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    Movie Review

    Dogs get hilariously filthy in over-the-top comedy Strays

    Alex Bentley
    Aug 16, 2023 | 1:44 pm

    When dogs are at the center of a movie, there are typically one of four ways the story will go. It’ll either be cute, inspirational, sad, or horrific. What’s rarely, if ever, been tried is to make a comedy about dogs that’s absolutely filthy, which is the case with the bonkers new R-rated film, Strays.

    Reggie (Will Ferrell), Maggie (Isla Fisher), Hunter (Randall Park), and Bug (Jamie Foxx) in Strays

    Photo by Chuck Zlotnick / Universal Pictures

    Reggie (Will Ferrell), Maggie (Isla Fisher), Hunter (Randall Park), and Bug (Jamie Foxx) in Strays.

    The movie doesn’t tiptoe around its intentions, as it dives right in to Reggie’s (voice of Will Ferrell) dysfunctional relationship with his reluctant owner, Doug (Will Forte). Doug, stuck with Reggie after a breakup, treats Reggie like absolute garbage, although Reggie doesn’t see that way. He views all the mistreatment as a fun game, including the times when Doug takes him far from home, throws a ball for him to chase, and then speeds away.

    On one such “adventure,” Reggie finds himself stuck in the unfamiliar surroundings of a city, and soon meets up with other stray dogs, including Bug (Jamie Foxx), Maggie (Isla Fisher), and Hunter (Randall Park). The others do their best to make Reggie understand what a bad owner Doug actually is, eventually coming up with a plan for revenge that’s grotesque yet hilarious.

    Directed by Josh Greenbaum and written by Dan Perrault, the film is a hard juxtaposition of the cuteness of the dogs and the profane way in which they talk to each other. Just imagine any dirty behavior that a typical dog does, and then imagine it amplified by 10, and you’ll get a good idea of what the film has to offer. Sniffing butts and humping legs is the least of it.

    Those who don’t know going in that it’s an outrageous comedy will be in for quite the rude awakening. The film seems to get away with a lot simply because of the fact that dogs are the source of most of the irreverent dialogue and actions. If the same things were tried with humans, it wouldn’t work, but there’s just something about seeing dogs do them that never fails to be entertaining. A jailbreak scene in third act will likely be the source of Internet fodder for years to come.

    For a while, it appears as if the filmmakers will just be using the actors to voice the dogs’ inner thoughts, but then they use CGI to make the dogs’ mouths move, which isn’t always successful. Actual dogs were used in filming, and they turn out to be very believable as actors, no matter they’re asked to do. However, seeing them talk never quite feels right, even if it’s not a fatal decision.

    Ferrell is the absolute perfect voice for Reggie, as – much as he did in Elf – he’s able to give him an innocence that makes his discoveries about the world that much funnier. Foxx is a great complement to him, dialing up righteous indignation that fits the story well. Fisher and Park are also fantastic, as is Forte, who really knows how to play a scumbag.

    Strays has one thing on its mind – being as over-the-top as possible – and it succeeds mightily in putting that on screen. The dogs in the film are as appealing in looks as they are disgusting in their behavior, a combination that makes for a very funny time at the movies.

    ---

    Strays opens in theaters on August 18.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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