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    Movie Review

    Jack Black and company revisit familiar ground in Kung Fu Panda 4

    Alex Bentley
    Mar 7, 2024 | 3:03 pm
    Shifu (Dustin Hoffman) and Po (Jack Black) in Kung Fu Panda 4

    Shifu (Dustin Hoffman) and Po (Jack Black) in Kung Fu Panda 4

    Photo courtesy of DreamWorks Animation

    Since Dreamworks Animation made its debut in the late 1990s, it has had some highly successful franchises, including Shrek, Madagascar, Kung Fu Panda, andHow to Train Your Dragon. It hasn’t been shy about doling out sequels either, as each of those has received at least three entries. Only Shrek received a fourth film until now when, eight years after the previous film, Kung Fu Panda 4 has finally been released.

    As always, it centers on the panda Po (voiced by Jack Black), who’s enjoying his status as the Dragon Warrior. But when Shifu (Dustin Hoffman) tells him that Po is to become the new Spiritual Leader of the Valley of Peace, Po must find someone worthy of succeeding him as Dragon Warrior. A cursory search yields some impressive candidates, but Po is not exactly ready and willing to cede his title just yet.

    He’s even less interested when The Chameleon (Viola Davis), a shape-shifter who can literally take the form of anyone she comes across, starts to make plans to summon all the master villains Po had previously vanquished. Using the help of new friend Zhen (Awkwafina), Po sets out to find The Chameleon, with others in his life, like Po’s dad Li (Bryan Cranston), on their own adventures.

    Directed by Mike Mitchell and Stephanie Stine, and written by Jonathan Aibel, Glenn Berger, and Darren Lemke, the film has all the hallmarks of the previous three Kung Fu Panda movies. That means that it has plenty of comic hijinks and the occasional whiz-bang fight sequences, but not a lot of surprises. The filmmakers aren’t trying to reinvent the wheel; they’re just looking to deliver a similar experience to what fans of the series have loved before.

    While there’s nothing inherently wrong with that approach, it also doesn’t make for a very stimulating watch. Each of the returning characters acts exactly how they’ve acted in the past, even when faced with the new situations and/or new characters. By the time you get to the fourth film, there needs to be something that the audience hasn’t seen before, and there’s precious little that this film has to offer in that regard.

    The film’s two major new characters – The Chameleon and Zhen – are a mixed bag. Despite the film being weighed down by Po doing the same old, same old, The Chameleon actually makes for a pretty good villain. Zhen makes for an interesting presence as a character, but the fact that she’s voiced by Awkwafina – who’s been in no fewer than seven animated movies in the past five years – distracts from her story arc.

    Black is as good as ever as the voice of Po, even if the character doesn’t get as many big moments as in past films. The key for any good animated character is to be distinctive, so in that way Cranston, Davis, Awkwafina, and Dustin Hoffman work well, even if not all of them are showcased properly. Other well-known names like Seth Rogen, Ke Huy Quan, Ronny Chieng, and YouTuber Mr. Beast don’t make much of an impact.

    At this point, a property like Kung Fu Panda is only being made to continue its profitability for its parent company. The fourth film may give young fans some nostalgia for characters they grew up with, but it’s a far cry from the best the animation world has to offer.

    ---

    Kung Fu Panda 4 opens in theaters on March 8.

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    Movie Review

    Stephen King film adaptation The Life of Chuck aims for the heart

    Alex Bentley
    Jun 13, 2025 | 1:20 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
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    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.

    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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