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    Movie Review

    A Big Bold Beautiful Journey does everything a romantic movie should

    Alex Bentley
    Sep 18, 2025 | 3:36 pm
    Margot Robbie and Colin Farrell in A Big Bold Beautiful Journey

    Margot Robbie and Colin Farrell in A Big Bold Beautiful Journey.

    Photo by Matt Kennedy

    Romantic movies can come in many different shapes and sizes, from cheesy straight-to-streaming throwaway trifles to grand, sweeping Oscar-worthy dramas. And because there have been so many romances/rom-coms made, it becomes increasingly difficult to stand out from the crowd and depict a relationship that doesn’t feel the same as all of those that came before.

    A Big Bold Beautiful Journey does just that by emulating films like Eternal Sunshine of the Spotless Mind and It’s a Wonderful Life. David (Colin Farrell) is thrust into an unexpected adventure when he rents a car from a strange company called, simply, The Car Rental Company, to travel to a friend’s wedding. Once there, he is introduced to Sarah (Margot Robbie), with whom he has an instant-if-tenuous connection, with both living in the same city. A flirty-yet-honest conversation follows as they detail why two good-looking people of their ages are still single; short answer: They’re each their own worst enemy.

    A seemingly sentient GPS system in their matching Saturn cars soon forces them together and convinces them to go on “a big bold beautiful journey.” Instead of some nice sightseeing, the two are taken to a series of doors found in various peculiar locations, most of which lead to memories from their past. The universe seems to want them to be together, but neither of them can get out of their own way.

    Directed by Kogonada and written by Seth Reiss, the film is designed to be an arrow aimed directly at the hearts of cynics. And while there are sure to be those disaffected by its charms, it does everything a great romantic movie should. The two lead characters have each spent years sabotaging other relationships, something that convinces them - and the audience - that this unusual set of circumstances is exactly the antidote to their romantic troubles.

    But the scenes from their respective pasts that they visit are about more than just trying to figure out what went wrong with past boyfriends/girlfriends. They are an exploration into the people and events that shaped their lives, and also a way to provide exposition to the audience in a way that seems natural despite the unnatural settings. Many romantic films have dialogue that feels stilted, but the upfront nature of both characters makes them come off as authentic.

    Kogonada and Reiss also treat the film less seriously than you might expect. The film features a number of comedic moments and characters, starting with car rental employees played by Phoebe Waller-Bridge and Kevin Kline. Their strange, funny, and profane banter sets the tone for what to expect from the film as a whole. David and Sarah are fully aware of the off-the-wall nature of the journey they’re on, and this knowledge keeps the film from tipping too much in the art film direction.

    While it takes a bit of suspension of disbelief to think that people who look like Farrell and Robbie would still be hunting for a partner, each of the Oscar-nominated actors has the chops to sell even an idea as far-fetched as that. They also, more importantly, have great chemistry together, setting up each stage of the romance in almost the perfect way. Waller-Bridge, Kline, Hamish Linklater, and Lily Rabe also do well in key supporting parts.

    For those willing to give themselves over to a slightly bizarre romance, A Big Bold Beautiful Journey is a film that hits all the right marks. Effective romances are in short supply in recent years, and one that works as well as this should be embraced despite its odd trappings.

    ---

    A Big Bold Beautiful Journey opens in theaters on September 19.

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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