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    Movie review

    AI doll is both creepy and hilarious in horror film M3GAN

    Alex Bentley
    Jan 6, 2023 | 10:15 am

    There are some horror movies where fans go in wanting and expecting to be scared out of their minds. The new film M3GAN is not one of those. From the moment the trailer dropped, the star of the film – a child-sized AI-enabled doll – was turned into a meme, mostly because of a scene where M3GAN dances creepily in a hallway.

    Viewing the film as a comedy is the only way to properly enjoy it, as nothing it contains can be taken seriously. Not that there aren’t some serious undertones to the story, as Gemma (Allison Williams) is given custody of her niece Cady (Violet McGraw) after Cady’s parents die in a car accident. While willing to take her in, Gemma is not exactly equipped to be a parental figure, as she’s obsessed with her work at a tech toy company.

    Her latest invention is M3GAN (played by Amie Donald, voiced by Jenna Davis), a doll designed to become a kid’s best friend, able to react spontaneously to any and all conversations. Gemma unknowingly unlocks a more sinister side of M3GAN when she tells the doll to protect Cady from all physical and emotional harm. That becomes a job that M3GAN takes super-seriously, to the detriment of anyone or anything that dares look at Cady sideways.

    Directed by Gerard Johnstone and written by Akela Cooper, the film is only scary if you’ve never watched a Chucky or an Annabelle movie before. To be sure, M3GAN is creepy as hell, with wide, unblinking eyes and a ramrod-still posture most of the time. But none of the scenes are set up to elicit screams; instead, it’s all about anticipating what kind of havoc the doll will wreak, and then laughing at what the filmmakers have put on the screen.

    It’s also best not to think too hard about the victims of M3GAN’s murderous spree, as they include ones like kids and dogs that most films typically avoid. However, most of the violent scenes are stunted; the film is rated PG-13, which means that there is relatively little blood to be seen and almost nothing graphic. That’s a double-edged sword; a friendlier rating will bring in more viewers, but it leaves many of scenes of horror unsatisfying.

    The filmmakers are not subtle about artificial intelligence being something that people should fear, also including an Alexa-like home smart device as part of the story. The film is seemingly set in the near future, where technology has advanced a little – but not too far – beyond what is currently available. This possible warning about where the world may be headed is overshadowed by the insanity put forth by M3GAN, though.

    You don’t go to a film like M3GAN for the acting, but Williams and McGraw acquit themselves well anyway. With Donald providing the movements and Davis the voice, M3GAN becomes a wholly believable character, one that no one would want anywhere near them. The funny Ronny Chieng is mostly wasted as the CEO of the toy company.

    Will M3GAN remain a part of pop culture past the end of January? It’s not likely, especially since it won’t go down as a memorable horror film. But for the first major movie release of the year, it provides more than enough entertainment to justify its existence.

    ---

    M3GAN is now playing in theaters.

    M3GAN in M3GAN
    Photo by Geoffrey Short/Universal Pictures
    M3GAN in M3GAN
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    Movie Review

    Supergirl loses the sense of fun that Superman brought to DC Comics films

    Alex Bentley
    Jun 26, 2026 | 12:00 pm
    Milly Alcock in Supergirl
    Photo courtesy of DC Studios and Warner Bros. Pictures
    Milly Alcock in Supergirl.

    The new Superman in 2025 brought with a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

    When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

    Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

    Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

    Milly Alcock and Krypto in Supergirl Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

    To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

    Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

    Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

    While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

    ---

    Supergirl is now playing in theaters.

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