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    Concert News

    Ed Sheeran loops in Arlington as sole Texas date on 2026 stadium tour

    Alex Bentley
    Sep 19, 2025 | 9:13 am
    Ed Sheeran

    Ed Sheeran will play at AT&T Stadium in Arlington on October 24, 2026.

    Photo courtesy of Ed Sheeran

    Pop superstar Ed Sheeran will fill up stadiums all over North America on his upcoming LOOP Tour, which will include a stop at AT&T Stadium in Arlington on Saturday, October 24, 2026.

    The relatively exclusive North American leg of the tour will see Sheeran play in 22 cities over the course of five months, starting in Glendale, Arizona on June 13. Arlington is the only date slotted in so far for Texas. Most shows will take place in large football stadiums like AT&T Stadium.

    The English singer will start the world tour with a European leg in December 2025, followed by visits to Australia and New Zealand in January 2026.

    The LOOP tour promises an all-new set design with songs from his just-released album, Play, only his second album not to have a mathematical symbol as its title. The album already features the hits "Azizam" and "Sapphire."

    The new album is inspired in part by Sheeran's exposure to Indian and Persian musical cultures. Sheeran discovered surprising connections to the Irish folk tradition he grew up with through shared scales, rhythms, and melodies.

    Fans can register now at EdSheeran.com for early access to tickets. Registered fans will receive a unique one-time code before the Artist Presale begins on Tuesday, September 23 at 9 am CT. Registration is free, but it does not guarantee tickets.

    There will also be an American Express Presale for cardholders starting on September 23 at 12 pm CT before the general public on-sale begins on Friday, September 26 at 10 am CT.

    LOOP Tour North America 2026

    • June 13, 2026 - Glendale, AZ - State Farm Stadium
    • June 20, 2026 - Nashville, TN - Nissan Stadium
    • June 25, 2026 - Milwaukee, WI - American Family Insurance Amphitheater | Summerfest
    • June 27, 2026 - Chicago, IL - Soldier Field
    • July 4, 2026 - Denver, CO - Empower Field at Mile High
    • July 18, 2026 - Las Vegas, NV - Allegiant Stadium
    • July 21, 2026 - San Diego, CA - Petco Park
    • July 25, 2026 - Santa Clara, CA - Levi's® Stadium
    • August 1, 2026 - Seattle, WA - Lumen Field
    • August 8, 2026 - Los Angeles, CA - SoFi Stadium
    • August 15, 2026 - Minneapolis, MN - U.S. Bank Stadium
    • August 21, 2026 - Toronto, ON - Rogers Centre
    • August 22, 2026 - Toronto, ON - Rogers Centre
    • August 29, 2026 - Detroit, MI - Ford Field
    • September 4, 2026 - East Rutherford, NJ - MetLife Stadium
    • September 5, 2026 - East Rutherford, NJ - MetLife Stadium
    • September 19, 2026 - Philadelphia, PA - Lincoln Financial Field
    • September 25, 2026 - Foxborough, MA - Gillette Stadium
    • September 26, 2026 - Foxborough, MA - Gillette Stadium
    • October 3, 2026 - Atlanta, GA - Mercedes-Benz Stadium
    • October 10, 2026 - Indianapolis, IN - Lucas Oil Stadium
    • October 17, 2026 - Charlotte, NC - Bank of America Stadium
    • October 24, 2026 - Arlington, TX - AT&T Stadium
    • October 29, 2026 - Hollywood, FL - Hard Rock Live at Seminole Hard Rock Hotel & Casino
    • October 30, 2026 - Hollywood, FL - Hard Rock Live at Seminole Hard Rock Hotel & Casino
    • November 7, 2026 - Tampa, FL - Raymond James Stadium
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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