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    Movie Review

    Fresh face Julio Torres breaks through with absurd and topical Problemista

    Alex Bentley
    Mar 15, 2024 | 2:00 pm
    Problemista

    Julio Torres in Problemista

    Photo courtesy of A24

    The best thing about the art of movies is that there will always be someone willing to push the boundaries. Filmmakers like Charlie Kaufman, Yorgos Lanthimos, Wes Anderson, Kelly Reichardt, and more don’t play by the rules of more mainstream people, which makes their films stand out for movie lovers. Joining that list is actor, writer, and now director Julio Torres, thanks to his breakout film, Problemista.

    Torres – who looks like a Latino Justin Long - plays Alejandro, an immigrant from El Salvador who’s hanging on by the skin of his teeth in New York City. He has a dream of landing a job with toymaker Hasbro (although his ideas are, shall we say, off-kilter), but takes other less-desirable jobs to maintain his work visa. As the film begins, he’s working for FreezeCorp, which hosts the bodies of people who’ve decided to freeze themselves in hopes of being re-animated in the future.

    It’s there that he encounters the manic Elizabeth (Tilda Swinton), whose artist husband Bobby (RZA) froze himself after a terminal cancer diagnosis. A mishap results in Alejandro getting fired, and since he needs a job to stay in the country, he soon agrees to be an assistant to Elizabeth, who is desperately trying to sell Bobby’s old paintings – all with an egg motif – in order to keep paying for Bobby’s storage.

    Torres, who until this point was best known for writing on Saturday Night Live and co-creating the HBO show Los Espookys, has made a delightfully weird film with all sorts of fun details and slyly observant storytelling. With Alejandro almost always one step away from being deported, it is very much a contemporary immigration story. Torres makes sure to keep this part front of mind with repeated trips to an immigration lawyer and calls back home to Alejandro’s mother.

    But the tone of the film is one of barely controlled absurdity, demonstrated in scenes showing Alejandro’s multiple roommates, his attempts at earning cash with side gigs, or, especially, his interactions with Elizabeth. Elizabeth is, to put it kindly, all over the place, with her seemingly ADHD mind never able to keep anything organized – her thoughts, her home, or – in a running gag – her database of Bobby’s paintings.

    Somehow, Torres keeps the story on the rails by contrasting the opposite personalities of Alejandro and Elizabeth in highly entertaining ways. The pleasure of seeing the timid Alejandro - who sports a constant cowlick in his hair and has a kind of a bouncy way of walking - match up against the off-the wall Elizabeth - who’s never met a person she wouldn’t confront - has a consistency to it, and the film rarely dips in momentum.

    Alejandro is the type of mild-mannered character that normally fades into the background, but Torres makes him eminently watchable with the previously-mentioned quirks and more. He holds his own against the tour-de-force performance by Swinton, who is scarily believable as the frenzied Elizabeth. Plenty of people are sure to know someone who exhibits similar traits, and she nails every nuance perfectly.

    With a fun-but-odd story that also touches on a hot-button topic in a sincere-but-light way, Problemista may have a chance to gain a similar fandom to those who liked Everything Everywhere All at Once. Torres has established himself as an actor, writer, and director to watch – not bad for his feature film debut.

    ---

    Problemista is now showing in select theaters.

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    Movie Review

    Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 12:43 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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