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    Movie Theater News

    All 5 Alamo Drafthouse Cinema locations in Dallas-Fort Worth close

    Teresa Gubbins
    Jun 6, 2024 | 9:45 am
    Alamo Drafthouse in Richardson

    RIP Alamo in DFW

    Alamo Drafthouse Facebook

    It's a sad sad day for Dallas moviegoers: All five Dallas-area locations of the Alamo Drafthouse Cinema chain have closed.

    According to a release, Two is One, One is None, LLC has closed the six franchised Alamo Drafthouse Cinemas that it (and its affiliates) operated, and have filed voluntary petitions for relief under Chapter 7 of the U.S. Bankruptcy Code.

    The five Alamo Drafthouse Cinemas in North Texas closing include Richardson, Las Colinas, Lake Highlands, Dallas, and Denton. They are also closing a location in Woodbury, Minnesota.

    UPDATE 6-6-2024: A spokesman for Alamo Drafthouse issued a statement, saying, “We are very disappointed to learn today that our franchisee, which operates five locations in Dallas-Fort Worth, TX and one in Woodbury, MN has filed for Chapter 7 bankruptcy and is closing their business effective immediately. We are heartbroken for the franchisee’s teammates and the local film communities, however, we are working as quickly as possible to get Alamo Drafthouse Cinema back up and running in these cities. All other Alamo Drafthouse locations are operating as normal, with continued expansion plans across the country.”
    _______________________________________________

    UPDATE 6-27-2024: Alamo Drafthouse Cinema will re-open all five locations in Dallas-Fort Worth. All six locations that recently closed as part of the franchisee's Chapter 7 bankruptcy filing — including DFW’s Cedars, Denton, Lake Highlands, Las Colinas, and Richardson locations and the Woodbury location in the Twin Cities area of Minnesota — will now be owned and operated by Alamo Drafthouse Cinema, and are set to reopen in summer 2024.
    _______________________________________________

    The Alamo provided a truly unique moviegoing experience with restaurant in-theater servers and themed parties, menu items, and merchandise corresponding with movies, as well as offering holiday and other special movies.

    The closure of the Richardson location is especially poignant, since the theater only just received a round of improvements, in partnership with the city of Richardon, to its audiovisual equipment, seating arrangements, and theater ambiance.

    Two is One, One is None and its affiliates attributed the decision to seek bankruptcy protection and close the cinemas to the following factors:

    • Industry-wide guest counts have not rebounded even to pre-COVID levels and coupled with the 100-plus days of the Writers’ and Actors’ strikes, industry-wide economic performance was severely down in the fourth quarter of 2023 and in the first quarter of 2024. The first quarter of 2024 has been the worst performing quarter in movie-going history.
    • As a franchisee, they paid franchise fees not required of other competitors; payment of these fees to our franchisor in a prolonged environment of significantly decreased revenues were not sustainable. Franchise Fees alone were nearly 10 percent of their sales ($3.7 million) in 2023.
    • Due to contractual obligations, they were forced to keep even the most unprofitable locations open to the detriment of our overall businesses.
    • To offset operating losses and try to survive, the owners infused more than $3.5 million dollars in new capital, into payroll and operations in 2023 and year-to-date 2024, while attempting to reduce costs, including repeatedly seeking relief from the franchisor to reduce the non-competitive fee structure and to permit closure of the most non-profitable locations, neither of which were obtained.

    The company said it was "deeply saddened" to take this step, and expressed gratitude to its employees "who put in the work, day in and day out to produce a special movie-going experience," as well as to their many loyal customers for whom it was a pleasure to provide such a special experience. The release says that an attempt was made to contact all 600-plus employees prior to the closing of all theaters.

    The closures come the same week as the closing of the Angelika Film Center in Plano, which shut down on June 3.

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 9:13 am
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
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    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Frankenstein and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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