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    Movie Theater News

    All 5 Alamo Drafthouse Cinema locations in Dallas-Fort Worth close

    Teresa Gubbins
    Jun 6, 2024 | 9:45 am
    Alamo Drafthouse in Richardson

    RIP Alamo in DFW

    Alamo Drafthouse Facebook

    It's a sad sad day for Dallas moviegoers: All five Dallas-area locations of the Alamo Drafthouse Cinema chain have closed.

    According to a release, Two is One, One is None, LLC has closed the six franchised Alamo Drafthouse Cinemas that it (and its affiliates) operated, and have filed voluntary petitions for relief under Chapter 7 of the U.S. Bankruptcy Code.

    The five Alamo Drafthouse Cinemas in North Texas closing include Richardson, Las Colinas, Lake Highlands, Dallas, and Denton. They are also closing a location in Woodbury, Minnesota.

    UPDATE 6-6-2024: A spokesman for Alamo Drafthouse issued a statement, saying, “We are very disappointed to learn today that our franchisee, which operates five locations in Dallas-Fort Worth, TX and one in Woodbury, MN has filed for Chapter 7 bankruptcy and is closing their business effective immediately. We are heartbroken for the franchisee’s teammates and the local film communities, however, we are working as quickly as possible to get Alamo Drafthouse Cinema back up and running in these cities. All other Alamo Drafthouse locations are operating as normal, with continued expansion plans across the country.”
    _______________________________________________

    UPDATE 6-27-2024: Alamo Drafthouse Cinema will re-open all five locations in Dallas-Fort Worth. All six locations that recently closed as part of the franchisee's Chapter 7 bankruptcy filing — including DFW’s Cedars, Denton, Lake Highlands, Las Colinas, and Richardson locations and the Woodbury location in the Twin Cities area of Minnesota — will now be owned and operated by Alamo Drafthouse Cinema, and are set to reopen in summer 2024.
    _______________________________________________

    The Alamo provided a truly unique moviegoing experience with restaurant in-theater servers and themed parties, menu items, and merchandise corresponding with movies, as well as offering holiday and other special movies.

    The closure of the Richardson location is especially poignant, since the theater only just received a round of improvements, in partnership with the city of Richardon, to its audiovisual equipment, seating arrangements, and theater ambiance.

    Two is One, One is None and its affiliates attributed the decision to seek bankruptcy protection and close the cinemas to the following factors:

    • Industry-wide guest counts have not rebounded even to pre-COVID levels and coupled with the 100-plus days of the Writers’ and Actors’ strikes, industry-wide economic performance was severely down in the fourth quarter of 2023 and in the first quarter of 2024. The first quarter of 2024 has been the worst performing quarter in movie-going history.
    • As a franchisee, they paid franchise fees not required of other competitors; payment of these fees to our franchisor in a prolonged environment of significantly decreased revenues were not sustainable. Franchise Fees alone were nearly 10 percent of their sales ($3.7 million) in 2023.
    • Due to contractual obligations, they were forced to keep even the most unprofitable locations open to the detriment of our overall businesses.
    • To offset operating losses and try to survive, the owners infused more than $3.5 million dollars in new capital, into payroll and operations in 2023 and year-to-date 2024, while attempting to reduce costs, including repeatedly seeking relief from the franchisor to reduce the non-competitive fee structure and to permit closure of the most non-profitable locations, neither of which were obtained.

    The company said it was "deeply saddened" to take this step, and expressed gratitude to its employees "who put in the work, day in and day out to produce a special movie-going experience," as well as to their many loyal customers for whom it was a pleasure to provide such a special experience. The release says that an attempt was made to contact all 600-plus employees prior to the closing of all theaters.

    The closures come the same week as the closing of the Angelika Film Center in Plano, which shut down on June 3.

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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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