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    Of countesses and kings

    With so many bullets and dredged-up rivalries, Dallas is drilling in the wrong direction

    Elaine Liner
    Feb 11, 2013 | 11:39 pm

    Consider J.R. Ewing the Dowager Countess of Southfork. Quick with a quip even in his dotage (he’ll be eulogized by episode eight), J.R. has a way of snapping off the end of his conversations with lesser mortals the way Dame Maggie Smith’s character does on Downton Abbey.

    Notice how young actor Josh Henderson, playing J.R. and Sue Ellen’s son, John Ross, tries more each week to sound like Larry Hagman as this reboot of Dallas moves toward Hagman’s death. Good luck with that.

    In this week’s episode — No. 4, if you’re counting — writer Taylor Hamra gave old J.R. some doozies in the dialogue department. “Like invitin’ a vampire into our home,” he says of John Ross’ “cavortin’” with Ewing enemy Pamela Barnes (Julie Gonzalo).

    They’ve pumped so many bullets into so many characters, the series could be sponsored by the NRA.

    And when J.R.’s little brother takes the rap for last week’s shooting of family nemesis Harris Ryland (actually, Bobby’s wife Ann pulled the trigger), J.R. observes that he won’t try talking Bobby out of being valiant: “I’ve got a better chance of winning the Good Samaritan award.”

    Theme of this episode: “Drillin’ in the wrong direction,” a reference to a Southfork oil well operation sabotaged by John Ross. Also applies to John Ross’ bedroom explorations with the oily temptress, Pamela, and to his wooing of her daddy, Cliff Barnes, to double-cross J.R.

    It also applies to the clunky plotting this season. They’ve dredged up too many old Dallas rivalries and pumped so many bullets into so many characters, the series could be sponsored by the NRA. They’re even playing “Who shot Harris Ryland?,” with that character, played by Mitch Pileggi, coming out of his coma and implicating Bobby as the would-be murderer, not real shooter Ann (Brenda Strong, weeping buckets as always).

    Light in the darkness: The great Judith Light plays this season's biggest heavy. She's Harris Ryland’s mother, making her Ann Ewing’s ex-mom-in-law and grandmother to Ann’s long-lost daughter. (Their family tree has to be a weeping willow.)

    This week, Miss Light, beige hair wrapped up in a vicious French twist, delivered a soliloquy at her son’s hospital bedside, where she spat out words of hate about Ann. Then, in a moment right out of Shakespearean soap opera, she whispered in comatose Harris’ ear: “Sleep well. Gather your strength. When you wake, you will be king once more.”

    She’d be better if she dropped that community theater Streetcar Named Desire accent.

    Judith Light would be better if she dropped that community theater Streetcar Named Desire accent.

    Real Dallas actors with screen time: Ochre House Theatre’s Matthew Posey had four good scenes this week as the bought-off drilling foreman working on the sly for John Ross Ewing. Posey can guzzle fake booze and act, and chew food and act, all while wearing double denim (which can’t be said for some of the stars of this series).

    Longtime Dallas stage actress Pam Dougherty pounded a gavel with great conviction as a judge. (We hear she was wearing Birkenstocks under her judicial robes in that scene.) Uptown Players’ stage manager Cathy O’Neal was in the gallery in the courtroom scene.

    We’ve been there: White Rock Lake got name-checked as the site where the corpse of murdered Tommy Sutter (killed last season) was discovered. And the first sight of original Dallas series veteran Ken Kercheval, back as Cliff Barnes, came in a secret meeting with John Ross in what looked like the empty audience section of Gexa Energy Pavilion at Fair Park.

    No reason was given why ol’ Cliff was sitting around the empty venue. Grabbing an early seat for One Direction perhaps?

    CSI: Dallas: Aforementioned Sutter corpse was given the CSI gruesome close-up treatment in a montage showing bullets extracted from the moldering flesh. Then, to a pounding score of tough guitar chords, they ran through some zippily edited ballistics tests. This episode was directed by San Antonio native Stephen Herek, who directed the feature films Mr. Holland’s Opus and The Mighty Ducks.

    Sue Ellen as Cassandra: Like a seer from mythology, Sue Ellen Ewing (Linda Gray, growing more fabulous by the week) warns son John Ross about the consequences of bringing Cliff Barnes back into their lives. “Be prepared to face the full weight of his fury,” she says of J.R.’s wrath.

    Hard scene to swallow: “Smiling Frank” (Fahran Tahrir), the Barnes family muscle, was arrested for last season’s murder of Tommy Sutter. In court Frank blurted out that he also murdered Tommy’s sister, Becky.

    As the extras in the courtroom mumbled “watermelon, watermelon,” Frank pulled a cyanide capsule out of his pocket and swallowed it, a grabbed-from-headlines twist from this real-life case.

    Coming up: J.R. disappears. Bobby is framed for attempted murder. Keep those tear ducts clear, Annie!

    ---

    New episodes of Dallas air at 8 pm Mondays, with repeats online and on cable’s TNT.

    Larry Hagman and Josh Henderson on Dallas.

    Photo courtesy of TNT
    Larry Hagman and Josh Henderson on Dallas.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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