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    Radio News

    One of Dallas' last rock stations KEGL The Eagle flips to sports talk radio

    Teresa Gubbins
    Oct 3, 2022 | 3:46 pm
    mike rhyner

    Mike Rhyner posted a photo of himself on Twitter announcing his new employer.

    Twitter

    In what is the worst-kept secret in the history of radio, longtime Dallas rock radio station 97.1 "The Eagle" KEGL-FM has changed to a talk radio format, headed up by big radio name Mike Rhyner, effective October 3.

    The station has rebranded as 97.1 The Freak, first reported by Richie Whitt on Sports Illustrated, featuring Rhyner, the former co-host of "The Hardline" afternoon show on 1310/96.7 The Ticket KTCK, from 1994 until he retired in January 2020.

    "It is finally here, The Freak weekday afternoons from 3 until 7 pm, I can't tell you how happy I am to be here," Rhyner said, before welcoming what he called his "longtime soulmate," Mike Sirois.

    Other programming on the channel will include personalities from SportsMap, the national sports radio network owned by Houston-based Gow Media, which also owns CultureMap. Airing on The Freak will be SportsMap Radio's Jason Page, who hosts a show called The Cash In, and Cole Thompson, who hosts a show called Just Sayin' It; they'll debut on October 3 at 10 pm.

    Before unveiling The Freak, the station aired a quick history of KEGL's previous formats including rock, top 40, even Spanish oldies, since its 1981 launch, with eras featuring Kidd Kraddick, pop, grunge, and Howard Stern.

    In their opening, Rhyner and Sirois discussed the weekend broadcast that led up to the switch.

    "We had freak songs all weekend and then Tom Petty's 'The Waiting' all day long — this is called stunting," Rhyner said. "That's what radio stations did, to find some way to while away the hours, but not give away too much."

    The new lineup is as follows:

    • 7-11 am: The Speakeasy with Jeff Cavanaugh, Kevin “KT” Turner, Julie Dobbs and Matt Cather
    • 11 am-3 pm: The Ben & Skin Show with Ben Rogers, Jeff “Skin” Wade, Krystina “K-Ray” Ray and Michael “Grubes” Gruber
    • 3-7 pm: The Downbeat featuring Rhyner, Sirois and Gruber

    While Rhyner is known for helping to co-found the concept of sports radio, KEGL owner iHeartRadio is describing the new format as “We Talk About What We Want" — so not just sports, but "Guy Talk."

    "We're going to be given the latitude to talk about whatever we want," Rhyner said. "Everyone here has a substantial sports background, we are sports radio nerds. But we also have another side to our radio profile and we're going to be allowed to explore that without fear of program director retribution. They know what we're going to do and they said, 'Go get 'em, boys.'"

    "Welcome back to the show that apparently never ends," Rhyner said.

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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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