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    JFK News

    Just-found 8mm footage of JFK motorcade in Dallas sells for $137,500

    Associated Press
    Sep 5, 2024 | 9:36 am
    Ange Fitzgerald grassy knoll in Dallas

    Grassy Knoll in Dallas.

    Photo by Ange Fitzgerald

    DALLAS (AP) — Newly emerged film footage of President John F. Kennedy's motorcade speeding down a Dallas freeway toward a hospital after he was fatally wounded will go up for auction later this month.

    UPDATE 9-29-2024: The footage sold for $137,500 at auction on Saturday, September 28. The footage was not publicly released, and the buyer wishes to remain anonymous.
    ____________________________________________

    Experts say the find isn't necessarily surprising even over 60 years after the assassination.

    “These images, these films and photographs, a lot of times they are still out there. They are still being discovered or rediscovered in attics or garages,” said Stephen Fagin, curator at The Sixth Floor Museum at Dealey Plaza, which tells the story of the assassination on November 22, 1963.

    RR Auction will offer up the 8 mm home film in Boston on September 28. It begins with Dale Carpenter Sr. just missing the limousine carrying the president and first lady Jacqueline Kennedy but capturing other vehicles in the motorcade as it traveled down Lemmon Avenue toward downtown. The film then picks up after Kennedy has been shot, with Carpenter rolling as the motorcade roars down Interstate 35.

    “This is remarkable, in color, and you can feel the 80 mph,” said Bobby Livingston, executive vice president of the auction house.
    The footage from I-35 — which lasts about 10 seconds — shows Secret Service Agent Clint Hill — who famously jumped onto the back of the limousine as the shots rang out — hovering in a standing position over the president and Jacqueline Kennedy, whose pink suit can be seen.

    “I did not know that there were not any more shots coming," Hill said. “I had a vision that, yes, there probably were going to be more shots when I got up there as I did.”

    The shots had fired as the motorcade passed through Dealey Plaza in front of the Texas School Book Depository, where it was later found that assassin Lee Harvey Oswald had positioned himself from a sniper's perch on the sixth floor. The assassination itself was famously captured on film by Abraham Zapruder.

    After the shots, the motorcade turned onto I-35 and sped toward Parkland Memorial Hospital, where Kennedy would be pronounced dead. It was the same route the motorcade would have taken to deliver Kennedy to his next stop, a speech at the Trade Mart.

    JFK motorcadeImage from 8mm film shot of JFK motorcade on November 22, 1963.RR Auction

    Carpenter's grandson, James Gates, said that while it was known in his family that his grandfather had film from that day, it wasn't talked about often. So Gates said that when the film, stored along with other family films in a milk crate, was eventually passed on to him, he wasn't sure exactly what his grandfather, who died in 1991 at age 77, had captured.

    Projecting it onto his bedroom wall around 2010, he was at first underwhelmed by the footage from Lemmon Avenue. But then, the footage from I-35 played out before his eyes. “That was shocking," he said.

    He was especially struck by Hill's precarious position on the back of the limousine, so around the time that Hill's book, Mrs. Kennedy and Me, was published in 2012, Gates got in touch with Hill and his co-author, Lisa McCubbin, who became Lisa McCubbin Hill when she and Hill married in 2021.

    McCubbin Hill said it was admirable that Gates was sensitive enough to want Hill to see the footage before he did anything else with it. She said that while she was familiar with Hill's description of being perched on the limousine as it sped down the interstate, “to see the footage of it actually happen ... just kind of makes your heart stop.”

    The auction house has released still photos from the portion of the film showing the race down I-35 but is not publicly releasing video of that part.

    Farris Rookstool III, a historian, documentary filmmaker and former FBI analyst who has seen the film, said it shows the rush to Parkland in a more complete way than other, more fragmented film footage he’s seen. He said the footage gives “a fresh look at the race to Parkland,” and he hopes that after the auction, it ends up somewhere where it can be used by filmmakers.

    Fagin said the assassination was such a shocking event that it was instinctive for people to keep material related to it, so there's always the possibility of new material surfacing.

    He said historians had wondered for years about a man who can be seen taking photos in one of the photos from that day.

    “For years we had no idea who that photographer was, where his camera was, where these images were,” Fagin said.

    Then, in 2002, Jay Skaggs walked into the museum with a shoebox under his arm. He was the photographer captured in the photo, and in that shoebox were 20 images from Dealey Plaza before and after the assassination, including the only known color photographs of the rifle being removed from the Texas School Book Depository building, Fagin said.

    “He just handed that box to us,” Fagin said.

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    Movie Review

    Chris Pratt plays one man against the AI machine in thriller Mercy

    Alex Bentley
    Jan 23, 2026 | 1:07 pm
    Chris Pratt in Mercy
    Photo courtesy Amazon Content Services
    Chris Pratt in Mercy.

    It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

    The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

    Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

    Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

    On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

    More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

    If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

    ---

    Mercy is now playing in theaters.

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