State Fair News

State Fair of Texas issues 2025 guide for arts & crafts blue ribbons

State Fair of Texas blue ribbons

SFOT

The time has come for crafty Texans to showcase their creativity: The State Fair of Texas has issued the 2025 version of its Arts & Crafts and Cooking Contest Guides, now available for download at BigTex.com/CreativeArts.

The State Fair’s Creative Arts team holds two kinds of contests: pre-Fair arts and crafts contests like quilting and jam-making; and Fair-time cooking contests, like best bread and best dish with cheese. There are more than 1,100 arts and crafts categories and 26 cooking contests.

Pre-fair contests
The 2025 Arts & Crafts Contests include Fine Art; Ceramics; Designer Craftsman; Dolls; Canning; Hobby Collections; Holiday Corner; Needlepoint, Crewel, and Counted Cross-Stitch; Needlework and Sewing; Afghans, Rugs, Quilts, and Bedspreads; Photography; Scale Models; Glue-a-Shoe; and The Great Pumpkin Challenge.

Actual registration for the 2025 pre-Fair contests will open online on May 7 with a deadline of Monday, July 28, to submit online entry forms and fees.

Contestants can submit their entries via mail by July 28 or hand-deliver items to the Creative Arts building in Fair Park on August 1, 2, and 3 from 9 am-5 pm.

In the weeks following, entries will be judged, and contestants will be notified once the results are finalized. Entries awarded a ribbon will be displayed during the 2025 State Fair of Texas.

Cooking Contests
The 2025 Cooking Contests include Bread; Cooking With Cheese; Honey, the Magic Ingredient; Beekeepers Honey, Farm to Fork; Chocolate; Pizza Cook-Off; Youth Cooking Contest; Best of Show-Down (invitation only); Play with your Food; Dough-Re-Me Pastry; Soup or Salad; Ice Cream Freeze-Off; The Ultimate Grilled Cheese Challenge; Charcuterie Board; Texas Chuck Wagon; International Cuisine; Speedy Dishes; Fair Concoctions; Chicken or the Egg; Cobbler Cook-Off; Tex Mex; and Candy.

The 2025 State Fair of Texas Cooking Contest Guide and the Cooking Contest Calendar are now available, with online registration opening on May 7, and closing Monday, July 28.

Blue Ribbon Battle
The State Fair of Texas is bringing back the Battle for the Blue Ribbons – a spring cooking competition consisting of three of the Fair’s most popular Creative Arts Cooking Contests: Cookies, Cakes, and Pies, running from May 16-May 18.

Amateur home cooks of all ages may enter for the chance to be awarded first, second, third, and honorable mention for a total of 40 blue-ribbon winners who will be invited to compete in their respective contests at the exclusive Best of Show-Down in the Competition Kitchen during the 2025 State Fair of Texas on October 5, 2025.

One contestant from each of the three contests will be awarded a Best of Show ribbon, allowing them to advance to a head-to-head battle for the Best of Show-Down grand prize. For more information about this specific competition and to register, visit BigTex.com/Battle.

Registration
Participants are encouraged use the online registration system for all contests. It allows the creation of a family account, which permits adults in the household to add additional contestants to the account and register youth contestants. Youth contestants will have their own designated entries for Creative Arts competitions, but all communications regarding those entries are sent to the primary adult on the account.

Although there are paper registration forms in the Arts & Crafts and Cooking Contest Guides that can be mailed to the Fair, it is recommended to use the online registration portal to ensure contestants receive helpful reminders and judging results of their respective contests.

The 2025 State Fair of Texas will opening on Friday, September 26, and run through Sunday, October 19.

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Movie Review

Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

Photo by Matt Grace

Jack Black and Paul Rudd in Anaconda.

In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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Anaconda is now playing in theaters.

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