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    Movie Review

    Long-awaited summer flick Deadpool & Wolverine well worth the wait

    Alex Bentley
    Jul 25, 2024 | 2:50 pm
    Ryan Reynolds and Hugh Jackman in Deadpool & Wolverine

    Ryan Reynolds and Hugh Jackman in Deadpool & Wolverine.

    Photo by Jay Maidment. © 2024 20th Century Studios / © and ™ 2024 MARVEL.

    The Deadpool series has been an antidote to the often self-serious or earnest offerings that the Marvel Cinematic Universe has had to offer over the past 16 years. Even though technically not part of the MCU, the R-rated films have joyfully riffed on other comic book hero films while also delivering a level of violence that those films would never dare to show on screen.

    The 2019 purchase of 20th Century Fox, which owned the rights to Deadpool and the X-Men, by Disney made it a lot easier to bring the Merc with the Mouth into the MCU, which is finally happening with Deadpool & Wolverine. Naturally, that integration is done with the trademark Deadpool flair via a veritable avalanche of jokes making fun of Marvel’s checkered movie history and Wade Wilson/Deadpool/Ryan Reynolds himself.

    The film – directed by Shawn Levy and written by Levy, Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells – is such a jokefest that the story doesn’t really matter. Using the TVA (Time Variance Authority) from the Disney+ show Loki as a centering device, the film has Deadpool trying to save his own timeline from extinction. In order to do this, he needs to find an alternate timeline version of Wolverine (Hugh Jackman) to replace the one that died in Logan, a version that, according to the film, was crucial to that timeline’s survival.

    That synopsis is really a bunch of nonsense to give the filmmakers an excuse to pair up Deadpool and Wolverine for two hours of mayhem. And, oh, is the chaos glorious. From the moment the two anti-superheroes meet, it is an almost never-ending series of profane insults, bloody fights that do little damage to the self-healers, and a litany of riotous cameos and sight gags that take fans down memory lane.

    Without giving too much away, suffice it to say that the film brings in a bunch of other Marvel heroes to join in on the fun, but maybe not the ones you think they will. True fans will know that Marvel’s movie history did not start with 2008’s Iron Man, and many of those films are referenced in one way or another. Combined with the history of Deadpool’s first appearance in 2009’s X-Men Origins: Wolverine, real-life media mergers, and other Hollywood blockbusters, there is a lot that the film can draw from to skewer and honor in equal measures.

    Those who’ve seen the first two Deadpool films may think they know what to expect with this third outing, but they’d be wrong. There are the familiar elements like Deadpool breaking the fourth wall by talking directly to the camera or bouncing back from even the most heinous injuries, but the sheer number of targets for film’s comedy make it almost impossible to keep up. The opening scene sets the tone in a hilarious and grotesque manner, and the fun continues until after the credits end.

    As he showed in the first two films, Reynolds is the perfect match for the character of Deadpool, as he knows exactly to deliver his trademark snark without becoming insufferable. Jackman, after years of playing Wolverine as a tortured soul (both physically and mentally), finally gets to let loose, and the result is as fantastic as fans might hope. That delight extends to all the supporting actors, especially Matthew Macfayden and Rob Delaney.

    This may or may not be the last time the 47-year-old Reynolds stars as Deadpool, and if it is his final bow, he has given fans one of the most satisfying trilogies of all time. Each film, including this one, has defied expectations in its ability to take a one-note character and mine laughs from an amazing number of sources.

    ---

    Deadpool & Wolverine opens in theaters on July 26.

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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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