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    Movie Review

    A-list movie stars face the apocalypse in Leave the World Behind

    Alex Bentley
    Dec 8, 2023 | 12:41 pm

    Films depicting apocalyptic times can come in many forms, from blockbuster movies to studio comedies to small independent dramas. The new Netflix film Leave the World Behind takes the route of a mystery, but one stocked with A-list names including Julia Roberts and Ethan Hawke.

    The film is kicked off by Amanda Sandford (Roberts) who rents a house on Long Island for her husband, Clay (Hawke) and family on the spur of the moment, after becoming enticed by an ad that says you can "leave the world behind." But their retreat is interrupted early when George Scott (Mahershala Ali) and his daughter Ruth (Myha’la Herrold) knock on their door late at night, saying they own the house and that they're fleeing a blackout in New York City.

    What follows is a tightly-wound suspense story on two fronts: First, between the two families, as Amanda is skeptical of their story and displays some barely-concealed racism; and second, in the world at large, as something appears to be happening. But with the film’s characters cut off from all communication outside of the house, they – and the audience – have no way of knowing what exactly it is.

    Written and directed by Sam Esmail, adapted from the book by Rumann Alam, the film feels like a chamber drama writ large. The majority of the film takes place in and around the house on Long Island, featuring conversations between Amanda, Clay, George, and Ruth in various combinations. Amanda and Clay’s children, Rose (Farrah Mackenzie) and Archie (Charlie Evans), take in the whole scene while mostly being ignored, leaving them to discover odd happenings in their own way.

    But Esmail also makes time for some big set pieces, including an oil tanker crashing headlong into a beach full of people, a plane falling from the sky, and self-driving Teslas causing chaos on a highway. The juxtaposition between the two extremes, combined with a story that withholds a lot of crucial information, may have some viewers feeling emotional whiplash, but Esmail melds them together in a way that the story rarely feels disjointed.

    The film also does a great job of showing just how insular people can be. The big moments that would shake most people to their core are, if not dismissed, then diminished by the characters in favor of the personal things going on in their families. On one hand, it’s understandable as everyone wants to take care of the people they love. On the other, typified by Rose’s constant complaints about the lack of internet preventing her from seeing the series finale of Friends, sometimes escaping feels better than acknowledging the world’s problems.

    Esmail, who’s best known as the creator of the TV show Mr. Robot, shows a flair for the dramatic in his filmmaking style. Moments of upheaval result in the camera tilting on its axis, making the audience feel as off-balance as the characters. There are also some fantastic technical shots, including the camera traveling through a car in impossible positions, as well as a car turning around with the camera seeming to float in air in front of the hood.

    Roberts, Hawke, and Ali make for a powerhouse lead trio, with Herrold more than holding her own against them. Roberts has not been in many movies in recent years (this and 2022’s Ticket to Paradise are her only films since 2018), but she proves here she hasn’t lost a step. Hawke’s milquetoast character gives him something different to play than recent roles, while Ali gives a performance that’s weighted with racial appeasement, potential grief, and intelligence. Kevin Bacon shows up for a brief but effective appearance.

    The message of Leave the World Behind is embodied in two portentous lines: Amanda saying early on, “I f***ing hate people,” and George noting late in the film, “Nothing frightens me more than a person unwilling to learn, even at their own expense.” It’s far from an uplifting film, but the acting, the story, and the filmmaking make it highly watchable nonetheless.

    ---

    Leave the World Behind is now streaming on Netflix.

    Mahershala Ali, Myha\u2019la Herrold, Julia Roberts, and Ethan Hawke in Leave the World Behind

    Photo by JoJo Whilden / courtesy of Netflix

    Mahershala Ali, Myha’la Herrold, Julia Roberts, and Ethan Hawke in Leave the World Behind.

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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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