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    JFK News

    Just-found 8mm footage of JFK motorcade in Dallas sells for $137,500

    Associated Press
    Sep 5, 2024 | 9:36 am
    Ange Fitzgerald grassy knoll in Dallas

    Grassy Knoll in Dallas.

    Photo by Ange Fitzgerald

    DALLAS (AP) — Newly emerged film footage of President John F. Kennedy's motorcade speeding down a Dallas freeway toward a hospital after he was fatally wounded will go up for auction later this month.

    UPDATE 9-29-2024: The footage sold for $137,500 at auction on Saturday, September 28. The footage was not publicly released, and the buyer wishes to remain anonymous.
    ____________________________________________

    Experts say the find isn't necessarily surprising even over 60 years after the assassination.

    “These images, these films and photographs, a lot of times they are still out there. They are still being discovered or rediscovered in attics or garages,” said Stephen Fagin, curator at The Sixth Floor Museum at Dealey Plaza, which tells the story of the assassination on November 22, 1963.

    RR Auction will offer up the 8 mm home film in Boston on September 28. It begins with Dale Carpenter Sr. just missing the limousine carrying the president and first lady Jacqueline Kennedy but capturing other vehicles in the motorcade as it traveled down Lemmon Avenue toward downtown. The film then picks up after Kennedy has been shot, with Carpenter rolling as the motorcade roars down Interstate 35.

    “This is remarkable, in color, and you can feel the 80 mph,” said Bobby Livingston, executive vice president of the auction house.
    The footage from I-35 — which lasts about 10 seconds — shows Secret Service Agent Clint Hill — who famously jumped onto the back of the limousine as the shots rang out — hovering in a standing position over the president and Jacqueline Kennedy, whose pink suit can be seen.

    “I did not know that there were not any more shots coming," Hill said. “I had a vision that, yes, there probably were going to be more shots when I got up there as I did.”

    The shots had fired as the motorcade passed through Dealey Plaza in front of the Texas School Book Depository, where it was later found that assassin Lee Harvey Oswald had positioned himself from a sniper's perch on the sixth floor. The assassination itself was famously captured on film by Abraham Zapruder.

    After the shots, the motorcade turned onto I-35 and sped toward Parkland Memorial Hospital, where Kennedy would be pronounced dead. It was the same route the motorcade would have taken to deliver Kennedy to his next stop, a speech at the Trade Mart.

    JFK motorcadeImage from 8mm film shot of JFK motorcade on November 22, 1963.RR Auction

    Carpenter's grandson, James Gates, said that while it was known in his family that his grandfather had film from that day, it wasn't talked about often. So Gates said that when the film, stored along with other family films in a milk crate, was eventually passed on to him, he wasn't sure exactly what his grandfather, who died in 1991 at age 77, had captured.

    Projecting it onto his bedroom wall around 2010, he was at first underwhelmed by the footage from Lemmon Avenue. But then, the footage from I-35 played out before his eyes. “That was shocking," he said.

    He was especially struck by Hill's precarious position on the back of the limousine, so around the time that Hill's book, Mrs. Kennedy and Me, was published in 2012, Gates got in touch with Hill and his co-author, Lisa McCubbin, who became Lisa McCubbin Hill when she and Hill married in 2021.

    McCubbin Hill said it was admirable that Gates was sensitive enough to want Hill to see the footage before he did anything else with it. She said that while she was familiar with Hill's description of being perched on the limousine as it sped down the interstate, “to see the footage of it actually happen ... just kind of makes your heart stop.”

    The auction house has released still photos from the portion of the film showing the race down I-35 but is not publicly releasing video of that part.

    Farris Rookstool III, a historian, documentary filmmaker and former FBI analyst who has seen the film, said it shows the rush to Parkland in a more complete way than other, more fragmented film footage he’s seen. He said the footage gives “a fresh look at the race to Parkland,” and he hopes that after the auction, it ends up somewhere where it can be used by filmmakers.

    Fagin said the assassination was such a shocking event that it was instinctive for people to keep material related to it, so there's always the possibility of new material surfacing.

    He said historians had wondered for years about a man who can be seen taking photos in one of the photos from that day.

    “For years we had no idea who that photographer was, where his camera was, where these images were,” Fagin said.

    Then, in 2002, Jay Skaggs walked into the museum with a shoebox under his arm. He was the photographer captured in the photo, and in that shoebox were 20 images from Dealey Plaza before and after the assassination, including the only known color photographs of the rifle being removed from the Texas School Book Depository building, Fagin said.

    “He just handed that box to us,” Fagin said.

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    news/entertainment

    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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