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Concert News

Jack Johnson surfs into Dallas on expansive 2026 tour

Alex Bentley
Nov 7, 2025 | 10:08 am
Jack Johnson

Jack Johnson will play at Dos Equis Pavilion in Dallas on August 30, 2026.

Photo by Tahnei Roy

Singer-songwriter Jack Johnson, known his for laidback surf-rock music, will embark on the SURFILMUSIC Tour in 2026, which will include a stop at Dos Equis Pavilion in Dallas on Sunday, August 30.

The expansive 43-date North American tour, which starts on June 19 in Gilford, New Hampshire, will have three separate legs.

The three Texas dates — The Woodlands on August 28, Austin on August 29, and Dallas on August 30 — will be part of the second leg, where Johnson will be joined by Lake Street Dive.

The tour is Johnson’s first since 2022 and will celebrate a new era of music, film, and environmental connection rooted in his 20+ year career.

Johnson is touring in support of a forthcoming soundtrack, scored by Johnson and Hermanos Gutiérrez for a new documentary, SURFILMUSIC, that chronicles Johnson’s evolution from surfer to filmmaker to musician.

The film, which will be released in 2026, weaves through the making of his iconic surf films Thicker Than Water (1999) and The September Sessions (2000), which paved the way for his music career.

It celebrates the lifelong friendships and ocean-driven community that shaped Johnson’s path, and features many of the surfers who appeared in the original films, including Kelly Slater, Rob Machado, and the Malloy Brothers.

Johnson released his first album, Brushfire Fairytales, in 2001, and he has gone on to put out eight other albums, most recently Meet the Moonlight in 2022.

Fans can register for the Jack Johnson presale at jackjohnsonmusic.com, now through Sunday, November 9. The presale begins Monday, November 10, 2025 at 10am local time and runs through general on-sale date of Friday, November 14.

Jack Johnson SURFILMUSIC 2026 Tour Dates

  • June 19 – Gilford, NH – Bank of New Hampshire Pavilion
  • June 20 – Mansfield, MA – Xfinity Center
  • June 21 – Holmdel, NJ – PNC Bank Arts Center
  • June 24 – Saratoga, NY – Saratoga Performing Arts Center
  • June 26 – Columbia, MD – Merriweather Post Pavilion
  • June 27 – Philadelphia, PA – Highmark Mann Center
  • June 28 – Wantagh, NY – Northwell at Jones Beach Theater
  • June 30 – Toronto, ON – RBC Amphitheatre
  • July 1 – Canandaigua, NY – CMAC
  • July 3 – Burgettstown, PA – Pavilion at Star Lake
  • July 4 – Noblesville, IN – Ruoff Music Center
  • July 5 – Grand Rapids, MI – Acrisure Amphitheater
  • July 7 – Cuyahoga Falls, OH – Blossom Music Center
  • July 8 – Cincinnati, OH – Riverbend Music Center
  • July 10 – Clarkston, MI – Pine Knob Music Theatre
  • July 11 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
  • July 12 – Shakopee, MN – Minnesota Quarry Amphitheater
  • August 18 – West Palm Beach, FL – iTHINK Financial Amphitheatre
  • August 19 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
  • August 21 – Alpharetta, GA – Ameris Bank Amphitheatre
  • August 22 – Raleigh, NC – Coastal Credit Union Music Park
  • August 23 – Charlotte, NC – PNC Music Pavilion
  • August 25 – Nashville, TN – Ascend Amphitheater
  • August 26 – Orange Beach, AL – The Wharf Amphitheater
  • August 28 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion
  • August 29 – Austin, TX – Germania Insurance Amphitheater
  • August 30 – Dallas, TX – Dos Equis Pavilion
  • September 1 – Riverside, MO – MORTON Amphitheater
  • September 2 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
  • September 3 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
  • September 4 – West Valley City, UT – USANA Amphitheatre
  • September 6 – Stateline, NV – Lake Tahoe Amphitheatre at Caesars Republic
  • September 26 – George, WA – The Gorge Amphitheatre
  • September 27 – Bend, OR – Hayden Homes Amphitheater
  • September 28 – Troutdale, OR – McMenamins Edgefield Amphitheater
  • September 30–October 1 – Berkeley, CA – The Greek Theatre
  • October 3 – Santa Barbara, CA – Santa Barbara Bowl
  • October 4 – Santa Barbara, CA – Santa Barbara Bowl
  • October 6 – Phoenix, AZ – Talking Stick Resort Amphitheatre
  • October 9 – Chula Vista, CA – North Island Credit Union Amphitheatre
  • October 10– Los Angeles, CA – Hollywood Bowl
  • October 11– Los Angeles, CA – Hollywood Bowl
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Movie Review

Horrific filmmaking makes DC villain Clayface less appealing

Alex Bentley
Oct 22, 2026 | 1:01 pm
Tom Rhys Harries and Naomi Ackie in Clayface
Photo by Parisa Taghizadeh
Tom Rhys Harries and Naomi Ackie in Clayface.

The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

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Clayface opens in theaters on October 23.

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