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    Concert News

    Jack Johnson surfs into Dallas on expansive 2026 tour

    Alex Bentley
    Nov 7, 2025 | 10:08 am
    Jack Johnson

    Jack Johnson will play at Dos Equis Pavilion in Dallas on August 30, 2026.

    Photo by Tahnei Roy

    Singer-songwriter Jack Johnson, known his for laidback surf-rock music, will embark on the SURFILMUSIC Tour in 2026, which will include a stop at Dos Equis Pavilion in Dallas on Sunday, August 30.

    The expansive 43-date North American tour, which starts on June 19 in Gilford, New Hampshire, will have three separate legs.

    The three Texas dates — The Woodlands on August 28, Austin on August 29, and Dallas on August 30 — will be part of the second leg, where Johnson will be joined by Lake Street Dive.

    The tour is Johnson’s first since 2022 and will celebrate a new era of music, film, and environmental connection rooted in his 20+ year career.

    Johnson is touring in support of a forthcoming soundtrack, scored by Johnson and Hermanos Gutiérrez for a new documentary, SURFILMUSIC, that chronicles Johnson’s evolution from surfer to filmmaker to musician.

    The film, which will be released in 2026, weaves through the making of his iconic surf films Thicker Than Water (1999) and The September Sessions (2000), which paved the way for his music career.

    It celebrates the lifelong friendships and ocean-driven community that shaped Johnson’s path, and features many of the surfers who appeared in the original films, including Kelly Slater, Rob Machado, and the Malloy Brothers.

    Johnson released his first album, Brushfire Fairytales, in 2001, and he has gone on to put out eight other albums, most recently Meet the Moonlight in 2022.

    Fans can register for the Jack Johnson presale at jackjohnsonmusic.com, now through Sunday, November 9. The presale begins Monday, November 10, 2025 at 10am local time and runs through general on-sale date of Friday, November 14.

    Jack Johnson SURFILMUSIC 2026 Tour Dates

    • June 19 – Gilford, NH – Bank of New Hampshire Pavilion
    • June 20 – Mansfield, MA – Xfinity Center
    • June 21 – Holmdel, NJ – PNC Bank Arts Center
    • June 24 – Saratoga, NY – Saratoga Performing Arts Center
    • June 26 – Columbia, MD – Merriweather Post Pavilion
    • June 27 – Philadelphia, PA – Highmark Mann Center
    • June 28 – Wantagh, NY – Northwell at Jones Beach Theater
    • June 30 – Toronto, ON – RBC Amphitheatre
    • July 1 – Canandaigua, NY – CMAC
    • July 3 – Burgettstown, PA – Pavilion at Star Lake
    • July 4 – Noblesville, IN – Ruoff Music Center
    • July 5 – Grand Rapids, MI – Acrisure Amphitheater
    • July 7 – Cuyahoga Falls, OH – Blossom Music Center
    • July 8 – Cincinnati, OH – Riverbend Music Center
    • July 10 – Clarkston, MI – Pine Knob Music Theatre
    • July 11 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
    • July 12 – Shakopee, MN – Minnesota Quarry Amphitheater
    • August 18 – West Palm Beach, FL – iTHINK Financial Amphitheatre
    • August 19 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
    • August 21 – Alpharetta, GA – Ameris Bank Amphitheatre
    • August 22 – Raleigh, NC – Coastal Credit Union Music Park
    • August 23 – Charlotte, NC – PNC Music Pavilion
    • August 25 – Nashville, TN – Ascend Amphitheater
    • August 26 – Orange Beach, AL – The Wharf Amphitheater
    • August 28 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion
    • August 29 – Austin, TX – Germania Insurance Amphitheater
    • August 30 – Dallas, TX – Dos Equis Pavilion
    • September 1 – Riverside, MO – MORTON Amphitheater
    • September 2 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
    • September 3 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
    • September 4 – West Valley City, UT – USANA Amphitheatre
    • September 6 – Stateline, NV – Lake Tahoe Amphitheatre at Caesars Republic
    • September 26 – George, WA – The Gorge Amphitheatre
    • September 27 – Bend, OR – Hayden Homes Amphitheater
    • September 28 – Troutdale, OR – McMenamins Edgefield Amphitheater
    • September 30–October 1 – Berkeley, CA – The Greek Theatre
    • October 3 – Santa Barbara, CA – Santa Barbara Bowl
    • October 4 – Santa Barbara, CA – Santa Barbara Bowl
    • October 6 – Phoenix, AZ – Talking Stick Resort Amphitheatre
    • October 9 – Chula Vista, CA – North Island Credit Union Amphitheatre
    • October 10– Los Angeles, CA – Hollywood Bowl
    • October 11– Los Angeles, CA – Hollywood Bowl
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    Movie Review

    Great acting and directing drive The Christophers to artistic heights

    Alex Bentley
    Apr 17, 2026 | 1:59 pm
    Michaela Coel and Ian McKellen in The Christophers
    Photo by Claudette Barius
    Michaela Coel and Ian McKellen in The Christophers.

    Director Steven Soderbergh is one of those filmmakers who — aside from the Ocean’s series — never seems to make the same kind of movie twice. He is somehow able to adapt his abilities to all sorts of different stories, making each of them as compelling as any other. His latest masterclass is in the London-set film, The Christophers.

    Lori Butler (Michaela Coel), who restores art for a living, is approached by brother and sister Sallie and Barnaby Sklar (Jessica Gunning and James Corden) with a scheme. They want her to become the new assistant for their aging father, Julian (Ian McKellen), a famous artist known for a series called “The Christophers,” in order to gain access to unfinished paintings from the series and complete them herself.

    Lori accepts the deal despite having some uneasy feelings about Julian, with whom she had a bad interaction years ago. Julian is just as wary, both because he knows of his children’s interest in the unfinished works, and because he would prefer to be left in peace. Although the trepidation on both sides continues for the bulk of the story, a grudging respect arises between two artists who know skill when they see it.

    Directed by Soderbergh and written by Ed Solomon, who last collaborated on No Sudden Move, the film is astonishing in its ability to be compelling with such a small story. Much of the film is spent inside Julian’s multi-story home as Julian and Lori have low-level confrontations about a variety of things, including the meaning of his art, her abilities, the fate of the remaining “Christophers,” and more. Each conversation brings out more detail about their worldviews and their thoughts about their lot in life.

    Much of the success of the film lies in the performances of McKellen and Coel. The 86-year-old McKellen has not lost his ability to astonish with the spoken word, and the monologues he delivers are engrossing even when they’re about mundane things. Coel, best known for the 2020 HBO show I May Destroy You, is a great foil for McKellen, never backing down from his challenges and giving her own unique takes on her lines.

    While the film can be enjoyable for non-art lovers, those who appreciate the vagaries of the art world will have a lot to chew on. Soderbergh and Solomon debate a lot of aspects of art, including whether it’s possible to separate the art from the person making it, why some art is valued more than others, the ethics of forgery, and more. Because the film is about a fictional artist, it gives the filmmakers a bit more freedom in their criticisms.

    Aside from McKellen and Coel, Gunning (Baby Reindeer) and Corden are the only other two people who get significant screen time in the film. Both of them are, let’s say, acquired tastes, and each gives an elevated performance that matches the energy of their respective characters. Tilly Botsford makes a nice impression in a small role as Julian’s masseuse.

    Soderbergh’s last three films — Presence, Black Bag, and now The Christophers — have nothing in common other than the expert filmmaker helming all of them. When you can make a ghost story, a spy film, and a small film about artists equally interesting, you know you’re doing something right.

    ---

    The Christophers is now playing in theaters.

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