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Game preview

Dallas World Cup opener will feature 'best team never to win the trophy'

Associated Press
Jun 11, 2026 | 4:00 pm
Orange Dutch Bus
The Dutch Orange Bus will be rolling into Dallas to help hype the team.
Dutch Orange Bus

RIVERSIDE, Mo. (AP) — The road leading into the practice facility that the Netherlands is using for its World Cup base camp was supposed to be welcoming, what with “welkom” signs in Dutch making one of the world's top teams feel right at home. Even the street name Teal Rising Way has been temporarily changed to “Oranje Rising Way” for the next six weeks in honor of the team's orange colors.

But perhaps someone should have reconsidered the white signs denoting important World Cup milestones for the Netherlands. Every one of them is a reminder that the country still has never won the tournament.

“How far can we go? Yeah, hopefully all the way,” said defender Virgil van Dijk, who will be appearing in his second World Cup, and who will once again captain the Dutch team.

The Netherlands begins group play against Japan at 3 pm Sunday, June 14 in Dallas. It will be the first of nine FIFA World Cup matches played at AT&T Stadium in Arlington - dubbed "Dallas stadium" for the tournament - and the first one in front of DFW crowds.

A world-famous bright orange double-decker bus that serves as a symbol of Dutch soccer fandom follows the team and will make an appearance at a Dallas-area restaurant to help hype them up.

“We know how difficult it will be,” the Liverpool player acknowledged after a recent training session held under an unrelenting Midwestern sun, which pushed the heat index toward triple digits in Missouri, as it has in Dallas. "But our full focus will be on Japan, first and foremost. That will get all our attention. We won't look too far ahead. But we all have big dreams, and we'll give all we have.”

Three World Cup finals
The Dutch have long held the unwelcome moniker of best nation never to have won the World Cup trophy. In fact, they are the only nation to have reached three finals without a triumph.

In 1974, the Netherlands had returned to the World Cup after a nearly four-decade drought, and the dazzling play of Johan Cruyff had led it all the way to the final. There, the Dutch faced host West Germany and its star player, Franz Beckenbauer. The Netherlands scored quickly on a penalty kick, but West Germany answered with two goals before halftime, and the Dutch were unable to find the back of the net in the second half before a crowd of more than 78,000 at the Olympiastadion in Munich.

It was disappointing, to be sure, but ask any Dutch fan and they will say 1978 stung even more.

Once more facing the host nation in the final, Argentina led 1-0 at halftime before Dick Nanninga managed an equalizer in the 82nd minute. The game remained tied into extra time, when Mario Kempes scored his second goal of the game for host Argentines, and Daniel Bertoni added another for good measure before a boisterous crowd at River Plate Stadium in Buenos Aires.

The Dutch reached their third final in 2010, when it faced Spain for the title in Johannesburg, South Africa. That match also was decided in extra time after the teams had played to a stalemate, with Andrés Iniesta scoring in the 116th minute.

Reason to believe
The Netherlands reached the semifinals in 2014 before inexplicably failing to qualify in 2018. But it was back for 2022 in Qatar with van Dijk leading the way. The Dutch rolled through group play while conceding a single goal, then dominated the U.S. in the round of 16 before losing to eventual champion Argentina on penalty kicks in the quarterfinals.

But take away penalty shootouts and the Dutch are unbeaten in their last 12 matches at the World Cup. The only nation with a longer such streak is Brazil, which went 13 consecutive matches behind the brilliant play of Pele between 1958 and 1966.

“I think we have a great group of players, especially human beings. We are getting along so well with each other,” van Dijk said. "But obviously it's all about the results. It's all about performing. All the players that are here, especially over the years — it's players that have played at the highest level, experiencing amazing things in their careers. Winning trophies. Playing for the biggest clubs.

“They're coming together here and trying to make their country proud. It's the biggest thing you can do.”

