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    Water News

    Flashy water show cascades into Epic entertainment district in Grand Prairie

    Teresa Gubbins
    Jul 27, 2023 | 1:30 pm
    Epic waterpark Illuvia

    The Illuvia show is said to be epic.

    Epic

    The EpicCentral entertainment district in Grand Prairie has added another element to its collection of attractions: Illuvia, a 10-minute experience featuring light installations, 60-foot water sprays, state-of-the art video projection, and an accompanying soundtrack for a one-of-a-kind experience.

    According to a release, Illuvia made its debut in late June, part of a continued investment in the Epic destination by the city of Grand Prairie. The installation is presented three times a night, at 8:30 pm, 9:30 pm, and 10:30 pm, with each show different from the one before.

    There are additional water shows during the day, from 11:30 am-1:30 pm, and again at 5 pm.

    It includes lights, water jets, and holographic-type projections of flowers and other images; a snapshot can be seen here.

    The shows will continue to evolve seasonally with new features throughout the year.

    A water display seems like a slam-dunk, given the presence of Epic Waters, an on-site waterpark. According to the city of Grand Prairie creative producer Zane King, Illuvia draws crowds up to 1,200 people to EpicCentral’s GrandLawn to watch the mesmerizing shows.

    The installation was created by Outside the Lines (OTL), a design construction company that specializes in rockwork and water displays.

    OTL is based in Anaheim, California, but has a regional office in Dallas, and has created a number of signature displays across DFW including:

    • Texas Live! Their display at the Arlington entertainment complex has a fountain featuring 57 chaser jets over 25 feet in height, six vertical air cannons over 60 feet tall, six burst-effect air cannons, 200 color-changing lights, six dancing flame nozzles, and 70 fountain jets.
    • Legacy West Plano mixed-use center features a fountain choreographed to music and light across three separate concrete basins, which are interconnected mechanically on one filtration and treatment system. The show uses nearly 52,000 gallons of water, 131 nozzles and 398 LED RGB lights capable of producing 2,000,000 colors each.
    • Klyde Warren Park The Nancy Best Fountain at downtown Dallas' urban deck park is a powerful water feature with 106 arrays, 350 rose jets, three multi-axis robotic nozzles that can shoot 95 feet into the air, illuminated with 216 programmable color-changing LED lights.

    OTL also updated The Towers at Williams Square plaza in 2018 and did the etched sandstone wall at Nusr-Et Dallas, which included etching Salt Bae's likeness.

    But the Epic is the biggest and notably, most unique, says OTL spokesperson Sarah Shores.

    "Every installation is unique but Epic Central stands out because it's situated in an existing lake that was already there," Shores says. "It also features a technology we have not previously used: a projection screen that projects those images you see, like beautiful red roses — that's something brand new."

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    Movie Review

    Humans are scarier than zombies in 28 Years Later: The Bone Temple

    Alex Bentley
    Jan 15, 2026 | 1:51 pm
    Ralph Fiennes in 28 Years Later: The Bone Temple
    Photo by Miya Mizuno
    Ralph Fiennes in 28 Years Later: The Bone Temple.

    It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

    The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

    The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds - and with the help of some morphine - Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

    DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

    Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

    The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

    O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

    Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

    ---

    28 Years Later: The Bone Temple opens in theaters on January 16.

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