the cameramen.

    Episode 15 tries to jack up the action with wonky transport. Like helicopters. Brooke is so so scared. "Flying in a helicopter is the epitome of all my fears combined," she says, crushing her face into Josh's porky bicep. But then she cracks her eyes open and the beauty of Alaska reaches to the bottom of her soul and she breaks through her fears.

    Next comes a gratuitous dog sled ride. The helicopter drops the trio off at Point A, requiring them to ride a dog sled to Point B, where Padma and Tom stand waiting in the cold snow. Why didn't the helicopter drop them off at Point B? Because they need to show chained huskies growling, and Brooke couldn't have felt the 5-year-old child deep within her. Not making that up.

    Then there is the baby. Josh's wife is in labor. We see repeated cellphone conversations in which Josh tells his wife he wishes he were there. Is it rude to ask why he isn't there? The show, ever cowardly, tiptoes around the topic by having Brooke ask him if he wants to leave, and having him say no. Hey, there is always Skype.

    The show's Oprah-esque theme has the chefs cook the meal that represents why they got into cooking. Sheldon being from Hawaii makes fish. Brooke's mother made chicken so her theme is fowl. Josh being Josh does foie gras, because it's just so dang fancy. He does it three ways, one of which is a torchon. Tom Colicchio furrows his brow, trying to silently warn Josh this is a bad idea, but Josh does not read brow.

    The judges cluck and murmur about Josh's bad torchon, and he is expelled. "Right now I have a bittersweet taste in my mouth," he says. Us, too, after finding out that the series' conclusion in LA will be stretched out over two episodes. Let us say it again: 15 minutes.

    Top Chef finalists toast with Padma Lakshmi.

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    Movie lineup

    USA Film Festival returns to Dallas for 2026 with free films and big stars

    Alex Bentley
    Apr 6, 2026 | 10:42 am
    Molly Belle Wright and Aaron Eckhart in Deep Water
    Photo by Jen Raoult
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    The Dallas-based USA Film Festival returns for its 56th edition April 22-26, presenting 22 narrative features, documentaries, and short films.

    All screenings and events will be held at the Angelika Film Center Dallas, with most of the programming offered for free as part of the Festival's community outreach programming.

    Among the notable programs will be a salute to celebrated fashion photographer Arthur Elgort, who will be in attendance for a screening of Warren Elgort's new documentary, Arthur Elgort: Models & Muses.

    In the film, Warren Elgort as he turns the camera on his father, whose candid, movement-driven style transformed the pages of Vogue and redefined the look of modern fashion photography.

    The Centerpiece Selection of the festival will be Renny Harlin’s new disaster thriller, Deep Water, which will be presented as part of a salute to the filmmaker’s career. Both Harlin and executive producer - and music legend - Gene Simmons will be in attendance.

    The film, starring Aaron Eckhart and Ben Kingsley, is about a flight that goes down in the middle of the Pacific, where survivors soon discover they’re not alone and must survive the shark infested waters.

    The Spotlight Screening will be Guy Jacobson’s madcap legal comedy, Out Of Order. Brandon Routh stars as a young New York lawyer who ends up working for two opposing law firms, inexplicably representing both sides of the same case.

    Jacobson will be in attendance to present the film - which also stars Brooke Shields, Sam Huntington, Sandra Bernhard, Luis Guzman, and Krysta Rodriguez - and participate in a post-screening Q&A.

    The Closing Night lineup will be led by Matthew Thayer’s No Limbs No Limits, with the film’s inspirational subject, Nick Vujicic, presenting the film.

    Born without arms or legs, Vujicic defied every expectation the world placed on him - surviving childhood depression and a suicide attempt at age eight to eventually reaching millions of people with his message of faith and perseverance.

    Other notable programs will include a salute to Oscar nominee Lesley Ann Warren, a special 75th Anniversary screening of Alfred Hitchcock’s Strangers on a Train (1951); and Jay Duplass’ See You When I See You, starring Cooper Raiff, David Duchovny, Kaitlyn Dever, and Hope Davis.

    “We are pleased to once again celebrate Dallas Arts Month with our annual Spring Festival,” USAFF Managing Director Ann Alexander said in a statement. “This year's program celebrates some very independent and inspirational artists, and includes programs ranging from important documentary topics and classic films, to pure entertainment fare."

    Advance tickets are now available online at eventbrite.com/cc/56th-annual-usa-film-festival-4827625.

    Any unsold/unreserved tickets will be made available at the Angelika Film Center upstairs Sales Desk beginning one hour prior to each showtime.

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