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Lone Star Pride

Who needs Nashville? Texas artists rock the Texas Music Scene stage — and fansfollow

Claire St. Amant
Oct 21, 2012 | 2:34 pm
Who needs Nashville? Texas artists rock the Texas Music Scene stage — and fansfollow
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Attracting tens of thousands of eyes and ears to quirky music isn't rocket science. At least not according to Texas Music Scene executive producer Tom Hoitsma, who is enjoying unprecedented success after just one year in business.

"This is ACL 1976. I did not invent this," Hoitsma says, adding that Texas music includes everything from bluegrass to country to rock.

"Nashville doesn't want them," he says. "They aren't country enough. They aren't pretty enough, or skinny enough, and they're losing their hair. There are 100 reasons why they aren't appropriate for country music anymore. Yet fans are going crazy for them."

​"I'm not in the business of breaking bands," says executive producer Tom Hoitsma. "You have to work your way into the Texas Music Scene."

He didn't dream up the idea of celebrating Texas artists, but Hoitsma is on his way to perfecting it. His model puts already established local performers on the stage of Texas Music Scene, which is a top-rated syndicated show across the Lone Star State, on 20 channels from El Paso to Dallas.

Each show runs for 30 minutes and has at least two original performances, a backstage interview, and a story from the road or a profile of a Texas music legend. Its genius lies in its intimacy, an experience fans can't get at a concert. The show is hosted by Ray Benson, the front man for Asleep at the Wheel.

"I tried to get Austin City Limits to do this type of show for years, something that’s all about Texas," Benson said in an interview with CultureMap Austin. "The talent here is unlike anywhere else, and we’ve got a lot of it — even if Nashville hasn’t figured that out yet."

Cody Canada has performed on the show with his previous band, Cross Canadian Ragweed, as well as his current group, The Departed.

"I've fallen in love with the whole thing," Canada says. "It showcases artists who don't get a lot, or any, radio play."

Although the bands may not be on the radio, if they make it to the Texas Music Scene, they've already made it big. Many Texas bands are on a rigorous touring schedule, playing five or six nights a week in bars, honky-tonks, coffee shops — basically any venue that will have them.

This kind of face time with fans builds a loyal base. Canada, whose last Texas Music Scene performance aired earlier this year, says that everywhere The Departed plays, at least one person mentions seeing them on the show.

"I'm not in the business of breaking bands," says Hoitsma, who receives about 10 artist pitches a day. "You have to work your way into the Texas Music Scene."

Music legends Willie Nelson and Lyle Lovett have committed to doing the show. Lovett takes the stage November 20.

It may sound harsh, but Hoitsma walks the talk. A former door-to-door photocopier salesman, Hoitsma literally walked into the television business while pounding the pavement in New Jersey. His sales territory overlapped with that of television advertising representatives.

"They were young and all looked really happy and well-dressed," Hoitsma says. "I wanted to do whatever they were doing."

What they were doing was selling television airtime, and, after a 10-week course, so was Hoitsma. He's held a variety of jobs in the television business since the '80s, including producing a syndicated jazz show for five years.

Hoitsma, an art major who made a living as a musician before discovering he had "Champagne tastes," combines his love of art, music and televison as execuitive producer of Texas Music Scene.

"I believe that I make I art," Hoitsma says. "What you see on camera, I have dressed and built that set with a crew and my own hands."

Benson had been approached many times through the years about helping to produce a Texas-focused music program, but Hoitsma and his team showed the commitment and the ability to do justice to the artists. Clearly this is a formula that works: Texas Music Scene's Facebook page (dubbed Texas Music TV because the show's name was already taken) boasts nearly 90,000 Facebook fans. Its YouTube channel has around 2.2 million views.

Truly a state-wide effort, the Texas Music Scene stage has been located in Austin and San Marcos, while the production takes place in Fort Worth. By integrating local radio stations, the show is customized for every one of its 20 markets. But this Texas-born and -bred product may soon be showing nationwide.

Hoitsma has had meetings with CMT, the Nashville Network and Palladia. Stars such as Pat Green and Jack Ingram already have appeared on Texas Music Scene, and Willie Nelson and Lyle Lovett have committed to doing the show. Lovett takes the Texas Music Scene stage November 20.

"Texas music today is as big as it has ever been," Hoitsma says.

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Watch Texas Music Scene on KTVT / CBS Saturdays at 1 am, KTXA / TXA21 Sundays at 9 pm and midnight, and during Friday night Rangers' game rain delays.

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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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