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Movie review

AI doll is both creepy and hilarious in horror film M3GAN

Alex Bentley
Jan 6, 2023 | 10:15 am

There are some horror movies where fans go in wanting and expecting to be scared out of their minds. The new film M3GAN is not one of those. From the moment the trailer dropped, the star of the film – a child-sized AI-enabled doll – was turned into a meme, mostly because of a scene where M3GAN dances creepily in a hallway.

Viewing the film as a comedy is the only way to properly enjoy it, as nothing it contains can be taken seriously. Not that there aren’t some serious undertones to the story, as Gemma (Allison Williams) is given custody of her niece Cady (Violet McGraw) after Cady’s parents die in a car accident. While willing to take her in, Gemma is not exactly equipped to be a parental figure, as she’s obsessed with her work at a tech toy company.

Her latest invention is M3GAN (played by Amie Donald, voiced by Jenna Davis), a doll designed to become a kid’s best friend, able to react spontaneously to any and all conversations. Gemma unknowingly unlocks a more sinister side of M3GAN when she tells the doll to protect Cady from all physical and emotional harm. That becomes a job that M3GAN takes super-seriously, to the detriment of anyone or anything that dares look at Cady sideways.

Directed by Gerard Johnstone and written by Akela Cooper, the film is only scary if you’ve never watched a Chucky or an Annabelle movie before. To be sure, M3GAN is creepy as hell, with wide, unblinking eyes and a ramrod-still posture most of the time. But none of the scenes are set up to elicit screams; instead, it’s all about anticipating what kind of havoc the doll will wreak, and then laughing at what the filmmakers have put on the screen.

It’s also best not to think too hard about the victims of M3GAN’s murderous spree, as they include ones like kids and dogs that most films typically avoid. However, most of the violent scenes are stunted; the film is rated PG-13, which means that there is relatively little blood to be seen and almost nothing graphic. That’s a double-edged sword; a friendlier rating will bring in more viewers, but it leaves many of scenes of horror unsatisfying.

The filmmakers are not subtle about artificial intelligence being something that people should fear, also including an Alexa-like home smart device as part of the story. The film is seemingly set in the near future, where technology has advanced a little – but not too far – beyond what is currently available. This possible warning about where the world may be headed is overshadowed by the insanity put forth by M3GAN, though.

You don’t go to a film like M3GAN for the acting, but Williams and McGraw acquit themselves well anyway. With Donald providing the movements and Davis the voice, M3GAN becomes a wholly believable character, one that no one would want anywhere near them. The funny Ronny Chieng is mostly wasted as the CEO of the toy company.

Will M3GAN remain a part of pop culture past the end of January? It’s not likely, especially since it won’t go down as a memorable horror film. But for the first major movie release of the year, it provides more than enough entertainment to justify its existence.

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M3GAN is now playing in theaters.

M3GAN in M3GAN
Photo by Geoffrey Short/Universal Pictures
M3GAN in M3GAN
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Movie Review

A collision of humor and dark history make an impact in Wild Horse Nine

Alex Bentley
Nov 5, 2026 | 10:58 am
Sam Rockwell and John Malkovich in Wild Horse Nine
Photo courtesy of Searchlight Pictures
Sam Rockwell and John Malkovich in Wild Horse Nine.

It’s difficult to nail English writer/director Martin McDonagh down when it comes to his interests. Prior to his new film, he has set films in Bruges, Belgium; Los Angeles; the fictional small town of Ebbing, Missouri, and a remote island in Ireland, with stories that deal with crime, grief, lifelong friendships, and a kidnapped Shih Tzu. What all his films have in common though, is comedy that is mined through absurdity, something that is on full display in Wild Horse Nine.

Chris (John Malkovich) and Lee (Sam Rockwell) are CIA agents in 1973, currently stationed in Chile, with a mission that Lee tries to hide but Chris broadcasts willingly. Their assignment is to undermine support for the newly-elected socialist president, Salvador Allende, but the film is not really about that. Instead, it follows the duo on a break from work as they decide to take a side trip to Rapa Nui (aka Easter Island) so that Chris can fulfill his dream of seeing “the big heads.”

Once they’re there, Chris and Lee bicker over various things, including Chris being too open with two younger women, Monica (Mariana di Girolamo) and Alicia (Ailín Salas); who gets control over their rental car; the long-distance interference of CIA station chief MJ (Steve Buscemi); and more. All the while, a mostly unspoken agreement between Chris and Lee colors every decision they make, including why they came to Rapa Nui in the first place.

McDonagh has full control over the narrative of the film from minute one, establishing the tone through the super-quick banter between Chris and Lee that points to the strong bond the two share. A later revelation deepens the meaning of the story without taking away from the humor that comes from Chris and Lee sniping at each other. Despite the two characters not getting much of an introduction, they become a very memorable movie twosome as the film goes along.

A good working knowledge of 20th century world history is helpful, as McDonagh drops in subtle and not-so-subtle hints about the CIA’s involvement in certain notable events (including the JFK assassination, which takes on larger importance as the story goes on). Using real history like the impending coup d'état in Chile as a backdrop for the fictional story grounds the film, allowing the characters to engage in sometimes farcical elements without ever seeming like unserious people. It’s also a sly commentary on current events, with the U.S. continuing to insert itself into other countries’ affairs.

The impact of the film is immeasurably improved by the fact that they filmed on location in Chile and Rapa Nui. Having Chris and Lee visit the “big heads” (aka moai) while referencing them in their dialogue is both awe-inspiring and hilarious. There’s just something about the characters being able to get up close and personal with the ancient sculptures that makes the film feel more important than if they had employed CGI to put them there.

Malkovich is a two-time Oscar nominee with a storied career, but this performance ranks as one his best. With a face that unashamedly shows his 73 years and pitch perfect line deliveries, he nails every scene that he’s in. Rockwell complements him extremely well, giving a performance that fits in with his previous work but rarely on such a high level. Buscemi is also a pleasure to watch, popping up to steal small moments just like he did in the recent The Only Living Pickpocket in New York.

Save for a few action scenes, Wild Horse Nine is mostly filled with characters talking, but the level of the conversations and the comical moments that McDonagh has created contain cannot be understated. With a tour-de-force performance by Malkovich, a real world setting, and a funny twist on history, it’s one of the best movies of the year.

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Wild Horse Nine opens in theaters on November 6.

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