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Concert News

Jonas Brothers relight Burning Up Tour coming to Dallas this fall

Alex Bentley
Aug 17, 2026 | 9:49 am
Jonas Brothers

The Jonas Brothers will perform at American Airlines Center on November 10, 2026.

Photo courtesy of Jonas Brothers

A year after celebrating their 20th anniversary with a big tour, the Jonas Brothers are going on a fresh road trip with "The Burning Up Tour All Over Again," which will stop at American Airlines Center in Dallas on Tuesday, November 10.

The tour, an homage to the 2008 “Burning Up Tour” that became a defining moment for the band, was originally envisioned as just a series of concerts at Madison Square Garden.

But those concerts, which will take place August 20-22, proved so popular that the trio of Joe, Nick, and Kevin Jonas decided to expand it to 45-city U.S. and Canada tour, starting in Boston, Massachusetts on September 25.

The tour, taking place through December 21, will have additional Texas stops in Austin on November 13 and San Antonio on November 14.

They'll be supported by special guests Franklin Jonas and Deleasa at all three Texas dates.

The Jonas Brothers' tour last year was in support of their 2025 album, Greetings from Your Hometown. The group has no new music currently planned for release.

"Our last tour reminded us just how much this music means to us and to the fans who've been with us from the start," said the Jonas Brothers in a statement. "The response was so overwhelming announcing the MSG shows that we knew we couldn't stop at New York. We're taking The Burning Up Tour All Over Again on the road so we can relive it with all of you, city by city. We can't wait to run it back with all of you.”

In addition to the tour, the band will serve as the halftime performers for the NFL's first-ever regular-season game in Australia on September 11. They were also inducted as Disney Legends at D23, giving them one of The Walt Disney Company's highest honors.

Tickets for the tour will be available starting with the Spotify Reserved presale in the US on Tuesday, August 18 at 8:28 am.

Eligible Spotify Premium top fans will have tickets to their preferred show set aside for them to purchase before they go on sale to the general public.

Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, August 21 at 10 am at Ticketmaster.com.

THE BURNING UP TOUR ALL OVER AGAIN DATES

  • Fri, Sep 25 - Boston, MA - TD Garden
  • Sat, Sep 26 - Manchester, NH - SNHU Arena
  • Mon, Sep 28 - Toronto, ON - RBC Amphitheatre
  • Wed, Sep 30 - Washington, DC - Capital One Arena
  • Thu, Oct 1 - Raleigh, NC - Lenovo Center
  • Fri, Oct 2 - Philadelphia, PA - Xfinity Mobile Arena
  • Mon, Oct 5 - Miami, FL - Kaseya Center
  • Tue, Oct 6 - Orlando, FL - Kia Center
  • Thu, Oct 8 - Atlanta, GA - State Farm Arena
  • Fri, Oct 9 - Birmingham, AL - Legacy Arena at the BJCC
  • Sun, Oct 11 - Tampa, FL - Benchmark International Arena
  • Tue, Oct 13 - Charlotte, NC - Spectrum Center
  • Thu, Oct 15 - Indianapolis, IN - Gainbridge Fieldhouse
  • Fri, Oct 16 - Columbus, OH - Nationwide Arena
  • Sat, Oct 17 - Lexington, KY - Rupp Arena at Central Bank Center
  • Mon, Oct 19 - Cleveland, OH - Rocket Arena
  • Tue, Oct 20 - Buffalo, NY - KeyBank Center
  • Thu, Oct 22 - Rosemont, IL - Allstate Arena
  • Sun, Oct 25 - Detroit, MI - Little Caesars Arena
  • Mon, Oct 26 - Pittsburgh, PA - PPG Paints Arena
  • Sun, Nov 1 - Milwaukee, WI - Fiserv Forum
  • Mon, Nov 2 - St. Paul, MN - Grand Casino Arena
  • Tue, Nov 3 - Kansas City, MO - T-Mobile Center
  • Thu, Nov 5 - Nashville, TN - Bridgestone Arena
  • Mon, Nov 9 - Oklahoma, OK - Paycom Center
  • Tue, Nov 10 - Dallas, TX - American Airlines Center
  • Fri, Nov 13 - Austin, TX - Moody Center
  • Sat, Nov 14 - San Antonio, TX - Frost Bank Center
  • Tue, Nov 17 - Palm Desert, CA - Acrisure Arena
  • Wed, Nov 18 - Los Angeles, CA - Hollywood Bowl
  • Sat, Nov 21 - San Francisco, CA - Chase Center
  • Sun, Nov 22 - Sacramento, CA - Golden 1 Center
  • Fri, Nov 27 - Glendale, AZ - Desert Diamond Arena
  • Sat, Nov 28 - Las Vegas, NV - MGM Grand Garden Arena
  • Mon, Nov 30 - San Diego, CA - Viejas Arena
  • Wed, Dec 2 - Anaheim, CA - Honda Center
  • Sat, Dec 5 - Seattle, WA - Climate Pledge Arena
  • Mon, Dec 7 - Salt Lake City, UT - Delta Center
  • Wed, Dec 9 - Denver, CO - Ball Arena
  • Thu, Dec 10 - Lincoln, NE - Pinnacle Bank Arena
  • Sat, Dec 12 - Sioux Falls, SD - Denny Sanford PREMIER Center
  • Tue, Dec 15 - Grand Rapids, MI - Van Andel Arena
  • Sat, Dec 19 - Belmont Park, NY - UBS Arena
  • Mon, Dec 21 - Newark, NJ - Prudential Center
concerts tours music
news/entertainment

Movie Review

Teenage Sex and Death at Camp Miasma gives horror a surreal twist

Alex Bentley
Aug 14, 2026 | 1:30 pm
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma
Photo courtesy of MUBI
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

The horror genre really ramped up in the 1970s and ‘80s, bringing with it a new subgenre - the slasher - that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death - a transgender person who has an air conditioning vent as a head/mask - may not just be a character created for the movies.

Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference - Norma Desmond from Sunset Boulevard - to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

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Teenage Sex and Death at Camp Miasma is now playing in select theaters

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