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    Chicken dinner

    Dallas chef Josh Valentine gives judges the bird on Top Chef Seattle

    Teresa Gubbins
    Jan 24, 2013 | 9:32 am

    Well hoo-ha for Dallas. Dallas chef Josh Valentine won Top Chef Seattle this week. How about us? DALLAS.

    Josh finally emerges from the middle of the pack to win for fried chicken with a twist on Buffalo chicken wings. You'd think fried chicken would be simple, but half of the six contestants fail miserably, and everyone's favorite detested cheftestant finally goes home.

    The opening quickfire challenge is sushi, judged by LA sushi master Katsuya Uechi, who practically invented sushi, or so says Stefan. When Uechi explains what sushi is, the producers pipe in bamboo flute in the background to, you know, create a Japanese vibe. No geishas?

    So, chicken. Everyone has their secret techniques. It's more covert than McDonalds secret sauce. Josh has "a few tricks up his sleeve," i.e. brining.

    Josh does Dallas proud by admitting that sushi is something he doesn't do. But, in case you haven't heard, he loves bacon. So he puts bacon on his sushi and rightfully comes in at the bottom.

    It's interesting to see the producers placing the final contestants in their little boxes. Every time Josh comes on, they play another background music, and it is not flattering; it sounds like cartoon music.

    Brooke gets painted as smug. To wit:

    Josh: "Brooke, have you ever made sushi?"

    Brooke: "Of course."

    Of course she has, you idiot! She and her husband eat sushi like seven days a week — for breakfast, lunch and dinner. Josie, whom the producers now hate more than anyone, brags that she's hosted parties where sushi is served on naked women.

    So, chicken. Everyone has a secret technique. It's more covert than McDonalds secret sauce. Josh has "a few tricks up his sleeve," i.e. brining. Josie has a signature spice mixture, and Brooke has a magic method wherein the chicken skin gets pulverized into a powder coating. Shh! Don't tell anyone. It's a secret.

    What irony when smug Brooke screws up the chicken skin trick and her chicken is dry. But Josie gets the axe for greasy chicken. At least, that's what they say; from the assortment of Tom Colicchio frowns, it's obvious he has it in for her.

    But the people who come off most monstrously are the judges. As the contestants repeat 100 times, it's an all-star panel. What a thrill for us nobodies to eavesdrop on vampires like Emeril and Wolfgang and non-all-star Michelle Bernstein chatting with young blood David "Momofuku" Chang and the two beards from hipster LA restaurant Animal. The Animal guys are refreshingly candid, which amuses the wise older chefs immensely.

    The penultimate line involves breasts. One of the Animal beards says he's embarrassed for Los Angeles because the two LA chefs use breast meat only. Yes, what an embarrassment that is. Renowned feminist Wolfgang, on your mark:

    "It's LA, there's plastic surgery everywhere," he says. They all chortle knowingly — even Michelle Bernstein. Nothing like a tit joke to bring everyone together.

    Dallas chef Josh Valentine seems destined for finalist status on Top Chef Seattle.

    Josh Valentine on Top Chef Seattle
    Photo courtesy of Bravo
    Dallas chef Josh Valentine seems destined for finalist status on Top Chef Seattle.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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