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Movie review

Outrageous comedy Joy Ride continues streak of winning films with Asian-led casts

Alex Bentley
Jul 5, 2023 | 1:44 pm

Movies with primarily Asian casts have seen a big uptick in recent years, spanning multiple genres, including heartfelt drama (The Farewell), big-budget romance (Crazy Rich Asians), a Marvel blockbuster (Shang-Chi and the Legend of the Ten Rings), and a Best Picture winner (Everything Everywhere All at Once). Now joining that list in a new category is the outrageous comedy Joy Ride.

Audrey (Ashley Park) and Lolo (Sherry Cola) are longtime best friends, growing up as the only Asian kids in their small hometown in Washington. Now an attorney, Ashley is asked to go to China to complete a big deal for her firm, with Lolo accompanying her as a translator because Ashley, who is adopted, doesn’t speak fluent Mandarin.

A school acquaintance, Deadeye (Sabrina Wu), happens to be going to China at the same time, and gloms on to them once they arrive. Soon joined by Audrey’s college best friend, Kat (Stephanie Hsu), who is now a famous actress in China, the group goes through a series of misadventures, first as part of Ashley’s business trip, and then in an attempt to track down her birth mother.

Directed by Crazy Rich Asians co-writer Adele Lim in her feature debut, and co-written by Lim, Cherry Chevapravatdumrong, and Teresa Hsiao, the film tries to walk a fine line between being a sweet story about friendship and delivering over-the-top, Hangover-style set pieces. The filmmakers do a solid job of establishing the bonds between Ashley & Lolo and Ashley & Kat, as well the exasperation over the antics of Deadeye and enmity between Lolo and Kat.

When the film goes for the gusto, it is laugh-out-loud hilarious, with a sexcapade sequence topping the list. While the high moments of the film work great, Lim seems to be in a hurry to get to the next big scene, as she and her co-writers fast-forward through a lot of narrative steps. The 95-minute film is the rare example of one that could have been longer to fill in the gaps of the story.

While the shocking scenes are the ones people will remember, the film actually works best when its humor is understated, such as Audrey’s boss (Timothy Simons) doing his best not to appear racist, a Chinese grandmother throwing shade and love in equal measures at the group, or Deadeye doing any number of off-kilter things on the periphery of scenes focused elsewhere.

Park, getting her biggest role to date outside of her supporting role in the Netflix show Emily in Paris, makes for a great lead, playing Audrey as buttoned-down but not too tight. Hsu, coming off an Oscar nomination for Everything…, turns in another memorable performance here. Cola is a lot of fun in what could be a breakout role for her, and Wu, a novice actor, impresses mightily as the possibly non-binary Deadeye.

Joy Ride is not as consistently funny as it could have been, but its showcase scenes are worth the price of admission, as is the opportunity to see four under-utilized Asian actors strut their stuff. The comedy genre is always in need of new blood, and this film makes a good case for more entries like it.

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Joy Ride opens in theaters on July 7.

Stephanie Hsu, Sherry Cola, Ashley Park, and Sabrina Wu in Joy Ride
Photo by Ed Araquel/Lionsgate

Stephanie Hsu, Sherry Cola, Ashley Park, and Sabrina Wu in Joy Ride.

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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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