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Sundance Film Festival 2013

Sundance documentaries tackle Dick Cheney, Anita Hill and late-term abortion doctors

Jane Howze
Jan 21, 2013 | 9:49 am

The Sundance Film Festival is in full swing, with lots of stars — Jennifer Hudson, Alicia Keys, Naomi Watts — and filmgoers eager to offer instant analysis of the movies they just saw. Opening-night drama May in the Summer, the story of a young American-Jordanian woman with second thoughts about her wedding, was predictable. So I decided to purge myself of the experience by only attending documentaries for the next 48 hours.

And how can you go wrong with documentaries at Sundance when four of the nominees for Best Documentary at next month’s Oscars were showcased at last year’s festival?

These are among the more thought-provoking documentaries I have seen:

For the first time I can remember at Sundance, we had to go through metal detectors to enter the theater, and there were armed guards everywhere.

After Tiller
In 2009, George Tiller, one of only five U.S. physicians who perform third-term abortions, was murdered at his church in Wichita. Filmmakers Martha Shane, in her directorial debut, and Lana Wilson, in her first film, let the remaining four physicians tell their stories in After Tiller.

For the first time I can remember at Sundance, we had to go through metal detectors to enter the theater, and there were armed guards everywhere.

During the film, you hear from the patients and their physicians the personal, professional, ethical and spiritual struggles that they face. As moving and emotional as it is, the film could have benefited from a more experienced editor.

Even so, I fear this film will not see the light of day commercially given its controversial topic. And that is a shame. Whatever your views may be on late-term abortion, this film will challenge them. And isn’t that what a good documentary is all about?

Anita
In 1991, law professor Anita Hill was propelled into the center of national politics when she accused Supreme Court Justice nominee Clarence Thomas of sexual harassment. Hill was attacked in public hearings before the all-male Senate Judiciary Committee, and Thomas was confirmed.

Though the movie tends to lionize Hill as “St. Anita,” it is a powerful film and history lesson.

In Anita, a documentary tribute to Hill, Oscar-winning filmmaker Freida Mock revisits these events, which seem incomprehensible in retrospect. We learn there were corroborating witnesses that were not allowed to testify, and we are reminded that Hill successfully passed a lie detector test.

It is painful to watch how the accuser became the accused. Interestingly, Hill shows no bitterness.

Although she at first tried to quietly retreat into the private life, Hill has taken on the public role of shining a light on sexual harassment and bringing about change through legislation and education.

Hill, her longtime boyfriend and many of her family members attended the showing, and most of the audience's questions afterward were from grateful women thanking her for making a difference. Though the movie tends to lionize Hill as “St. Anita,” it is a powerful film and history lesson.

The World According to Dick Cheney
Some might think there could not be a less welcome subject at Sundance, with its liberal constituency, than Dick Cheney. Not true. Sundance has never shied away from polarizing figures be they on the left or the right. One of Sundance’s most popular documentaries was Reagan, shown in 2011.

I was excited about gaining a better understanding of Cheney in the hands of award-winning filmmaker R.J. Cutler (The September Issue). It starts off promisingly enough, with Cheney giving short answers to questions.

During a Q&A, some took filmmaker R.J. Cutler to task for being too easy on Cheney, while others complained the film didn't reveal anything new.

His favorite meal? Spaghetti.

His favorite virtue? Integrity.

When asked to name his greatest fault, Cheney replies, “I don't spend a lot of time thinking about my faults, would be the answer.”

Oh-oh.

I gained hope again as Cheney opened up about flunking out of Yale University, landing in jail twice for DUI and working as a lineman for an electrical utility before getting his life together. Twelve years later, in his early 30s, he was the youngest White House chief of staff in U.S. history.

But the rest of the film reveals little we didn't already know about Cheney. It ignores such topics as his loving relationship with his family (he is supportive of his gay daughter) and his controversial tenure at Halliburton, instead spending way too much time on his mentor, former Secretary of Defense Donald Rumsfeld.

A long sit-down interview with Cheney, which is interspersed throughout the movie, yields precious little new information. One suspects that Cutler agreed to stringent ground rules to snag the interview and shied away from confrontation.

During a question-and-answer session, some in the audience took Cutler to task for being too easy on Cheney, while others complained the film didn't reveal anything new. You can judge for yourself as it will premiere on Showtime on March 15.

Filmmaker Nick Ryan has some amazing footage from the climbers but seems ambivalent how to approach the story.

The Summit
For some reason, any film about dangerous mountain climbing always draws audiences. Maybe it's the scenery that attracts us or the opportunity to experience the thrill and danger vicariously. The Summit is an absorbing tale of a doomed 2008 expedition to Pakistan’s K2, the second highest peak in the world, in which 11 people died.

Filmmaker Nick Ryan has some amazing footage from the climbers but seems ambivalent how to approach the story.

The narrative moves from the mystery of what really happened, to reenactments, to interviews with survivors, to the heroism of Sherpa Pemba Gyalje and, finally, to interviews with Italian mountain climber Walter Bonatti, whose 1954 expedition was the first to summit K2.

I had whiplash trying to figure out which one of these of these angles to focus on. In trying to please too many, The Summit ended up falling short of the peak.

Ah, but I must be making a mountain of a molehill, because the film was picked up by Sundance Selects.

The Summit is an absorbing tale of a doomed 2008 expedition to Pakistan’s K2, the second highest peak in the world, in which 11 people died.

Courtesy photo
The Summit is an absorbing tale of a doomed 2008 expedition to Pakistan’s K2, the second highest peak in the world, in which 11 people died.
unspecified
news/entertainment

Movie Review

Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

Alex Bentley
Dec 19, 2025 | 12:24 pm
Amanda Seyfried and Sydney Sweeney in The Housemaid
Photo courtesy of Lionsgate
Amanda Seyfried and Sydney Sweeney in The Housemaid.

Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

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The Housemaid is now playing in theaters.

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