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    Movie Theater News

    All 5 Alamo Drafthouse Cinema locations in Dallas-Fort Worth close

    Teresa Gubbins
    Jun 6, 2024 | 9:45 am
    Alamo Drafthouse in Richardson

    RIP Alamo in DFW

    Alamo Drafthouse Facebook

    It's a sad sad day for Dallas moviegoers: All five Dallas-area locations of the Alamo Drafthouse Cinema chain have closed.

    According to a release, Two is One, One is None, LLC has closed the six franchised Alamo Drafthouse Cinemas that it (and its affiliates) operated, and have filed voluntary petitions for relief under Chapter 7 of the U.S. Bankruptcy Code.

    The five Alamo Drafthouse Cinemas in North Texas closing include Richardson, Las Colinas, Lake Highlands, Dallas, and Denton. They are also closing a location in Woodbury, Minnesota.

    UPDATE 6-6-2024: A spokesman for Alamo Drafthouse issued a statement, saying, “We are very disappointed to learn today that our franchisee, which operates five locations in Dallas-Fort Worth, TX and one in Woodbury, MN has filed for Chapter 7 bankruptcy and is closing their business effective immediately. We are heartbroken for the franchisee’s teammates and the local film communities, however, we are working as quickly as possible to get Alamo Drafthouse Cinema back up and running in these cities. All other Alamo Drafthouse locations are operating as normal, with continued expansion plans across the country.”
    _______________________________________________

    UPDATE 6-27-2024: Alamo Drafthouse Cinema will re-open all five locations in Dallas-Fort Worth. All six locations that recently closed as part of the franchisee's Chapter 7 bankruptcy filing — including DFW’s Cedars, Denton, Lake Highlands, Las Colinas, and Richardson locations and the Woodbury location in the Twin Cities area of Minnesota — will now be owned and operated by Alamo Drafthouse Cinema, and are set to reopen in summer 2024.
    _______________________________________________

    The Alamo provided a truly unique moviegoing experience with restaurant in-theater servers and themed parties, menu items, and merchandise corresponding with movies, as well as offering holiday and other special movies.

    The closure of the Richardson location is especially poignant, since the theater only just received a round of improvements, in partnership with the city of Richardon, to its audiovisual equipment, seating arrangements, and theater ambiance.

    Two is One, One is None and its affiliates attributed the decision to seek bankruptcy protection and close the cinemas to the following factors:

    • Industry-wide guest counts have not rebounded even to pre-COVID levels and coupled with the 100-plus days of the Writers’ and Actors’ strikes, industry-wide economic performance was severely down in the fourth quarter of 2023 and in the first quarter of 2024. The first quarter of 2024 has been the worst performing quarter in movie-going history.
    • As a franchisee, they paid franchise fees not required of other competitors; payment of these fees to our franchisor in a prolonged environment of significantly decreased revenues were not sustainable. Franchise Fees alone were nearly 10 percent of their sales ($3.7 million) in 2023.
    • Due to contractual obligations, they were forced to keep even the most unprofitable locations open to the detriment of our overall businesses.
    • To offset operating losses and try to survive, the owners infused more than $3.5 million dollars in new capital, into payroll and operations in 2023 and year-to-date 2024, while attempting to reduce costs, including repeatedly seeking relief from the franchisor to reduce the non-competitive fee structure and to permit closure of the most non-profitable locations, neither of which were obtained.

    The company said it was "deeply saddened" to take this step, and expressed gratitude to its employees "who put in the work, day in and day out to produce a special movie-going experience," as well as to their many loyal customers for whom it was a pleasure to provide such a special experience. The release says that an attempt was made to contact all 600-plus employees prior to the closing of all theaters.

    The closures come the same week as the closing of the Angelika Film Center in Plano, which shut down on June 3.

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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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