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    Movie Theater Showdown

    Sneaky Studio Movie Grill opens new theater suspiciously close to future AlamoDrafthouse

    Alex Bentley
    Oct 22, 2012 | 9:05 am
    • Studio Movie Grill as a new flagship on Spring Valley Road.
      Photo courtesy of Studio Movie Grill
    • A rendering of the forthcoming Alamo Drafthouse in Richardson.
      Photo courtesy of Alamo Drafthouse

    The stretch of Central Expressway between LBJ Freeway and the George Bush Turnpike has been a dead zone for movie lovers since 2010. But all of that is about to change.

    Studio Movie Grill opened its newest location October 12, at Spring Valley Road and Central Expressway in North Dallas, taking over the location previously occupied by the Regal Keystone Park 16, which closed in October 2010.

    Meanwhile, Alamo Drafthouse is set to break ground on its new branch in Richardson, just a mile north of the new Studio Movie Grill. Alamo Drafthouse hopes to open by spring 2013.

    Studio Movie Grill has proclaimed the Spring Valley location its “flagship.” All seats in its 12 auditoriums are reserved.

    It’s quite the abrupt turnaround for area residents, whose closest options had been the Studio Movie Grill at Royal Lane and 75 or AMC Valley View. Studio Movie Grill’s Lynne McQuaker says that because the Royal Lane location “has been working at capacity” and there was no possibility of expansion, SMG had been looking for options to add more nearby theaters for the past 18 months or so.

    SMG made no official announcement of its intention to take over the Spring Valley theaters until July 18, 2012 — just a little more than two months after the City of Richardson approved Alamo Drafthouse to take over an old Pep Boys location on Belt Line Road at 75. It appears that SMG felt some urgency to stake a claim to the area, especially because the period from announcement to opening was less than three months.

    Alamo Drafthouse’s Bill DiGaetano also had a sense of urgency when he spoke to the Richardson planning commission meeting preceding the approval of the new location. According to the minutes of that meeting, the prospect of someone taking over the then-vacant Spring Valley theaters was very much on DiGaetano’s mind.

    “Mr. DeGaetano (sic) explained that the request was very urgent because if another theater group came into the old theater on the south side of Spring Valley before Alamo announced their intentions, it would make it impossible for another theater to open within three miles of it and show first-run movies.”

    ​Alamo Drafthouse offers a more intimate viewing experience, and the theater has a zero-tolerance policy on cell phone usage.

    Because Studio Movie Grill Spring Valley has opened and Alamo Drafthouse is moving forward full steam, whether or not there’s actually a 3-mile rule appears to be a moot point. The two multiplexes share a similar concept — dining while movie-watching — but there are some distinct differences.

    SMG has proclaimed the Spring Valley location its “flagship store.” With 12 auditoriums, it is the largest SMG location to date. Each auditorium has fixed stadium seating and 3D film capabilities. All seats are reserved — a first for SMG in the area — meaning you don’t have to rush into the theater or show up early to get a good spot.

    Alamo Drafthouse, on the other hand, offers a more intimate viewing experience. While SMG Spring Valley has 2,500 seats spread out over 12 auditoriums, Alamo will have only seven auditoriums with smaller capacities.

    Alamo is famous for its zero-tolerance policy for cell phone usage during a movie; just watch this pre-screening announcement. The Austin-based chain is also known for its series of retrospective screenings, something that can only be found locally on a consistent basis at Texas Theatre.

    Can both multiplexes survive in such proximity to each other? That remains to be seen. But the real winners are the neighborhood movie fans. Once Alamo opens up next year, there will no shortage of quality movie options in North Dallas and Richardson.

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    Movie Review

    Animated Disney film Elio is fun but falls short of Pixar top tier

    Alex Bentley
    Jun 19, 2025 | 1:22 pm
    Elio (Yonas Kibreab) and Glordon (Remy Edgerly) in Elio
    Photo courtesy of Pixar
    Elio (Yonas Kibreab) and Glordon (Remy Edgerly) in Elio.

    Pixar has done a ton of different things in the 28 feature films they’ve released over the past 30 years, but the one they’d never done is deal with aliens (and, no, the alien toys in Toy Story don’t count). Now they’re going where many storytellers have gone before, but in their own unique way, in the new film Elio.

    Elio (voiced by Yonas Kibreab) is a space fanatic who has recently lost both of his parents in an unnamed event. His Aunt Olga (Zoe Saldaña) is now his guardian, and because she happens to be a member of the U.S. Space Force, Elio finds himself tantalizingly close to communications from space. With a desire to be abducted by aliens for both curiosity and sentimental reasons, Elio sends a message into space, hoping for some kind of response.

    He gets that and more when a ship full of multiple types of beings takes him into space, believing him to be a leader instead of a child. An encounter with a hostile force led by Lord Grigon (Brad Garrett) gives Elio both a new friend, Grigon’s son Glordon (Remy Edgerly), and responsibility for maintaining peace during an unexpected galactic crisis.

    Pixar has not typically followed the route of many Disney movies of giving their child protagonist the trauma of dead parents, and doing so here is the first of a few minor missteps. Having Olga be his mom instead of his aunt would have altered their dynamic, but only slightly. While Elio is shown to miss his parents, his major focus is on making contact with aliens. Since the film only briefly deals with his grief, it would have been better served by excising it altogether.

    For the most part, the film is goofy, with Elio’s enthusiasm for aliens matched by the oddness of the creatures he meets in space. The filmmakers - there are three credited directors and three credited writers - seem to have taken inspiration from sea creatures and Pixar’s own history, as the main bad guy emulates Mike and Sully’s boss from Monsters, Inc. Almost every character in the film is heightened to a degree that makes for funny situations, but not as much sentimentality as other Pixar offerings.

    Surprisingly, especially since the film ends with a voiceover from notable astronomer Carl Sagan, the filmmakers play fast and loose with real-life science. Elio’s journeys to and from the alien spaceship are treated as close-to-instantaneous trips, even involving portals directly to Earth. The idea of the story doesn’t allow them to delve into things like relativistic time dilation, but there still could have been other scientific references to keep the story aboveboard.

    There are very few stars to be found among the film’s voice cast other than Saldaña and Garrett, who are each fine if unmemorable. Kibreab and Edgerly are given many more scenes than anyone else, and they each do a great job of bringing out both the joy and naivete of their characters. Some lesser-known actors like Jameela Jamil, Atsuko Okatsuka, and Brendan Hunt show up in minor roles, but they don’t stand out in any way.

    The story and characters in Elio are sweet and fun, but the film as a whole falls well short of the top tier Pixar movies. The filmmakers could have gone many different directions with a story about a boy who wants to be abducted by aliens, and the way they chose ended up being innocuous and less than compelling.

    ---

    Elio opens in theaters on June 20.

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