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Lone Star Pride

Who needs Nashville? Texas artists rock the Texas Music Scene stage — and fansfollow

Claire St. Amant
Oct 21, 2012 | 2:34 pm
Who needs Nashville? Texas artists rock the Texas Music Scene stage — and fansfollow
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Attracting tens of thousands of eyes and ears to quirky music isn't rocket science. At least not according to Texas Music Scene executive producer Tom Hoitsma, who is enjoying unprecedented success after just one year in business.

"This is ACL 1976. I did not invent this," Hoitsma says, adding that Texas music includes everything from bluegrass to country to rock.

"Nashville doesn't want them," he says. "They aren't country enough. They aren't pretty enough, or skinny enough, and they're losing their hair. There are 100 reasons why they aren't appropriate for country music anymore. Yet fans are going crazy for them."

​"I'm not in the business of breaking bands," says executive producer Tom Hoitsma. "You have to work your way into the Texas Music Scene."

He didn't dream up the idea of celebrating Texas artists, but Hoitsma is on his way to perfecting it. His model puts already established local performers on the stage of Texas Music Scene, which is a top-rated syndicated show across the Lone Star State, on 20 channels from El Paso to Dallas.

Each show runs for 30 minutes and has at least two original performances, a backstage interview, and a story from the road or a profile of a Texas music legend. Its genius lies in its intimacy, an experience fans can't get at a concert. The show is hosted by Ray Benson, the front man for Asleep at the Wheel.

"I tried to get Austin City Limits to do this type of show for years, something that’s all about Texas," Benson said in an interview with CultureMap Austin. "The talent here is unlike anywhere else, and we’ve got a lot of it — even if Nashville hasn’t figured that out yet."

Cody Canada has performed on the show with his previous band, Cross Canadian Ragweed, as well as his current group, The Departed.

"I've fallen in love with the whole thing," Canada says. "It showcases artists who don't get a lot, or any, radio play."

Although the bands may not be on the radio, if they make it to the Texas Music Scene, they've already made it big. Many Texas bands are on a rigorous touring schedule, playing five or six nights a week in bars, honky-tonks, coffee shops — basically any venue that will have them.

This kind of face time with fans builds a loyal base. Canada, whose last Texas Music Scene performance aired earlier this year, says that everywhere The Departed plays, at least one person mentions seeing them on the show.

"I'm not in the business of breaking bands," says Hoitsma, who receives about 10 artist pitches a day. "You have to work your way into the Texas Music Scene."

Music legends Willie Nelson and Lyle Lovett have committed to doing the show. Lovett takes the stage November 20.

It may sound harsh, but Hoitsma walks the talk. A former door-to-door photocopier salesman, Hoitsma literally walked into the television business while pounding the pavement in New Jersey. His sales territory overlapped with that of television advertising representatives.

"They were young and all looked really happy and well-dressed," Hoitsma says. "I wanted to do whatever they were doing."

What they were doing was selling television airtime, and, after a 10-week course, so was Hoitsma. He's held a variety of jobs in the television business since the '80s, including producing a syndicated jazz show for five years.

Hoitsma, an art major who made a living as a musician before discovering he had "Champagne tastes," combines his love of art, music and televison as execuitive producer of Texas Music Scene.

"I believe that I make I art," Hoitsma says. "What you see on camera, I have dressed and built that set with a crew and my own hands."

Benson had been approached many times through the years about helping to produce a Texas-focused music program, but Hoitsma and his team showed the commitment and the ability to do justice to the artists. Clearly this is a formula that works: Texas Music Scene's Facebook page (dubbed Texas Music TV because the show's name was already taken) boasts nearly 90,000 Facebook fans. Its YouTube channel has around 2.2 million views.

Truly a state-wide effort, the Texas Music Scene stage has been located in Austin and San Marcos, while the production takes place in Fort Worth. By integrating local radio stations, the show is customized for every one of its 20 markets. But this Texas-born and -bred product may soon be showing nationwide.

Hoitsma has had meetings with CMT, the Nashville Network and Palladia. Stars such as Pat Green and Jack Ingram already have appeared on Texas Music Scene, and Willie Nelson and Lyle Lovett have committed to doing the show. Lovett takes the Texas Music Scene stage November 20.

"Texas music today is as big as it has ever been," Hoitsma says.

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Watch Texas Music Scene on KTVT / CBS Saturdays at 1 am, KTXA / TXA21 Sundays at 9 pm and midnight, and during Friday night Rangers' game rain delays.

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Movie Review

Horrific filmmaking makes DC villain Clayface less appealing

Alex Bentley
Oct 22, 2026 | 1:01 pm
Tom Rhys Harries and Naomi Ackie in Clayface
Photo by Parisa Taghizadeh
Tom Rhys Harries and Naomi Ackie in Clayface.

The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

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Clayface opens in theaters on October 23.

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