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    Movie Review

    Jack Black and company revisit familiar ground in Kung Fu Panda 4

    Alex Bentley
    Mar 7, 2024 | 3:03 pm
    Shifu (Dustin Hoffman) and Po (Jack Black) in Kung Fu Panda 4

    Shifu (Dustin Hoffman) and Po (Jack Black) in Kung Fu Panda 4

    Photo courtesy of DreamWorks Animation

    Since Dreamworks Animation made its debut in the late 1990s, it has had some highly successful franchises, including Shrek, Madagascar, Kung Fu Panda, and How to Train Your Dragon. It hasn’t been shy about doling out sequels either, as each of those has received at least three entries. Only Shrek received a fourth film until now when, eight years after the previous film, Kung Fu Panda 4 has finally been released.

    As always, it centers on the panda Po (voiced by Jack Black), who’s enjoying his status as the Dragon Warrior. But when Shifu (Dustin Hoffman) tells him that Po is to become the new Spiritual Leader of the Valley of Peace, Po must find someone worthy of succeeding him as Dragon Warrior. A cursory search yields some impressive candidates, but Po is not exactly ready and willing to cede his title just yet.

    He’s even less interested when The Chameleon (Viola Davis), a shape-shifter who can literally take the form of anyone she comes across, starts to make plans to summon all the master villains Po had previously vanquished. Using the help of new friend Zhen (Awkwafina), Po sets out to find The Chameleon, with others in his life, like Po’s dad Li (Bryan Cranston), on their own adventures.

    Directed by Mike Mitchell and Stephanie Stine, and written by Jonathan Aibel, Glenn Berger, and Darren Lemke, the film has all the hallmarks of the previous three Kung Fu Panda movies. That means that it has plenty of comic hijinks and the occasional whiz-bang fight sequences, but not a lot of surprises. The filmmakers aren’t trying to reinvent the wheel; they’re just looking to deliver a similar experience to what fans of the series have loved before.

    While there’s nothing inherently wrong with that approach, it also doesn’t make for a very stimulating watch. Each of the returning characters acts exactly how they’ve acted in the past, even when faced with the new situations and/or new characters. By the time you get to the fourth film, there needs to be something that the audience hasn’t seen before, and there’s precious little that this film has to offer in that regard.

    The film’s two major new characters – The Chameleon and Zhen – are a mixed bag. Despite the film being weighed down by Po doing the same old, same old, The Chameleon actually makes for a pretty good villain. Zhen makes for an interesting presence as a character, but the fact that she’s voiced by Awkwafina – who’s been in no fewer than seven animated movies in the past five years – distracts from her story arc.

    Black is as good as ever as the voice of Po, even if the character doesn’t get as many big moments as in past films. The key for any good animated character is to be distinctive, so in that way Cranston, Davis, Awkwafina, and Dustin Hoffman work well, even if not all of them are showcased properly. Other well-known names like Seth Rogen, Ke Huy Quan, Ronny Chieng, and YouTuber Mr. Beast don’t make much of an impact.

    At this point, a property like Kung Fu Panda is only being made to continue its profitability for its parent company. The fourth film may give young fans some nostalgia for characters they grew up with, but it’s a far cry from the best the animation world has to offer.

    ---

    Kung Fu Panda 4 opens in theaters on March 8.

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    Movie Review

    Safe cracking is a snap for White Lotus alum Leo Woodall in Tuner

    Alex Bentley
    May 29, 2026 | 2:55 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties - not to mention the danger of the thefts - insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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