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    Movie Review

    New Spike Lee film Highest 2 Lowest is good for New York sightseeing

    Alex Bentley
    Aug 14, 2025 | 4:37 pm
    Denzel Washington in Highest 2 Lowest

    Denzel Washington in Highest 2 Lowest.

    Photo courtesy of A24 and Apple TV+

    For most of his career, moviegoers could count on a new Spike Lee film every 1-2 years. But somehow it’s been five years since his last joint, Da 5 Bloods in 2020, which arrived when his take on racial politics and injustices collided with real world events. Now he’s back for a fifth go-around with Denzel Washington, Highest 2 Lowest, a reimagining of the 1963 Akira Kurosawa film, High and Low.

    Washington stars as music executive David King, who’s looking to save the record label he started from a corporate takeover. His leveraging of his assets to buy out a partner gets upended when Kyle (Elijah Wright), the son of his friend and chauffeur, Paul Christopher (Jeffrey Wright), is mistakenly kidnapped by someone who thought he was King’s son, Trey (Aubrey Joseph).

    King is forced to wrestle with his conscience over whether to use ransom money for Kyle, money that was supposed to rescue Trey before the mistake is discovered. The pressure from the police, Paul, and his family is one thing, but the fact that he would also potentially be giving away the money that would save his company makes the decision all that much more difficult.

    Lee, working from a script by first-time screenwriter Alan Fox, once again showcases New York City for all it’s worth. King and his family live in a lavish high-rise apartment with a balcony that faces Manhattan, allowing for views of the Brooklyn Bridge, the Financial District, and more. The story takes the action all over the city, with Lee making sure to include scenes set in the Bronx to feature boisterous Yankees fans.

    Unfortunately, the sightseeing winds up being the best part of the movie. Lee and Fox deliver some clunky storytelling, with the flow from scene to scene rarely feeling natural. The drama of certain situations never reaches its potential because Lee seems to be focused on things like showing small moments from different angles instead of getting to the heart of the matter.

    It’s also never clear what kind of story Lee is trying to tell. The most obvious topic would seem to be the current state of the music business and the place of Black artists within it, but the kidnapping plot mostly pushes that to the side. The push-and-pull of the ransom drama, as well as the perpetrator of the kidnapping, tries to be a commentary on the corrosive influence of wealth, but it fails to hit home.

    And then we get to the acting. Washington and Wright are each Oscar nominees who usually garner respect just with their presence, but both give subpar performances that are indicative of the poor acting from many other cast members. Stilted line deliveries abound throughout the film, almost as if Lee was limited to just one take with every scene and just decided to leave them as is. The more bad lines pile up, the more baffling it becomes that they were allowed to show up in the final product.

    Lee is responsible for some truly great films over the past 30-40 years, but Highest 2 Lowest will not be joining that list. It has flashes of the director’s trademark stylish moves, but the storytelling and acting blunt any deeper meaning that Lee might have been trying to impart.

    ---

    Highest 2 Lowest opens in theaters on August 15.

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    Movie Review

    Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 12:43 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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