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    Lone Star Pride

    Who needs Nashville? Texas artists rock the Texas Music Scene stage — and fansfollow

    Claire St. Amant
    Oct 21, 2012 | 2:34 pm
    Who needs Nashville? Texas artists rock the Texas Music Scene stage — and fansfollow
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    Attracting tens of thousands of eyes and ears to quirky music isn't rocket science. At least not according to Texas Music Scene executive producer Tom Hoitsma, who is enjoying unprecedented success after just one year in business.

    "This is ACL 1976. I did not invent this," Hoitsma says, adding that Texas music includes everything from bluegrass to country to rock.

    "Nashville doesn't want them," he says. "They aren't country enough. They aren't pretty enough, or skinny enough, and they're losing their hair. There are 100 reasons why they aren't appropriate for country music anymore. Yet fans are going crazy for them."

    ​"I'm not in the business of breaking bands," says executive producer Tom Hoitsma. "You have to work your way into the Texas Music Scene."

    He didn't dream up the idea of celebrating Texas artists, but Hoitsma is on his way to perfecting it. His model puts already established local performers on the stage of Texas Music Scene, which is a top-rated syndicated show across the Lone Star State, on 20 channels from El Paso to Dallas.

    Each show runs for 30 minutes and has at least two original performances, a backstage interview, and a story from the road or a profile of a Texas music legend. Its genius lies in its intimacy, an experience fans can't get at a concert. The show is hosted by Ray Benson, the front man for Asleep at the Wheel.

    "I tried to get Austin City Limits to do this type of show for years, something that’s all about Texas," Benson said in an interview with CultureMap Austin. "The talent here is unlike anywhere else, and we’ve got a lot of it — even if Nashville hasn’t figured that out yet."

    Cody Canada has performed on the show with his previous band, Cross Canadian Ragweed, as well as his current group, The Departed.

    "I've fallen in love with the whole thing," Canada says. "It showcases artists who don't get a lot, or any, radio play."

    Although the bands may not be on the radio, if they make it to the Texas Music Scene, they've already made it big. Many Texas bands are on a rigorous touring schedule, playing five or six nights a week in bars, honky-tonks, coffee shops — basically any venue that will have them.

    This kind of face time with fans builds a loyal base. Canada, whose last Texas Music Scene performance aired earlier this year, says that everywhere The Departed plays, at least one person mentions seeing them on the show.

    "I'm not in the business of breaking bands," says Hoitsma, who receives about 10 artist pitches a day. "You have to work your way into the Texas Music Scene."

    Music legends Willie Nelson and Lyle Lovett have committed to doing the show. Lovett takes the stage November 20.

    It may sound harsh, but Hoitsma walks the talk. A former door-to-door photocopier salesman, Hoitsma literally walked into the television business while pounding the pavement in New Jersey. His sales territory overlapped with that of television advertising representatives.

    "They were young and all looked really happy and well-dressed," Hoitsma says. "I wanted to do whatever they were doing."

    What they were doing was selling television airtime, and, after a 10-week course, so was Hoitsma. He's held a variety of jobs in the television business since the '80s, including producing a syndicated jazz show for five years.

    Hoitsma, an art major who made a living as a musician before discovering he had "Champagne tastes," combines his love of art, music and televison as execuitive producer of Texas Music Scene.

    "I believe that I make I art," Hoitsma says. "What you see on camera, I have dressed and built that set with a crew and my own hands."

    Benson had been approached many times through the years about helping to produce a Texas-focused music program, but Hoitsma and his team showed the commitment and the ability to do justice to the artists. Clearly this is a formula that works: Texas Music Scene's Facebook page (dubbed Texas Music TV because the show's name was already taken) boasts nearly 90,000 Facebook fans. Its YouTube channel has around 2.2 million views.

    Truly a state-wide effort, the Texas Music Scene stage has been located in Austin and San Marcos, while the production takes place in Fort Worth. By integrating local radio stations, the show is customized for every one of its 20 markets. But this Texas-born and -bred product may soon be showing nationwide.

    Hoitsma has had meetings with CMT, the Nashville Network and Palladia. Stars such as Pat Green and Jack Ingram already have appeared on Texas Music Scene, and Willie Nelson and Lyle Lovett have committed to doing the show. Lovett takes the Texas Music Scene stage November 20.

    "Texas music today is as big as it has ever been," Hoitsma says.

    ---

    Watch Texas Music Scene on KTVT / CBS Saturdays at 1 am, KTXA / TXA21 Sundays at 9 pm and midnight, and during Friday night Rangers' game rain delays.

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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