While the Dutch are favored to get out of their group, the path to the knockout rounds won't be easy. The trio of Japan, Sweden and Tunisia represent a tricky series of matches, and coach Ronald Koeman's team has struggled with injuries; defender Jurrien Timber has already left because of a groin injury and goalkeeper Bart Verbruggen is nursing a recent hip injury.

It's unclear whether Verbruggen will play in Dallas Sunday against Japan.

“We know Japan is strong. We've analyzed the team and the players,” Koeman said. “We spoke about their system, normally where they play out of, and the physical state of their players. It's difficult. But we believe in ourselves. We respect Japan, but we are Holland, and they will respect us. I think it will be an interesting match, and a difficult one.”

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Movie Review

Steven Spielberg returns to alien territory in captivating Disclosure Day

Alex Bentley
Jun 11, 2026 | 11:33 am
Tommy Martinez, Emily Blunt, and Josh O'Connor in Disclosure Day
Photo courtesy of Universal Pictures and Amblin Entertainment
Tommy Martinez, Emily Blunt, and Josh O'Connor in Disclosure Day.

With the release of Disclosure Day, Steven Spielberg has now directed 17 feature films over 26 years in the 21st century, the exact same number over the exact same period of time he did in the 20th century. The first half of his career was mostly defined by his blockbuster films, while the second half has seen him exploring a lot more serious material. Disclosure Day marries the two for an experience only he could deliver.

The film starts in medias res, as Dr. Daniel Kellner (Josh O’Connor) is being pursued by Noah Scanlon (Colin Firth) and a team of henchmen for stealing intellectual property from Wardex, a government contractor for which he works. As the audience gradually discovers, Daniel is a cyber-security programmer who has discovered evidence of alien life in the company’s servers. He and others within the company, including Hugo Wakefield (Colman Domingo), are determined to release the information to the public.

Concurrently, television meteorologist Margaret Fairchild (Emily Blunt) starts experiencing weird things, including the ability to speak multiple languages and read people’s minds. Without either of them actively trying to seek each other out, Daniel and Margaret are set on a path to meet, with Scanlon (with the help of a mysterious alien device) trying to track their every move.

Directed by Spielberg and written by David Koepp, the film is an almost even mix between classic Spielberg wonder and a deep story about what it is to be human. By starting the film in the middle of the story, Spielberg immediately ramps up the excitement level. While the movie has relatively little action, that sequence and a few others deliver the type of propulsiveness for which Spielberg is revered, keeping the 145-minute film moving at a brisk pace.

Of the different types of alien movies Spielberg has made over the years, this one is closer to Close Encounters of the Third Kind than E.T. The story ponders the ethical, religious, political, and sociological effects that revealing the existence of aliens could have on the world. The debates had by various characters purposefully take the film out of being a sheer popcorn flick, forcing the audience to grapple with issues that they may have never considered before.

Unlike some other Spielberg films, he and Koepp don’t hold the audience’s collective hand throughout the story. There are a lot of times when viewers have to use context clues to understand exactly what is happening. That especially goes for an extremely important aspect of the world in which the story takes place that could pass you by if you’re only paying attention to the main characters’ dialogue. Spielberg’s using only subtle allusions for an element which would be the main focus of most other films is a fascinating choice.

O’Connor (Wake Up Dead Man, Challengers) has that everyman quality that a story like this needs. It always feels like it's him against the world, and does a terrific job of exuding both confidence and fear. Blunt delivers a fantastic performance, switching between confusion and composure with ease. Firth makes for a solid villain, and the story is helped by great turns from Domingo and Eve Hewson.

The idea that the nearly 80-year-old Steven Spielberg is still making blockbuster-style movies over 50 years after he made Jaws is astonishing, and the fact that he still knows how to make them work is even more impressive. Disclosure Day may not be the type of alien movie many were expecting, but it’s another high water mark in a career that has been full of them.

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Disclosure Day opens in theaters on June 12.

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