Movie Review

Sonic the Hedgehog 3 gives video game fans exactly what they want

Sonic the Hedgehog (Ben Schwartz) in Sonic the Hedgehog 3

Photo courtesy of Paramount Pictures

The first Sonic the Hedgehog movie in 2020 was one of the few video game adaptations that managed to appeal to both fans of the Sega game and those who just want to watch a fun movie. As the series moved into a second and now third film, though, it’s become increasingly reliant on giving the video game fans what they want, with not as much attention paid toward simply telling a good story.

In Sonic the Hedgehog 3, Sonic (voiced by Ben Schwartz) continues to live with human friends Tom (James Marsden) and Maddie (Tika Sumpter), as well as Tails (Colleen O’Shaughnessey) and Knuckles (Idris Elba), who stuck around after the events of the second film. Dispensing with any kind of narrative coherence, the trio is called away by an undefined military force to help with the escape of Shadow (Keanu Reeves), another alien hedgehog who has been locked away off the coast of Japan for many years.

Suffice it to say that the trio does not initially fare well against the powerful Shadow, forcing Sonic to do the unthinkable: Ask his nemesis, Dr. Ivo Robotnik (Jim Carrey), for help. What Sonic doesn’t anticipate is that Shadow has a history that left him with a grudge against most of human society, and he’s intent on using his powers - with a little help from his former mentor, Gerald Robotnik (also Carrey) - to exact his plans for revenge.

Made by the same team of director Jeff Fowler and writers Pat Casey, Josh Miller, and John Whittington from Sonic the Hedgehog 2, the film is a combination of manic action, jokey sequences, and a dash of heart. The addition of Shadow ups the mayhem considerably, and the filmmakers rarely slow things down (although, oddly, the super-speed of Sonic and company feels lessened this time around).

The initial casting of Carrey gave the comic actor permission to indulge in whatever wackiness he could imagine, and giving him two roles in this film means double the nonsense. Ivo and Gerald (who’s Ivo’s grandfather, for the record) face off in a number of silly scenes, none more absurd than a dance sequence aboard a space station threatening to explode Earth (yeah, this movie is a lot).

Does the plot make a lick of sense? Absolutely not, but the filmmakers seem to acknowledge that fact, throwing anything and everything at the screen to try to entertain kids and/or fans of the video game series. It should come as no surprise that the end credits tease yet more characters from the video games joining the franchise, making it abundantly clear who is expected to get the most enjoyment out of the series going forward.

In addition to Carrey, the voice actors continue to make the characters fun. Schwartz and O’Shaughnessey provide the cartoon-style acting, while Elba and now Reeves give a nice counterbalance with their deep and serious voices. Marsden and Sumpter aren’t given much to do this time around, and Krysten Ritter shows up as Director Rockwell, a character who’s mostly there to move what little plot there is further along.

A four-quadrant movie is one that appeals to all ages and genders; Sonic the Hedgehog 3 is a one or maybe two-quadrant movie at most. But it’s more fun than the other family-friendly offering this Christmas season, and fans of the video game will likely love the depiction of their favorite characters on screen, so it’s doing something right.

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Sonic the Hedgehog 3 is now playing in theaters.

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Movie review

Over-the-top The Bride! makes other Frankenstein movies seem subtle

Photo by Niko Tavernise

Christian Bale and Jessie Buckley in The Bride!.

The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

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The Bride! is now playing in theaters.